| 2025 |
Frankenstein |
Castle Films |
149 min |
16mm |
Color |
sound |
| 2025 |
Frankenstein |
Guillermo del Toro |
149 min |
16mm |
Color |
|
| 2025 |
Frankenstein |
Guillermo del Toro |
149 min |
|
Color |
|
| 2025 |
Levers |
Rhayne Vermette |
15 |
16mm |
B&W |
|
| 2025 |
Neglected |
Ashley Crippen |
0:33:00 |
16mm |
B&W |
sound |
| 2025 |
The Follies |
Rodrigo García Márquez |
3:00 |
|
Color |
|
| 2025 |
The Monkey |
Oz Perkins |
3:50 |
|
Color |
|
| 2025 |
Tornado! |
Cineworks (Firm) |
91 min |
16mm |
Color |
sound |
| 2026 |
Angels of war |
Alexander Kott |
|
|
|
|
| 2026 |
Matter of Time |
lcoa |
55 |
16mm |
B&W |
sound |
| 2026 |
Matter of Time |
Jeremy Snead |
12:00 |
|
|
|
| 2027 |
Animal Friends |
Film Associates |
10 |
16mm |
Color |
sound |
| 2027 |
Animal friends |
Peter Atencio |
|
|
|
|
| [195 |
The England of Elizabeth |
British Transport Commission Film Unit | International Film Bureau |
0:26:00 |
16mm |
Color |
sound |
| ca. 1947 |
Kenji Comes Home |
Protestant Film Commission. |
30 |
16mm |
B&W |
|
| ca. 1947 |
Reaching From Heaven |
Roland Reed. |
80 |
16mm |
B&W |
|
| ca. 1966 |
A Time To Speak |
Family Films. |
30 |
16mm |
Color |
|
| unknown/unknown |
Hansel and Gretel |
CRM/MGraw-Hill Films |
117 min |
16mm |
Color |
|
|
1,001 noughts |
Lauren Woodby |
|
|
|
|
|
86 |
Warner News Inc. |
1 reel |
35mm |
|
sound |
|
A Day in the life of Bonnie Consolo |
Barry J. Spinello |
|
|
|
|
|
A Woman To Remember |
Cathedral Films Inc / Outreach Films |
|
16mm |
B&W |
sound |
|
After the Flood |
Azhur Saleem |
|
|
|
|
|
Afterward |
United World Films Kinetic Division / Division Of Universal City Studios Inc |
|
16mm |
|
sound |
|
America's First Thanksgiving |
Virginia Dept. of Education |
12 min |
16mm |
Color |
sound |
|
Angotee: story of an eskimo boy |
Douglas Wilkinson |
|
|
|
|
|
Anokhi |
Chris Noonan |
|
|
|
|
|
Architects of England |
Strand Film Productions |
22 |
16mm |
B&W |
sound |
|
Art of Theora Hamblett |
University of Mississippi, Educational Film Production, University Extension, University, Mississippi |
20 min |
16mm |
Color |
|
|
At 99 - A Portrait of Louise Tandy Murch |
Deepa Mehta |
12:00 |
|
|
|
|
At 99: A Portrait Of Louise Tandy Murch |
peren |
|
16mm |
|
sound |
|
Aubade |
by Nathaniel Dorsky. |
11.5 |
16mm |
Color |
silent |
|
Australian diary. No. 099 |
Jack S. Allan |
|
|
|
|
|
Basic Law Terms |
Directions Unlimited Film Corporation Pyramid Films |
800 Feet |
|
|
|
|
Basic skills |
Don Kelly |
|
|
|
|
|
Battle for Britain |
Philip Dorté |
|
|
|
|
|
Beard and bass |
Tim Burstall |
|
|
|
|
|
Beneath the Southern Cross |
Lucerne |
|
16mm |
|
sound |
|
Boundary lines |
Phillip Stapp |
|
|
|
|
|
Bully for hockey |
Ivan Hexter |
|
|
|
|
|
Buttercup |
Wenn V. Deramas |
600 |
|
|
|
|
Buttercup |
Wenn V. Deramas |
|
|
|
|
|
Cafeteria |
direct |
|
16mm |
|
sound |
|
Cajititlan, Region in Mexico |
University of Arizona, Radio-Television Bureau, Tucson, Arizona |
41 min |
|
Color |
|
|
Changing Work: American Workers In Sweden: Hancock, David, Direction |
Hancock David direction Ericstam Björn production direction |
|
16mm |
|
sound |
|
Cheryl and Kevin |
Michael Thornhill |
|
|
|
|
|
Chicken soup |
Terry Hughes, Alan Rafkin |
|
|
|
|
|
Chinese History: 12 -- Coming Of The We From the series Weng, Wan-Go, Production, Writing, Camera/Lighting, Direction |
Weng Wan-go production writing camera/lighting direction Marlowe Hugh narration Wang Chen-tung music Coffman Frank W. editing China Institute in America Inc |
|
16mm |
|
sound |
|
Chinese History: 12 -- Coming Of The West: Weng, Wan-Go, Production, Writing, Camera/Lighting, Direction |
Weng Wan-go production writing camera/lighting direction Marlowe Hugh narration Wang Chen-tung music Coffman Frank W. editing China Institute in America Inc |
|
16mm |
|
sound |
|
Chucky |
Don Mancini |
|
|
|
|