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46 results for "NAR" in Creator.

Found in catalogs (50+)

• Business Screen 1963,1964 — page 1412

  .J rgiri^INDUSTRY FILM JOURNAL Narration and the Documentary Film: (cont'd, from previous PAGli) collateral to a peculiarly American phenomenon: the He-Man…

• Business Screen 1963,1964 — page 1411

  …What is narration? It is exactly what the Latin word "narrare" 'Icnotes: "telling a story." In an old radio textbook. Rudolf Arn- heim gives…

• Educational Screen 1948-1949 — page 221

  …The voice of the narrator must be pleasant, the diction good, and the enunciation clear. 2. Sufficient variation must be provided in the production…

• Educational Screen 1954,1955,1956 — page 713

  …It was interesting to find that some of the slower students were very anxious to answer questions posed by the narrator and often offered…

• Business Screen 1949. 1950 — page 385

  …NARRATORS These widelj -known film, radio and television narrators arc available for your next production. Call Betty Adams at WHitehall 4-6807 in Chicago…

• Educational Screen 1954,1955,1956 — page 712

  …The narrator asked for one student to go to the screen, a pause in the narration allowed time for the student to reach the…

• Educational Screen 1951,1952,1953 — page 1225

  …I recorded this nar- rative as I had previously done for the Mexico series. You may wonder: Why a tape narrative? Why shouldn't…

• See and Hear 1947,1948 — page 95

  Toward Better Film Edition NARRATION is an imijor- lani faciur in intliiencing the way in which the child participates in the learning activities of…

• Business Screen 1961,1962 — page 1206

  …What Makes a NARRATOR? I>v <:. S. (Bu.1) Hire WHAT DOFS. INDEKD? How much docs his contribution mean to the painfully gathered, integrated…

• See and Hear, 1949, 1951 — page 635

  …Lester Spier (seated), for nine years chairman of the Netv York Medical Society's narcotic committee, discusses "H" with Larry Frisch, producer. mm K3k…

• Business Screen 1965,1966 — page 715

  …less shooting time, less film, no narration, no narrator, no score, no wild effects to find and lay in, cheaper mixing session, shorter prints…

• Educational Screen 1957-1958 — page 198

  …The children are busily playing when the narrator calls attention to Johnny standing off alone in the black- ness. Jack, Kathy, Susan, Bob, and…

• Business Screen 1961,1962 — page 1207

  only a minor area of performance Imusts." Let us go on to the "clinch- er' in real, galvanized narrating. This last, so-significant measur…

• Business Screen 1949. 1950 — page 854

  …THE COMPLETE, PACKAGED audio-visual Belter Stores Program of the National Association of Retail Grocers (NARGUS), winner of the 1950 Award of Merit of…

• Educational Screen 1922 — page 79

  …Where the larger sepa- ration, by time, of the Intolerance nar- -ative made it somewhat possible to keep them straight, the similarity of he…

• Business Screen 1942,1943 — page 529

  …Narrator's Role is Vital The role of narrator is important, and this position of importance in- creases with certain types of pic- tures…

• Educational Screen 1948-1949 — page 222

  …Victor Record Narrator ; Gudrun Thorne-Thomsen 2 — 12 in. Record Envelope, part of Album distributed by the American Library Association Tral! Lines North (Grades…

• See and Hear 1948 — page 387

  …The charges for the ser\iccs of a narrator, titles, the recording of the narration, and the matching of the sound track to the…

• Educational Screen 1922 — page 78

  …Long practice in the ways of the silent drama and a respect for the old underlying principles of dramatic narration before we make a…

• Educational Screen 1954,1955,1956 — page 1092

  …Near- by is shown a robin's nest containing four bright blue eggs while the nar- rator recites a poem about a robin who…

• Educational Screen 1957-1958 — page 725

  …Desaiption The film presents facts and general information about earthworms with ex- planations by the narrator. The beginning shots of a boy and a…

• Educational Screen 1948-1949 — page 17

  …With this background and this new e-xperience of a motion picture with a Narrator, we fell into the idea of having narrators and…

• Educational Screen 1946-1947 — page 710

  …The process of editing is slow, the more so because of the neces- sity of having a narration to explain the different scenes. The…

• Business Screen 1942,1943 — page 414

  …Forward looking organizations are not allowing wishful thinking to retard their efforts toward narrowing this gap by bettering iniman relations. They know such efforts…

• Business Screen 1958 — page 72

  …Supplementing the 92-frame sound slidefilm are two copies of the basic script—provided for the narrator and projectionist, a de- tailed narration script…

• Business Screen 1959,1960 — page 645

  …We show these suggestions in use and add our own sound to the film — narration as well as sound effects. The most efficient way…

• Business Screen 1969 — page 175

  …This is where all of the sound at Byron ' lixed" — music, effects, narration and sync sound — into one nosite track. lere are also two…

• Educational Screen 1954,1955,1956 — page 1272

  …Two narrators are used throughout the film — the teacher-narrator who describes each activity as it takes place and another, a man who explains…

• Educational Screen 1954,1955,1956 — page 368

  …Human life, the narrator ex- plains, is virtually non-existent in the cold and rocky terrain of northern .'\laska. In southern Alaska and Nor…

• Business Screen 1944,1945,1946 — page 268

  …One flagrant example of useless narration is to be found in a recent film: the narration states, "A crane picks up a truck, swings…

• Educational Screen 1957-1958 — page 763

  …Once the slides have been selected, and organized, the next problem is de\eloping the narration for the trav- elogue. It is a common…

• Educational Screen 1926-1927 — page 603

  AMONG THE MAGAZINES AND BOOKS 599 urnishing Community Life narratives, the lOok must meet with success. It is not a auhless book but it…

• Business Screen 1942,1943 — page 530

  …One does not have to have an over-sensitive ear to catch them, ."^nd in the efforts of many amateur narrators such incongrui- ties…

• Educational Screen 1957-1958 — page 533

  …I I Now! Rand McNally's famous "Elf Book" series on full color filmstrips complete with musical-narrative records For children in primary grades…

• Educational Screen 1954,1955,1956 — page 448

  …But, as the narrator points out, the cacti are alive, as are the kangaroo rat, the young western horned owl, and the ocotillo. Narration…

• Educational Screen 1948-1949 — page 18

  Hand-made signs set the scenes in the "make-believe" play inspired by "Tommy's Day." narrator, actor or stage hand. The characters in…

• Business Screen 1949. 1950 — page 384

  …Such talent is available to the pro- ducer at the same general rates as local nar- rators. So this problem narrows down to knowing…

• See and Hear, 1949, 1951 — page 126

  …Ken Carpenter narrates. Blocking in Football. (11 min) sale— $45: EBF. Rent-$2:Inst. • The shoulder and body blocks are the two basic types…

• Educational Screen 1946-1947 — page 253

  …In many cases the narration is too fast and includes many irrelevant details which confuse rather than assist learn- ing. Music is often added…

• See and Hear, Nov 1949 — page 30

  …Ken Carpenter narrates. Blocking in Football. (11 min) sale—$45: EBF. Rent—$2:Inst. * The shoulder and body blocks are the two basic types…

• Educational Screen 1951,1952,1953 — page 336

  …The narrative prologue — "Most of us think we know what is right. Do we? Here are some situations which involve moral decisions. Test youi…

• Educational Screen 1922 — page 77

  …But I recall Intolerance as a very different matter. [True, the narrative of the former held the film together. It was a centralized story…

• Educational Screen 1951,1952,1953 — page 912

  …Upon this narrow stripe, we would record our sound track. Commentary and music add interest to a movie. But most important to me, the…

• Educational Screen 1957-1958 — page 881

  …The style of narration is direct and simple using common every- day words. With the narrator enun- ciating the words clearly, correctly, and slowly…

• Educational Screen 1948-1949 — page 338

  …Basil Rathbone, narrator. "Peter and the Wolf" is an orchestral children's story set to music, the music being interpreted through the narrator's…

• Business Screen 1969 — page 457

  …Hal Golden be- lieves that generally actors, rath- er than film narrators or news- casters, are most suitable for Fund film narrations. They are…

• See and Hear 1950,1951,1952 — page 407

  …Gus Dorais, Mai Stevens, Harvey Har- mon, and Al Wittmer collaborated with narrator Howard Jones. Good scenes of intercollegiate play, with slow-mo- tion…

• Business Screen 1961,1962 — page 744

  …Baxter narrates the film. Earlier Bell System science films which continue to have en- thusiastic nationwide reception are: Our Mr. Sun. Hemu the Mag…

• See and Hear 1951,1952,1953 — page 161

  …Gus Dorais, Mai Stevens, Harvey Har- mon, and Al Wittmer collaborated with narrator Howard Jones. Good scenes of intercollegiate play, with slow-mo- tion…

• Educational Screen 1948-1949 — page 768

  …The narrative interludes give needed information and advance the story rapidly. In essential (|ualities the recording out- matches the pictorial. This filmstrip has a…