| 1958 |
Stagecoaches |
KQED San Francisco Bash Kennett Kathleen K. Rawlings Richard Moore |
15 min |
16mm |
B&W |
Sound |
| 1958 |
Stormy Crossing |
C.M. Pennington-Richards |
|
|
|
|
| 1958 |
Sunday in the South |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Robert Nissen |
|
16mm |
|
|
| 1958 |
Talking ourselves into trouble |
Dr. S.I. Hayakawa KQED W. A. Palmer Films Inc. Richard Moore Tom Borden Ralph Chesse Ruth Asawa |
|
16mm |
|
|
| 1958 |
Tank Battalion. |
Iron Foxhole Inc. |
|
35mm |
B&W |
sound |
| 1958 |
The 7th Voyage Of Sinbad. |
Columbia Pictures Corp. |
89 min. |
35mm |
Color |
sound |
| 1958 |
The adventures of Ozzie and Harriet. |
The runaways ABC Network film presentation ; Stage Five Productions ; produced and directed by Ozzie Nelson. |
26 |
16mm |
B&W |
sound |
| 1958 |
The Big Country |
Anthony-Worldwide Productions |
2:46:00 |
16mm |
Color |
sound |
| 1958 |
The Bonnie Parker Story. |
Albany Productions |
80 min. |
35mm |
B&W |
sound |
| 1958 |
The Carpenter |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Robert Nissen |
|
16mm |
|
|
| 1958 |
The Fish Hatchery |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Robert Nissen Matt Lehmann |
15 min |
16mm |
B&W |
Sound |
| 1958 |
The History of a Bicycle |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Robert Nissen |
15 min |
16mm |
B&W |
Sound |
| 1958 |
The Hot Angel. |
Paragon Productions Inc. |
73 min. |
35mm |
B&W |
sound |
| 1958 |
The Hunters |
Dick Powell |
105 min |
16mm |
Color |
sound |
| 1958 |
The Hunters |
Harvard University Film Study Ctr |
76 |
16mm |
Color |
sound |
| 1958 |
The Hunters. |
Laurence K. Marshall |
107 min |
16mm |
B&W |
sound |
| 1958 |
The Hunters. |
Contemporary Films/McGraw-Hill. |
105 min |
16mm |
Color |
sound |
| 1958 |
The Inn Of The Sixth Happiness. |
Twentieth Century-Fox Film Corp |
157 min |
35mm |
Color |
sound |
| 1958 |
The language of advertising |
Dr. S.I. Hayakawa KQED W. A. Palmer Films Inc. Richard Moore Tom Borden Ralph Chesse Ruth Asawa |
|
16mm |
|
|
| 1958 |
The Last Hunt. |
National Telefilm Associates Inc. & Twentieth Century-Fox Film Corp. |
103 min |
16mm |
B&W |
sound |
| 1958 |
The Last Hurrah |
John Ford |
1:21 |
|
B&W |
|
| 1958 |
The Life of A Tree |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Robert Nissen Matt Lehmann |
|
16mm |
|
|
| 1958 |
The Lineup. |
Pajemar Productions Inc. |
86 min. |
35mm |
B&W |
sound |
| 1958 |
The Little Island |
contemporary |
33 |
16mm |
|
|
| 1958 |
The Little Island |
Richard Williams |
12:00 |
|
|
|
| 1958 |
The Long, Hot Summer. |
Jerry Wald Productions Inc. & Twentieth Century-Fox Film Corp. |
117 min |
35mm |
Color |
sound |
| 1958 |
The Man Upstairs |
Don Chaffey |
|
|
|
|
| 1958 |
The Naked And The Dead |
Ideal Pictures Inc |
130 min |
16mm |
Color |
sound |
| 1958 |
The Puritans |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Robert Nissen |
|
16mm |
|
|
| 1958 |
The Saga Of Hemp Brown. |
Universal Pictures Co. Inc. |
79 min. |
35mm |
Color |
sound |
| 1958 |
The Saga Of The Viking Women And Their Voyage To The Waters Of The Great Sea Serpent. |
Malibu Productions |
65 min. |
35mm |
B&W |
sound |
| 1958 |
The Shakemaker |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Robert Nissen Matt Lehmann |
|
16mm |
|
|
| 1958 |
The Sign Of Zorro. |
Walt Disney Productions. |
91 min |
35mm |
B&W |
sound |
| 1958 |
The start of schools |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Robert Nissen Lillian Patterson |
|
16mm |
|
|
| 1958 |
The story of glass |
KQED San Francisco Kathleen K. Rawlings Richard Moore Robert Nissen Bash Kennett Harry Monahan |
|
16mm |
|
|
| 1958 |
The Story of Leather |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Robert Nissen |
14 min |
16mm |
B&W |
Sound |
| 1958 |
The Story of Rope |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Robert Nissen |
15 min |
16mm |
B&W |
Sound |
| 1958 |
The task of the listener |
Dr. S.I. Hayakawa KQED W. A. Palmer Films Inc. Richard Moore Tom Borden Ralph Chesse Ruth Asawa |
|
16mm |
|
|
| 1958 |
The Tunnel Of Love. |
Fields Productions Inc. & Arwin Productions Inc. |
98 min. |
35mm |
B&W |
sound |
| 1958 |
The Young Captives. |
Paramount Pictures Corp. |
61 min. |
35mm |
B&W |
sound |
| 1958 |
These Thousand Hills. |
Twentieth Century-Fox Film Corp |
96 min. |
35mm |
B&W |
sound |
| 1958 |
This Angry Age. |
Columbia Pictures Corp. |
103 min |
35mm |
Color |
sound |
| 1958 |
Toys in History |
KQED San Francisco Bash Kennett Kathleen K. Rawlings Richard Moore Ken Winslow |
15 min |
16mm |
B&W |
Sound |
| 1958 |
Twilight For The Gods. |
Universal Pictures Co. Inc. |
119 min |
35mm |
Color |
sound |
| 1958 |
Voice In The Mirror. |
Universal Pictures Co. Inc. |
102 min |
35mm |
B&W |
sound |
| 1958 |
War Of The Satellites. |
Allied Artists Pictures Corp. |
66 min. |
35mm |
B&W |
sound |
| 1958 |
What is language? |
Dr. S.I. Hayakawa Richard Moore Tom Borden W. A. Palmer Films Inc. Ruth Asawa Ralph Chesse KQED |
|
16mm |
|
|
| 1958 |
When Hell Broke Loose. |
Dolworth Productions Inc. |
78 min. |
35mm |
B&W |
sound |
| 1958 |
Where is the meaning? |
Dr. S.I. Hayakawa KQED W. A. Palmer Films Inc. Richard Moore Tom Borden Ralph Chesse Ruth Asawa |
|
16mm |
|
|
| 1957 |
9600. The Pete Rocco Story. |
Richard Diamond Inc. |
1 reel |
16mm |
B&W |
sound |