| 1995 |
It Takes Two |
Price Vowell Associates |
97 min |
16mm |
Color |
sound |
| 1995 |
Moving the mountain |
Michael Apted |
83 |
16mm |
Color & B&W |
sound |
| 1995 |
Phantasmagoria |
Oplinger Curtis |
|
16mm |
|
sound |
| 1995 |
Shock |
National Audio-Visual Center (NAVC) |
|
|
Color |
|
| 1995 |
The Cure |
Mutual Film Corp |
24 |
16mm |
Color |
sound |
| 1995 |
The Mail |
Laila Pakalniņa |
400 ft. |
16mm |
B&W |
Sound & Silent |
| 1995 |
The Surgeon |
Amer College Of Surgeons |
|
16mm |
|
sound |
| 1995 |
The Written Face |
Daniel Schmid |
90 |
16mm |
Color |
|
| 1995 |
Underground |
United World Films Kinetic Division / Division Of Universal City Studios Inc |
163 min |
16mm |
Color |
sound |
| 1994 |
A Voice In The Wilderness |
Cathedral Films Inc / Outreach Films |
|
16mm |
|
sound |
| 1994 |
Amazing Grace. |
Amos Guttman |
3:00 |
16mm |
|
sound |
| 1994 |
Burnt by the sun |
Kino International |
132 mi |
16mm |
Color |
sound |
| 1994 |
Coming out under fire |
Zeitgeist Films |
71 |
16mm |
B&W |
sound |
| 1994 |
Don't Talk To Strangers |
Robert Lewis |
90 min |
16mm |
Color |
sound |
| 1994 |
Forgotten tenor : |
a tribute to tenor saxophonist Wardell Gray $h [videorecording]/ produced, directed, filmed and edited by Abraham Ravett. |
138 |
16mm |
Color & B&W |
sound |
| 1994 |
High school II. |
Zipporah Films |
8145 |
16mm |
|
sound |
| 1994 |
Linnea in Monet's garden |
First Run/Icarus |
30 |
16mm |
Color |
sound |
| 1994 |
Puppets |
Aleksandr Levin, Vasili Pichul, Boris Shuvalov |
|
|
|
|
| 1994 |
River Of Grass |
A-V Explorations Inc |
76 min |
16mm |
Color |
sound |
| 1994 |
River of Grass |
Kelly Reichardt |
12:00 |
|
Color |
|
| 1994 |
Rules of the Game |
Journal Films |
600 ft. |
|
|
|
| 1994 |
Stolen Childhood |
Amer Documentary Films Inc |
90 min |
16mm |
Color |
sound |
| 1994 |
Teen Suicide |
ABC |
|
16mm |
|
sound |
| 1994 |
The Shadow |
White Lion Pictograph |
108 min |
16mm |
Color |
sound |
| 1994 |
The Shadow |
Russell Mulcahy |
12:00 |
|
Color |
|
| 1994 |
Thumbelina |
Don Bluth, Gary Goldman |
83 min |
|
Color |
|
| 1994 |
To Live |
Contemporary Films |
132 min |
16mm |
Color |
sound |
| 1994 |
Trial By Jury |
Indiana University Audio-Visual Center: Distributor | University of Washington School of Law: Distributor |
0:31:28 |
16mm |
B&W |
sound |
| 1994 |
Which way is east |
Canyon Cinema |
33 |
16mm |
Color |
sound |
| 1994 |
Without Consent |
Pyramid |
|
16mm |
|
sound |
| 1993 |
Beatrice Wood: Mama of Dada |
Facets Multimedia |
55 |
16mm |
Color |
|
| 1993 |
Blood Ties: The Life and Work of Sally Mann |
Moving Target Productions |
30 |
16mm |
Color |
|
| 1993 |
Degenerate Art |
David Grubin |
56 |
16mm |
Color |
|
| 1993 |
Down the Drain |
Shinobu Yaguchi |
8 |
16mm |
Color |
|
| 1993 |
Haiku |
Terje Dragseth |
600 |
|
Color |
|
| 1993 |
Home Free |
Glen Salzman |
20 |
16mm |
Color |
sound |
| 1993 |
Home Free |
James Widdoes |
|
|
|
|
| 1993 |
King of the Hill |
Arthur Barr Productions and Forsberg Associates |
103 min |
16mm |
Color |
sound |
| 1993 |
Much Ado About Nothing |
Kenneth Branagh |
111 min |
|
Color |
|
| 1993 |
Point Of No Return |
Natl Safety Council |
103 min |
16mm |
Color |
sound |
| 1993 |
Rookie of the Year |
Daniel Stern |
104 min |
|
|
|
| 1993 |
Searching for Bobby Fischer |
Films Incorporated |
107 mi |
16mm |
Color |
sound |
| 1993 |
Smoking |
Alain Resnais |
140 min |
|
Color |
|
| 1993 |
The Blonde |
Sergio Rubini |
600 ft. |
|
Color |
|
| 1993 |
The Lisa theory |
directed by Steven Okazaki. |
80 |
16mm |
Color |
sound |
| 1993 |
The Nutcracker |
Barr Films. |
|
|
Color |
|
| 1993 |
Time Indefinite |
Ross McElwee |
1:15 |
16mm |
Color |
|
| 1992 |
Brothers And Sisters |
AGENCY FOR INSTRUCTIONAL TECHNOLOGY |
92 min |
16mm |
Color |
sound |
| 1992 |
Cold |
Sophie Muller |
5 min |
|
Color |
|
| 1992 |
Cousin Bobby. |
Jonathan Demme |
2180 |
16mm |
|
sound |