| Why Not Accounting |
1971 |
ENCYCLOPEDIA BRITANNICA EDUCATIONAL CORP |
15 min |
16mm |
|
sound |
| Why Not A Woman ▶ |
1977 |
Pennsylvania Commission For Women John Norris Associates |
26 min |
16mm |
|
sound |
| Why Not A Happy Ending? |
1975 |
Universal |
53 min |
|
Color |
sound |
| Why Nato |
1958 |
The Pentagon |
26 min |
16mm |
B&W |
sound |
| Why My Name is Anderson |
1967 |
CRM/McGraw-Hill Films |
0:11:00 |
16mm |
Color |
sound |
| Why Must The Flowers Die |
1968 |
Tahara George |
11 min |
16mm |
|
sound |
| Why Must I Die? |
1960 |
Roy Del Ruth |
86 min |
|
B&W |
|
| Why Mr. Nation Wants a Divorce ▶ |
1901 |
Edwin S. Porter |
2 min |
|
|
|
| Why Mothers Work |
1976 |
ENCYCLOPEDIA BRITANNICA EDUCATIONAL CORP |
19 min |
16mm |
|
sound |
| Why Mothers Work |
1976 |
Encyclopaedia Britannica Educ Corp |
18 |
16mm |
Color |
|
| Why Mosquitos Buzz in People's Ears |
|
|
10 min. |
16mm |
|
|
| Why Mosquitoes Buzz in People's Ears |
1984 |
Weston Woods |
10 min |
16mm |
|
sound |
| Why Mosquitoes Buzz in People's Ears |
1984 |
Weston |
10 min. |
16mm |
Color |
sound |
| Why Mosquitoes Buzz In People's Ears |
1984 |
Gene Deitch |
|
16mm |
|
|
| Why Money - Voluntary Exchange |
1978 |
AGENCY FOR INSTRUCTIONAL TECHNOLOGY |
20 min |
16mm |
|
sound |
| Why Money (Voluntary Exchange) |
1978 |
National Instructional Television |
|
|
|
|
| Why Moncada? |
1988 |
|
20 min |
16mm |
|
sound |
| Why Microelectronics Fail |
|
KCET / Los Angeles |
30 min |
16mm |
|
sound |
| Why Metrics |
1972 |
Beloit Tool Corp |
14 min |
|
Color |
sound |
| Why Metric |
1975 |
Orsatti Productions, Inc |
15 min |
|
Color |
sound |
| Why Men Rape |
1980 |
Natl Film Board Of Canada |
40 min |
16mm |
|
sound |
| Why Men Rape |
1980 |
LCA |
40 min. |
16mm |
Color |
sound |
| Why Men Rape |
1979 |
Douglas Jackson |
|
16mm |
Color |
|
| Why Measure |
1972 |
University Park |
6 min |
16mm |
|
sound |
| Why Me? I Don't Eat Chocolates |
1975 |
Hobel Leiterman Ltd |
27 |
16mm |
Color |
|
| Why Me - An Orthopedically Handicapped Child |
1977 |
ENCYCLOPEDIA BRITANNICA EDUCATIONAL CORP |
7 min |
16mm |
|
sound |
| Why Me |
1975 |
Columbia Broadcasting System |
57 min |
16mm |
|
sound |
| Why Mathematics |
1972 |
British Dept Of Education And Science |
32 min |
16mm |
|
sound |
| Why Man Creates |
1968 |
Saul Bass & Associates; Pyramid Films |
29 |
16mm |
Color |
sound |
| Why Little Emma Lou |
|
|
|
16mm |
|
|
| Why Lignite ▶ |
1975 |
Bill Stokes Associates Inc |
0:19:14 |
16mm |
|
sound |
| Why Leger, Is He The Painter Of Modern Times |
1970 |
British Broadcasting Corp TV |
25 min |
16mm |
|
sound |
| Why Korea? Twentieth Century-Fox Film Corp. |
1951 |
Twentieth Century-Fox Film Corp |
30 min. |
35mm |
B&W |
sound |
| Why Korea? |
1951 |
Indiana University Audio-Visual Center: Distributor | Teaching Film Custodians : Distributor |
0:33:00 |
16mm |
B&W |
sound |
| Why Korea |
1951 |
Teaching Film Custodians |
30 min |
16mm |
Color & B&W |
sound |
| Why Kill the Goose: The Profit System (1955) ▶ |
|
|
|
|
|
|
| Why Kill The Goose: The Profit System ▶ |
|
Fotovox Inc. |
|
16mm |
|
sound |
| Why Kick. |
1942 |
|
1 reel |
|
|
|
| Why Jonny Reads Junk |
1960 |
WNET/13 |
|
16mm |
|
|
| Why Jonathan Gives Thanks |
1971 |
Concordia Pub. House |
26 fr |
Filmstrip |
Color |
|
| Why Johnny reads junk |
1958 |
|
|
|
|
|
| Why Johnny Can't Get A Job |
|
Capital Film Labs |
30 min |
16mm |
|
sound |
| Why Is The Weather? (1962) ▶ |
|
Barr Films. |
|
|
|
|
| Why Is The Weather? ▶ |
1962 |
Arthur Barr Production |
11 |
16mm |
|
sound |
| Why Is The Weather |
1962 |
Barr Films. |
11 min |
16mm |
|
sound |
| Why Is It? Loew's Inc. |
1948 |
|
8 min |
35mm |
B&W |
sound |
| Why Is It? |
1948 |
Loew’s, Inc |
8 min |
|
|
|
| Why Is It Always Me? (1980) ▶ |
1980 |
RESPR |
|
|
|
|
| Why Is It Always Me? |
1980 |
RESPR |
14 min. |
16mm |
Color |
|
| Why Is It Always Me |
1983 |
Gerald T. Rogers Productions |
14 min |
16mm |
|
sound |