| Experiments in motion graphics |
1968 |
Museum of Motion Art- John H Whitney |
400 ft. |
16mm |
Color |
sound |
| Exit |
1977 |
J. Walz |
6 |
16mm |
B&W |
sound |
| Exeter |
1972 |
International Film Bureau |
29 |
16mm |
Color |
sound |
| Exchange place |
1975 |
Texture Films |
10 |
16mm |
Color |
sound |
| Ex-convict |
1904 |
Museum of Modern Art |
12 |
16mm |
Color |
sound |
| Evolutionary fantasy: Ravel's "Bolero" |
1978 |
Films inc. |
13 |
16mm |
Color |
sound |
| Evolution of the red star |
1974 |
Serious Business |
8 |
16mm |
Color |
sound |
| Everything you wanted to know about puberty...for girls |
1991 |
Coronet/MTI |
13 |
16mm |
Color |
sound |
| Everything you wanted to know about puberty...for boys |
1991 |
Coronet/MTI |
16 |
16mm |
Color |
sound |
| Everything you always wanted to know about supervision |
1980 |
American Media Corporation |
0:28:00 |
16mm |
Color |
sound |
| Everyday chronicle |
1967 |
JANUS |
10 |
16mm |
Color |
sound |
| Everybody Rides the Carousel |
|
Pyramid |
72 min. |
16mm |
Color |
sound |
| Everybody knows that |
1984 |
phoenix/bfa |
15 |
16mm |
Color |
sound |
| Every dog's guide to complete home safety |
1988 |
Les Drew |
10 min |
16mm |
Color |
sound |
| Every child |
1979 |
National Film Board of Canada |
6 |
16mm |
Color |
sound |
| Evan's Corner |
1970 |
BFA Educational Media |
740 |
16mm |
Color |
sound |
| Europe 51 |
1952 |
produced by Carlo Ponti and Dino de Laurentiis ; direction, Roberto Rossellini. |
1:10 |
16mm |
B&W |
sound |
| Eugène Atget |
1963 |
McGraw-Hill |
10 |
16mm |
B&W |
sound |
| Eugenie |
1977 |
phoenix/bfa |
11 |
16mm |
Color |
sound |
| Eugene's Valet |
1979 |
Filmakers Library |
22 |
16mm |
Color |
sound |
| Euclidean illusions |
1979 |
S. Vanderbeek |
10 |
16mm |
Color |
sound |
| Ethiopian mosaic |
1967 |
International Film Bureau |
10 |
16mm |
Color |
sound |
| Eternal glory |
1972 |
J. Khlevner |
30 |
16mm |
B&W |
sound |
| Estampa flamenca |
1978 |
Dave Ellis Films |
28 |
16mm |
Color |
sound |
| Esso |
|
beacon |
26 |
16mm |
Color |
sound |
| Eskimo artist Kenojuak |
1964 |
McGraw-Hill |
20 |
16mm |
Color |
sound |
| Erwin Rommel, field marshal of the German Army |
1976 |
Time-Life Multimedia |
54 |
16mm |
Color |
sound |
| Erté |
1978 |
phoenix/bfa |
28 |
16mm |
Color |
sound |
| Ersatz |
1961 |
McGraw-Hill |
10 |
16mm |
Color |
sound |
| Epic of Gilgamesh |
1981 |
First Run/Icarus |
11 |
16mm |
Color |
sound |
| Entr'acte |
1924 |
Film Images |
13 |
16mm |
B&W |
silent |
| Enter life |
1982 |
Hubley Studio |
7 |
16mm |
Color |
sound |
| Enter Hamlet |
1965 |
Indiana University Audio-Visual Center: Distributor | Pyramid Films: Distributor |
0:03:00 |
16mm |
Color |
sound |
| Enough to share: a portrait of Koinonia Farm |
1982 |
Lightfoot Films |
28 |
16mm |
Color |
sound |
| Enemy alien |
1975 |
National Film Board of Canada |
27 |
16mm |
Color |
sound |
| End of the trail |
1967 |
McGraw-Hill |
:53 |
16mm |
B&W |
sound |
| End of a revolution? |
1967 |
Grove Press |
26 |
16mm |
B&W |
sound |
| En rachâchant |
1982 |
New Yorker |
9 |
16mm |
B&W |
sound |
| Emily Dickinson: a certain slant of light |
1977 |
Pyramid |
27 |
16mm |
Color |
sound |
| Emily and the doll |
1980 |
Films inc. |
15 |
16mm |
Color |
sound |
| Emergence of Eunice |
1980 |
Serious Business |
6 |
16mm |
Color |
sound |
| Emak-Bakia |
1927 |
TAG Gallagher |
18 |
16mm |
B&W |
silent |
| Elsa the lioness |
1968 |
Time-Life Films |
30 |
16mm |
B&W |
sound |
| Elsa and her Cubs |
|
Benchmark |
31 0:25:00 |
16mm |
Color |
sound |
| Ellis Island |
1972 |
David Wolper Productions |
12 |
16mm |
B&W |
sound |
| Ella Cinders |
1926 |
First National Pictures Inc |
11500 |
16mm |
B&W |
silent |
| Elizabeth Swados: the girl with the incredible feeling |
1977 |
phoenix/bfa |
39 |
16mm |
Color |
sound |
| Elevator/dance |
1980 |
American Federation of Arts |
3 |
16mm |
B&W |
|
| Elephants: fragments in an argument |
1973 |
Film Images |
27 |
16mm |
Color & B&W |
sound |
| Elephant boy |
1937 |
Audio Brandon |
80 |
16mm |
B&W |
sound |