Come back, Africa

This docu-drama, made in secret and acted by nonprofessionals, portrays the conditions of life in South Africa. The film combines improvisational and hidden-camera techniques to tell the tragic story of Zachariah, a man from Zululand who comes to Johannesburg, South Africa's City of a Million Dreams. Starting in the goldmines, Zachariah subsequently works as a houseboy, garage worker, waiter and roadgang laborer, occupations which illustrate the repressive apartheid system. At a shebeen (an illegal drinking establishment), a discussion about the ills of South Africa takes place, and singer Miriam Makeba makes an appearance. Zachariah's wife gets a job as a maid. When Zachariah visits her, he is arrested. During his incarceration, his wife is attacked and killed by a local hoodlum. (Circulates)

Credits

Directed by
Lionel Rogosin
Cast
Miriam Makeba
Produced by
Lionel Rogosin
Complete catalog record
This docu-drama, made in secret and acted by nonprofessionals, portrays the conditions of life in South Africa. The film combines improvisational and hidden-camera techniques to tell the tragic story of Zachariah, a man from Zululand who comes to Johannesburg, South Africa's City of a Million Dreams. Starting in the goldmines, Zachariah subsequently works as a houseboy, garage worker, waiter and roadgang laborer, occupations which illustrate the repressive apartheid system. At a shebeen (an illegal drinking establishment), a discussion about the ills of South Africa takes place, and singer Miriam Makeba makes an appearance. Zachariah's wife gets a job as a maid. When Zachariah visits her, he is arrested. During his incarceration, his wife is attacked and killed by a local hoodlum. (Circulates)

Related films

Sources

  1. 16mm Filmography (legacy record) — title, year, creator, length, format, color, sound, description, catalog record
  2. Educational film guide. Supplements (1959-62) — title, year, creator, length, format, color, sound, description, catalog record
  3. Wikidata · Q2843968 ↗ — country, genre, credits