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54 results for ""OIAA"".

Found in catalogs (22)

• Business Screen 1944,1945,1946 — page 350

  Men of the OIAA (ConluHied from Page Fifteen) mulative experience of these men has been largely responsible for the tre- mendous popularity of OIAA…

• Business Screen 1944,1945,1946 — page 327

  Behind the Scenes in Americans ff artinie Visual Programs OIAA Motion Picture Division: Producer of Inter-American Films IX less than hve \ears the…

• See and Hear 1945-1946 — page 272

  …Claims have been made vari- ously that some of the OIAA films about the other Americas should not be used for formal classroom work…

• See and Hear 1945-1946 — page 271

  …With the cooperation of the )ffice of Strategic Services, OIAA other film subjects making a total of 80 in all released to date. Nor…

• Educational Screen 1948-1949 — page 664

  …So we are willing to forgive the long delay in making the OWI and OIAA films available. We know that the problems have not…

• Educational Screen 1946-1947 — page 472

  …OIAA) —Children of Holland {EB¥)— Negro Soldier (OWI) —The World We Want to Live In (NCCJ)— South of the Border zvith Disnev (OIAA) — Men…

• Business Screen 1944,1945,1946 — page 353

  Men of the OIAA Wallace Harrison ( Continued from Piij;f Thirty-Nine ) lively new field ot visual education. He joined the OIAA in 1942…

• See and Hear 1945-1946 — page 269

  …The general aspects of'OIAA's domestic motion picture program are already known by most users of 16 mm. educational films in this country…

• Educational Screen 1946-1947 — page 19

  …C. The Americas 1. Americans All (3-8) 20 min. sd. OIAA. A good general introduction to South America. 2. Centra! America (5-8…

• See and Hear 1945-1946 — page 270

  …A large group of city and county school systems, pulilic libraries, and other ediua- lional instituiicms ha\e distril)ut- ed OIAA films on…

• See and Hear 1945-1946 — page 273

  …Many film libra- are taking advantage of the -ilege of owning OIAA films fright, ami the number of ac- Jl orders is increasing by…

• See and Hear 1945-1946 — page 266

  …Btl since this project was considcrcj bv OIAA to some degree as sc ondary to that in Latin Amcric; let us consider briefly the…

• See and Hear 1945-1946 — page 267

  …Through its combined organization, the Motion Picture Producers and Distributors of .\merica, the Hollywood industry gave OIAA the 16 mm. rights for Latin America…

• See and Hear 1950,1951,1952 — page 200

  …See OIAA. Packard: Packard Motor Car Co., Box 1580 E. Grand Blvd., Detroit 32, MS Packard Electric Division, Warren, Oh Pan American: Pan American…

• See and Hear, 1949, 1951 — page 582

  …See OIAA. Packard: Packard Motor Car Co., Box 117, 1580 E. Grand Blvd., Detroit 32, Mich., Packard Electric Division, Warren, Ohio. Pan American: Pan…

• Educational Screen 1946-1947 — page 39

  …Dur- "ff the next six months it will re-edit the pictures it ^s in ented from the OWl and OIAA and ^2:^ other…

• Business Screen 1961,1962 — page 1316

  …Information Agency ( USIA ) ; Office of Inter-American Affairs (OIAA); U. S. Department of the Interior (USDI); International Cooperation Administration (ICA); V. S. Marine Corps…

• Educational Screen 1944-45 — page 878

  …Assistant Secretary of State, will use the wartime operations of the OWI and the OIAA as a basis for the development of a program…

• Educational Screen 1948-1949 — page 580

  …18 information films on Latin America (OIAA); 10 information films on the United States (OWI); and one film on world relation- ships. How to…

• See and Hear, 1949, 1951 — page 565

  Chemical Indus;tFj MOTION PICTURES Atacama Desert. (19 min) 16sd. OIAA. The working of rich nitrate deposits in the deserts of northern Chile by…

• See and Hear 1950,1951,1952 — page 183

  …Indu^str^ MOTION PICTURES i I Atacama Desert. (19 min) 16sd. OIAA. The working of rich nitrate deposits in the ; deserts of northern Chile…

• Educational Screen 1946-1947 — page 270

  …Representing the documentary type were The Cumniington Story (OWI Overseas) and County .-Kgent (Julien Bryan for OIAA) and to illustrate the subject-centered film…