| 1972 |
What About Pot |
Sid Davis Productions |
|
16mm |
|
sound |
| 1973 |
Boys Aware |
Sid Davis Productions |
|
|
|
|
| 1973 |
Catholics |
Jack Gold |
|
16mm |
|
|
| 1973 |
Family Album |
Clayton-Davis |
|
16mm |
|
sound |
| 1973 |
Girls Aware |
Sid Davis Productions |
|
16mm |
|
sound |
| 1973 |
How To Protect Your Bike |
Sid Davis Productions |
|
16mm |
|
sound |
| 1973 |
On Your Way To School |
Sid Davis Productions |
|
16mm |
|
sound |
| 1973 |
One Little Indian |
Bernard McEveety |
12:00 |
|
Color |
|
| 1973 |
Roscoe's Rules |
Sid Davis Productions |
|
16mm |
|
sound |
| 1973 |
Terminal Island |
Dimension Pictures, Inc |
88 min |
|
Color |
sound |
| 1973 |
The Falcon, Prince Of Birds |
Broyles, Allebaugh and Davis, Inc |
26 min |
|
Color |
sound |
| 1973 |
Your Safety Systems |
Sid Davis Productions |
|
(10 min.) (10 min.) 3/4 in. |
|
sound |
| 1974 |
Alcohol Plus Auto Equals Arraignment |
Sid Davis Productions |
|
16mm |
|
sound |
| 1974 |
Analysis Of Body Movement Styles And Interaction In Psychotherapy |
Pt. 1. Martha Davis |
27 min |
|
Color |
sound |
| 1974 |
Free to be-- you and me : |
friendship & cooperation McGraw-Hill Films ; producers, Marlo Thomas, Carole Hart; director, Bill Davis. |
16 |
16mm |
Color |
sound |
| 1974 |
Friendship and Cooperation |
Bill Davis |
|
16mm |
|
sound |
| 1974 |
Frightmare |
Pete Walker |
|
|
|
|
| 1974 |
Hearts And Minds |
Los Angeles |
112 min |
16mm |
Color |
sound |
| 1974 |
Insulation, The Defensive Line |
Motion Picture Division, Broyles, Allebaugh and Davis, Inc |
24 min |
|
Color |
sound |
| 1974 |
Pre - Operative Interviews |
Amer Cyanamid Co Davis And Geck Division |
|
16mm |
|
sound |
| 1974 |
Roll Call (series): Suicide Attempt |
Sid Davis Productions |
|
16mm |
|
sound |
| 1974 |
Summer Of '63 |
Sid Davis Productions |
|
16mm |
Color |
sound |
| 1974 |
The Black Windmill |
Universal Pictures, Ltd |
106 min |
|
Color |
sound |
| 1974 |
Traffic Enforcement |
Sid Davis Productions |
|
16mm |
|
sound |
| 1975 |
[The game--unedited footage. Ian sings around L.A.] |
a KCET production ; director, Dick Davies. |
9 |
16mm |
Color |
sound |
| 1975 |
Black Shadows on a Silver Screen |
Davis Ossie |
|
16mm |
|
sound |
| 1975 |
Capone |
Twentieth Century-Fox Film Corporation |
101 min |
|
Color |
sound |
| 1975 |
Cuba and Fidel |
Focal Point |
12:00 |
16mm |
Color |
sound |
| 1975 |
Filbert And The Melon Cheater - Subtraction With Borrowing |
DAVIDSON FILMS INC 231 E ST DAVIS CA 95616 |
|
16mm |
|
sound |
| 1975 |
Let's Do It Again |
Sidney Poitier |
|
|
|
|
| 1975 |
Runaways |
Sid Davis Productions |
|
16mm |
|
sound |
| 1975 |
Sister |
Archdiocesan Communications Center |
7 reels |
16mm |
|
sound |
| 1975 |
The oath of fidelity |
filmmaker, Mim Davis. |
10 |
16mm |
B&W |
sound |
| 1975 |
Trouble With Strangers |
Sid Davis Productions |
|
16mm |
|
sound |
| 1976 |
Annie and the old one |
a Greenhouse Films production made in cooperation with Navajo Film and Media Commission ; based on the book by Miska Miles ; direction, Ted Abenheim. |
16 |
16mm |
Color |
sound |
| 1976 |
Carry On England |
Gerald Thomas |
|
|
|
|
| 1976 |
Focusing Beyond Words: The Nonverbal Dimension Of Therapeutic Interactions |
Martha Davis |
29 min |
|
|
sound |
| 1976 |
Not Now, Comrade |
Ray Cooney, Harold Snoad |
|
|
|
|
| 1976 |
silver blaze |
John Howard Davies |
1600 |
|
Color |
|
| 1976 |
Skateboard Sense |
Sid Davis Productions |
|
16mm |
|
sound |
| 1976 |
Sybil |
Daniel Petrie |
|
|
|
|
| 1976 |
The Naked civil servant |
Heritage Visual Sales |
90 |
16mm |
Color |
sound |
| 1976 |
Up The Ladder Down |
Sid Davis Productions |
|
16mm |
|
sound |
| 1977 |
Demon Seed |
Metro-Goldwyn-Mayer, Inc |
96 min |
|
Color |
sound |
| 1977 |
Race for Your Life, Charlie Brown |
Phil Roman, Bill Melendez |
|
|
|
|
| 1977 |
Scott Joplin |
Pyramid |
|
16mm |
|
sound |
| 1977 |
Silver Blaze |
lcoa |
|
16mm |
Color |
sound |
| 1977 |
Strangers We Meet |
Sid Davis Productions |
|
16mm |
|
sound |
| 1977 |
Which Way Is Up |
Universal Pictures Co. Inc. |
|
16mm |
|
sound |
| 1978 |
Comes A Horseman |
Alan J. Pakula, Paul Helmick |
12:00 |
|
Color |
|