More Bloody Meetings

Examines the human factor in meetings by dramatizing what happens when a group of temperamental, but otherwise competent, executives are let loose under an incompetent chairperson. Features John Cleese as the chairperson who, in an anaesthetic dream during a vist to the dentist, is forced to admit to breaking the three laws relating to control of human behavior at meetings: controlling aggression, keeping the group focused on the objective, and failing to stop the strong from overpowering the weak. Provides simple techniques to counter and rechannel these behaviors., Examines the human factor in meetings by dramatizing what happens when a group of temperamental, but otherwise competent, executives are let loose under an incompetent chairperson. Features John Cleese as the chairperson who, in an anaesthetic dream during a vist to the dentist, is forced to admit to breaking the three laws relating to control of human behavior at meetings: controlling aggression, keeping the group focused on the objective, and failing to stop the strong from overpowering the weak. Provides simple techniques to counter and rechannel these behaviors.

Credits

Directed by
Charles Crichton
Complete catalog record
, Examines the human factor in meetings by dramatizing what happens when a group of temperamental, but otherwise competent, executives are let loose under an incompetent chairperson. Features John Cleese as the chairperson who, in an anaesthetic dream during a vist to the dentist, is forced to admit to breaking the three laws relating to control of human behavior at meetings: controlling aggression, keeping the group focused on the objective, and failing to stop the strong from overpowering the weak. Provides simple techniques to counter and rechannel these behaviors.NOTE: Two (or more) records have been merged together to create this data.

Sources

  1. 16mm Filmography (legacy record) — title, year, creator, length, format, color, sound, description, catalog record
  2. Wikidata · Q6910907 ↗ — country, genre, credits