| Answering Want Ads |
1968 |
Educational Projections Corp |
2 filmstrips |
Filmstrip |
Color |
|
| Answering The Child’s Why. |
1951 |
Encyclopaedia Britannica Films Inc. |
14 min. |
16mm |
Color |
sound |
| Answering Soviet propaganda |
|
Purex: Publisher |
0:22:00 |
16mm |
B&W |
sound |
| Answering Soviet Propaganda |
1959 |
Department of Defense. |
|
16mm/video file |
|
|
| Answering Objections. |
1952 |
Pontiac Motor Co. in notice: Pontiac Motor Division) |
11 min. |
16mm |
B&W |
sound |
| Answering Objections In Witnessing, Part 1 (1961) |
1961 |
to be added |
|
|
|
|
| Answering Objections In Witnessing, No. |
1961 |
Broadman films |
|
16mm |
Color |
sound |
| Answered Questions |
1976 |
Spiritual Assembly of the Baha’is of San Francisco |
37 min |
|
Color |
sound |
| Answer, An (1962) |
|
|
|
|
|
|
| Answer, An |
|
U.S. Naval Photographic Center Atlantic Fleet Mobile Photographic Unit and Seneca Productions [New York New York] |
28 min |
16mm |
Color |
sound |
| Answer to emergency (1962) |
|
|
|
|
|
|
| Answer in the Orient |
1965 |
WNET/13 |
33 |
16mm |
B&W |
|
| Answer To Stalin. (The March Of Time) |
1948 |
|
|
|
|
|
| Answer Man. |
1946 |
|
1 reel |
35mm |
|
sound |
| Ansiktet |
1958 |
Svensk Filmindustri: Publisher |
1:41:00 |
16mm |
B&W |
sound |
| Ansel cabs. |
1960 |
Calvin Productions Inc. |
10:40 |
16mm |
|
sound |
| Ansel Adams, photographer |
1981 |
Arthur Cantor |
60 |
16mm |
Color |
sound |
| Ansel Adams, Photographer |
1958 |
Larry Dawson Productions |
760 20 min. |
16mm |
B&W |
sound |
| Ansel Adams Ansel Adams photographer |
|
|
|
|
|
|
| Ansco: Super Anscochrome Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Super Anscochrome Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Lancer Camera, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Lancer Camera, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Lancer Camera, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Lancer Camera, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Film and Cameras, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Cadet Camera, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Cadet Camera, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Cadet Camera, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Cadet Camera with Flash, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Cadet Camera with Flash, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Anscomatic Slide Projector, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Anscochrome Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Anscochrome Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Anscochrome Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Anscochrome Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: Anscochrome Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: All-Weather Pan Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: All-Weather Pan Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Ansco: All-Weather Pan Film and Anschochrome Film, 1950s-1960s |
1950s to 1960s |
Ansco D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| Anschluss '77 |
1978 |
|
60 min |
|
|
sound |
| Anschlag auf Schweda. |
1935 |
Rudolf Fritsch-Tonfilm GmbH. |
|
16mm |
|
sound |
| Anschlag auf Baku. |
1942 |
UFA (Firm) |
|
16mm |
|
sound |
| Ansatsu. |
1964 |
|
3450 |
16mm |
|
sound |
| Ansata - the Key of Life |
1981 |
|
0:13:11 |
|
|
sound |
| Ans, American National Standard, Cobol |
1972 |
IBM Corp |
127 min |
|
Color |
sound |
| Ans Cobol Techniques, The Rots, The Sort/Merge Nodule |
1978 |
Edutronics Systems International, Inc., a subsidiary of Coleman American Companies, Inc.; in cooperation with AV Products, Inc |
5 min |
|
Color |
sound |