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2,305 results for ""CREATIV"".

Found in catalogs (50+)

• Business Screen 1963,1964 — page 1403

  FORUM ON FILM CREATIVITY Industrial Audio-Visual Executives Were Asked: "How Do You Define, Apply Creativity in Films?" 'T'nhst Ti N members ol…

• Business Screen 1969 — page 450

  Two Pixies, FEAR and DESIRE, presen New Creative Selling concept in an original sales training program New concept reduces all the factors which prevail…

• Business Screen 1963,1964 — page 1303

  THE PURSUIT OF INNOVATION Creativity is Challenging Topic as Industrial A-V Executives Hold Fall Sessions at Tarrytown, N. Y. /"Creativity in business — how…

• Business Screen 1969 — page 257

  …The Multiplier Would it help you if you could develop salesmen in your branch offices as effectively as in the home office? The "Creative…

• Business Screen 1970 — page 236

  …10036 (212) 586-1428 voice of creativity . . . continued of his creative ability, to properly convey the idea and subject matter, and fight for the…

• Business Screen 1967,1968 — page 751

  p "What's the secret of winning Creative Awards'?'" "Creative Clients, that's what nong the films Ihat have won awards; "HE TRUE AND…

• Business Screen 1967,1968 — page 427

  …Creativity's an Elusive Bird on N\ ing Audio moved its cameras right into the of- ices of a sizable number of agency creative…

• See and Hear 1950,1951,1952 — page 377

  Visual Tools Build Young Learners' Interest Art Creativeness & Filmstrips by Ann M. Lally of The Chicago Board of Education WHILE CREATIVE ART WORK is…

• Business Screen 1959,1960 — page 545

  …Let's St a) Creative . by Lee Blair, I ihu (•ia|>lii(s and Television Graphics AQKEA T deal has been written and spoken…

• Business Screen 1965,1966 — page 781

  …more and more accounts have found it pays to tnist their film projects to a creative, quahty prodiicer: MPO. To Icam more about MPO…

• Business Screen 1963,1964 — page 589

  …Through the years, more and more accounts have found that it costs no more to trust their film projects to a creative, quality producer…

• See and Hear 1951,1952,1953 — page 131

  T'isual Tools Build ) oiiiifi LfttrinTs' Intrrrst Art Creativeness k Filmstrips by Ann M. Lally of The Chicago Board of Education WHILK CREATIVE ART…

• Business Screen 1965,1966 — page 1024

  …Everyone faced with the reality of TV advertising in color, is now budgeting costs that often preclude the comparative ineffec- tual creativeness of the…

• Business Screen 1957 — page 347

  Robert Lawrence Productions Forms a Creative Department Kuhert Lawrence IVmluctions. Inc.. New ^ ork. has established a creative department to provide a counseling service for…

• Educational Screen 1951,1952,1953 — page 1004

  …stimulates teacher and pupil to react creatively DL iiitax and cZi a ANEW SERIES OF FILMS called The Guitar and Eye* has stimulated some…

• Business Screen 1961,1962 — page 592

  ! fK .» ® I A Prize Kodak Picture Shows the Role of Creativity in Photography How Do You Tell the story of creativity, a highly subjective…

• Business Screen 1970 — page 235

  U'T'HE QUIET voice of creativity" is -*- perhaps the best way to describe Mort Golclshi>ll of Cu>ldsholl & Associates, today considered one…

• Business Screen 1969 — page 779

  …A "creative environment" open house was )lanned to open a new suite of offices lo- ated high above the Long Beach shorefront or three…

• Business Screen 1958 — page 363

  CommunicationsForBusiness Integrated Creative Services for YOUR ORGANIZATION in One or All of Five Important Areas . . RESEARCH CREATIVE SERVICES FOLLOW-UP CHU'ACO NEW YOKK…

• Business Screen 1970 — page 73

  …There are companies who misuse their buying power in the creative market, who tap the creative intelligence of filmmakers with no compensation. If you…

• Business Screen 1954 — page 343

  ORIGINALITY Originality is the forerunner of progress in every field of human en- deavor, and through creative skill successfully attains its objective. In so…

• Business Screen 1958 — page 345

  …S' * * >:= Transfilm, Inc., Appoints Ned Smith Creative Director 5^ Appointment of Ned Smith as a creative director at Transfilm Incorporated, New York City, has…

• Business Screen 1959,1960 — page 803

  …Coordinator John Bruun, Creative Director George Tnrek, Senior Eng., Engrg. Dept. Larry Wellington, Creaf/i'P Musical Director Howard Alk, Head of Editing Dept…

• Business Screen 1961,1962 — page 139

  …Drake, Vice-President & Creative Director James H. Johnson, Vice-President & Production Director Services: Creative and production services for films, meetings, field programs, visual materials…

• Business Screen 1957 — page 581

  …Kreger Wilding Picture Productions Forms Creative Marketing Unit -X A new creative marketing services department has been formed at Wilding Picture Productions. Inc.. according…

• Business Screen 1957 — page 89

  …THE TRANSFILM AIM To maintain a creative organization that will thoroughly understand the individual problems and opportunities of each client and produce for him…

• Business Screen 1957 — page 407

  …The Story of Creative Capi- tal. 20 min.. color, produced by John Sutherland Productions. Inc. K The Story of Creative Capital, one of four…

• Business Screen 1969 — page 606

  …Norburn International Harvester Co. "CREATIVE STEEL_FOR CREATIVE INDUSTRY"' Producer— H. K. Knipp Director— Hex Stearns BUSINESS SCREI

• Business Screen 1963,1964 — page 573

  …U ;:: * * Until Kalny Joins .\^eney as Broadcast Creative Direelor •i Ruth L. Ratny has been named broadcast creative direc- tor for Powell. Schoenbrod & Hall…

• Business Screen 1959,1960 — page 1160

  "How to sell CREATIVELY" ... a new DARTNELL film that clearly devionstrates the four prbiciples of creative salesmanship . . . SELL MORE SELL NEEDS .SELL UP SELL…

• Educational Screen 1942 — page 15

  …Integration of Art Appreciation and Creative Expres- sion in Art. Literature, Dramatics. Social Studies and Music created greater understanding and interest on the part…

• Business Screen 1970 — page 71

  …Based on this and interviews with the filmmakers, a creative fee for re- search and treatment is awarded to one filmmaker. At this point…

• Business Screen 1961,1962 — page 559

  …To learn more about MPO's creative staff and studio facilities, or to arrange a screening of recent MPO pro- ductions, call Judd Pollock…

• Business Screen 1961,1962 — page 219

  …To learn more about MPO's creative staff and studio facilities, or to arrange a screening of recent MPO pro- ductions, call Judd Pollock…

• Business Screen 1957 — page 254

  …197S was produced by Creative Arts Studio, of Washington. D.C.. and it is based on a slide presentation de- veloped by the National…

• Business Screen 1959,1960 — page 309

  …Need to Foster Creativity Although the approach to the subject is sometimes humorous, the importance of fostering creative ability to an individual, to a…

• Business Screen 1961,1962 — page 19

  …To learn more about MPO's creative staff and studio facilities, or to arrange a screening of recent MPO pro- ductions, call Judd Pollock…

• Business Screen 1967,1968 — page 218

  …suiting in other creative areas of the company. Since 1962, he has been with Fuller & Smith & Ross, Inc., as vice president and creative direc…

• Business Screen 1953 — page 219

  …That's why a factual message — even though beautifully pictured— needs the creative touch of imagination. This fourth dimension in the art of creating…

• Business Screen 1959,1960 — page 1298

  …For further information regarding MPO's creative staff and studio facilities, or to arrange a screening of recent MPO productions, call Judd Pollock at…

• Business Screen 1959,1960 — page 1249

  …For further information regarding MPO's creative staff and studio facilities, or to arrange a screening of recent MPO productions, call Judd Pollock at…

• Business Screen 1954 — page 278

  …another example of how creative thinking adds an all important 4th dimension to the success- ful sponsored motion picture. dynamic films inc. 112 WiST…

• Business Screen 1963,1964 — page 377

  …Technicians and creative personnel are in constant and close communication throughout every phase of film making. We're proud of our new facilities and…

• See and Hear, 1949, 1951 — page 154

  …Psychologists tell us that creative ability is not so much a matter of genius as it is something which springs from a deep reservoir…

• See and Hear, Sept 1949 — page 20

  …Purchase: $5 EB Films “The Airport” EBFilms. > first f Creative Hands Series iow how the Circus (2 films) Sound Ctobaipn: senslecnsr is me Paper…

• See and Hear 1948 — page 496

  …Psychologists tell us that creative ability is not so much a matter of genius as it is something which springs from a deep reser…

• See and Hear 1946,1947 — page 345

  …This bulletin board display is evidence of the creative imagination inspired among the senior high school students as the result of their experences with…

• Business Screen 1953 — page 387

  …That's why a factual message — even though beautifully pictured— needs the creative touch of imagination. This fourth dimension in the art of creating…

• Business Screen 1961,1962 — page 39

  …We'll be glad to counsel with you anytime — anywhere. «o H O LL A N CREATIVENESS AND EFFECTIVENESS IN C O M M…

• Educational Screen 1938 — page 260

  …The primary purpose of the undertaking was to per- manently portray the techniques employed in the creative projects of this teacher training institution. Then…