| 1998 |
Via Satellite |
AEGIS |
|
16mm |
|
sound |
| 1998 |
Who Am I |
Dist By Films Inc |
108 min |
16mm |
Color |
sound |
| 1997 |
[Thomas Jefferson] |
to be added |
1 reel |
16mm |
Color |
sound |
| 1997 |
A biography of Lilith |
a film by Lynne Sachs. |
36 |
16mm |
Color |
sound |
| 1997 |
After The Game |
DOCUMENTARY EDUCATIONAL RESOURCES 5 BRIDGE ST WATERTOWN MA 02172 JOHN MARSHALL |
|
16mm |
|
sound |
| 1997 |
Conquest |
Teaching Film Custodians: Distributor | Teaching Film Custodians: Publisher |
0:23:43 |
16mm |
B&W |
sound |
| 1997 |
Contact! |
Calvin Productions Inc. |
3:00 |
16mm |
Color |
sound |
| 1997 |
Frank Lloyd Wright |
PBS Video |
161 |
16mm |
Color |
|
| 1997 |
Jenny |
Jeff Melman, Andy Ackerman, Leonard R. Garner, Jr. |
|
|
|
|
| 1997 |
Leave It To Beaver. |
Revue Studios. |
27 min. |
16mm |
B&W |
sound |
| 1997 |
Money Talks |
Brett Ratner |
91 min |
16mm |
Color |
sound |
| 1997 |
Necropolis |
directed by Russ Johnson. |
13 |
16mm |
Color |
sound |
| 1997 |
Perfect Crime |
Caterpillar Tractor Co. |
92 min |
16mm |
|
sound |
| 1997 |
Public housing. |
Frederick Wiseman |
73 |
16mm |
|
sound |
| 1997 |
The Red and the Black |
Jean-Daniel Verhaeghe |
29 |
16mm |
B&W |
|
| 1997 |
The Transport |
Cine World |
|
16mm |
|
sound |
| 1997 |
Thirteen |
direction, David Williams. |
87 |
16mm |
Color |
sound |
| 1997 |
To Fly |
Vittorio De Sisti |
97 min |
16mm |
Color |
|
| 1997 |
What Farocki taught |
a film by Jill Godmilow. |
30 |
16mm |
Color & B&W |
sound |
| 1997 |
With This Ring |
Fairbanks (Jerry) Productions |
40 min |
16mm |
Color |
sound |
| 1996 |
Before And After |
to be added |
103 min |
16mm |
Color |
sound |
| 1996 |
Buckminster Fuller: thinking out loud. |
Karen Goodman |
3250 |
16mm |
|
sound |
| 1996 |
Chain Reaction |
Handy (Jam) Organization |
106 min |
16mm |
Color |
sound |
| 1996 |
Daddy's Girl |
Agency for Instructional Television |
95 min |
16mm |
|
sound |
| 1996 |
Executive Decision |
Woroner Films |
127 min |
16mm |
Color |
sound |
| 1996 |
Fire |
Deepa Mehta |
12:00 |
|
Color |
|
| 1996 |
INDEPENDENCE DAY |
FitzPatrick Pictures Inc. |
138 min |
16mm |
Color |
silent |
| 1996 |
Mr Clean |
Proctor and Gamble |
|
16mm |
Color |
sound |
| 1996 |
Never Too Late |
Ideal Pictures Inc |
|
16mm |
Color |
sound |
| 1996 |
One Fine Day |
ishtar |
105 min |
16mm |
Color |
sound |
| 1996 |
Ransom |
University Park |
116 min |
16mm |
Color |
sound |
| 1996 |
The Battle Over Citizen Kane |
Thomas Lennon |
1:15 |
16mm |
Color |
|
| 1996 |
the elevator |
Arthur Borman, Nigel Dick, Rafal Zielinski |
|
|
Color |
|
| 1996 |
The Quest |
NFBC |
12:00 |
|
Color |
|
| 1996 |
The Right to Know |
Stephan Brenninkmeijer |
|
|
Color |
|
| 1996 |
The Ship |
22-2 Kanda Misakicho Chiyoda-Ku |
45 min |
16mm |
Color |
sound |
| 1996 |
Time On Our Hands |
Natl Assn Of Manufacturers Film Service Bureau |
|
16mm |
|
sound |
| 1996 |
Triste |
by Nathaniel Dorsky. |
18.5 |
16mm |
Color |
silent |
| 1996 |
Tuning the sleeping machine |
David Sherman. |
13 |
16mm |
Color |
sound |
| 1996 |
Turnpike |
Asphalt Institute Bldg |
|
16mm |
|
sound |
| 1996 |
Twister. |
Jan de Bont |
113 min |
16mm |
Color |
silent |
| 1996 |
Two If By Sea |
Natl Broadcasting Company |
92 min |
16mm |
Color |
sound |
| 1996 |
Vibrations |
Encyclopedia Britannica Films |
800 ft. |
|
Color |
|
| 1995 |
731 |
Universal Pictures Co. Inc. |
1 reel |
35mm |
|
sound |
| 1995 |
And Baby Makes Two |
Lesli Linka Glatter |
12:00 |
|
|
|
| 1995 |
Catherine the Great |
Marvin J. Chomsky |
180 min |
16mm |
|
sound |
| 1995 |
Cry the Beloved Country |
Darrell Roodt |
106 min |
16mm |
|
|
| 1995 |
Graphing Linear Equations |
Carla Cody Weaver |
|
|
|
|
| 1995 |
Hackers |
KQED |
27 |
16mm |
Color |
sound |
| 1995 |
Home Movies |
Darren Doane |
12:00 |
|
Color |
|