Search

1,347 results for "MUS" in Creator.

Found in catalogs (50+)

• Educational Screen 1933 — page 45

  February, 193} Tfie Educational Museum (Continued from January) Page 43 ARNOLD W. REITZE Tl I E operation of an educational museum by some co…

• Educational Screen 1933 — page 12

  Page 8 The Educational Screen The Educational Museum ARNOLD W. REITZE THE VALUE of the museum as an institution for the preservation of objects…

• Educational Screen 1930-1931 — page 163

  …Children's museum, Cleveland museum of art—School Arts Mag, 26 : 362-63, Feb. 1927. Greywacz, Mrs. Kathryn B.: State mu- seum's lending…

• See and Hear, 1949, 1951 — page 500

  …Co.) Music Appreciation for Everybody THE STORY OF THE PHONOSCOPE AND ITS ROLE IN MUSIC EDUCATION HAVE YOU EVER sat through a concert wondering…

• Educational Screen 1924-1925 — page 152

  …By making full use of the museum's facilities, much effort, time and expense can be saved for the school sys- tem and much…

• Business Screen 1961,1962 — page 541

  …This Is Music With Purpose Everything I have said about film music in general applies com- pletely to music in the business film with…

• Business Screen 1967,1968 — page 710

  …music scoring to picture, live in studio; music library. Narration recording to picture; editing; slidefilm recording, tape duplicating. CAPITOL PRODUCTION MUSIC (CAPITOL RECORDS) Hollywood…

• Educational Screen 1933 — page 13

  January, 19}} Page 9 agency of the schools, must be carefully considered. One of the factors which will aid in determininfj this question, is…

• Business Screen 1970 — page 440

  …music scoring for motion pictures and television from music librar\-; editing. MUSICUES CORPORATION 117 W. 46th St., New York, N.Y. 10036 Phone: 76…

• Educational Screen 1924-1925 — page 562

  136 The Educalional Screen Agricultural Museums' F. Lamson-Scribner, B.Sc, LL.D. THERE is a rapidly growing interest in the educational value of…

• Business Screen 1963,1964 — page 1436

  …Music Editor George Craig, Assistant Music Editor Services: music scoring for motion pictures and television from music library; editing. MUSIFEX, INC. 46 West 4…

• Educational Screen 1932 — page 216

  Page 208 The Educational Screen NEWS AND NOTES CONDUCTED BY JOSEPHINE HOFFMAN United States Has 1,400 Museums Museums, for years large city luxuries…

• See and Hear, 1949, 1951 — page 501

  …Such a program can and must be adapted to the needs of lay listeners as well as of prospective professional musicians. With the inception…

• Business Screen 1969 — page 718

  …music scoring to picture, live in studio; music library. Narration recording to picture; editing; slidefilm recording, tape duplicating. (Reel to reel or cassette). CAPITOL…

• Business Screen 1957 — page 484

  …How Good Music is Made From the nmsic dealer. Buzz learns that the best musical sound comes out of the best musical in- strument…

• Business Screen 1961,1962 — page 1241

  …Music Editor George Craig, Assistant Music Editor Ser^'ices: music scoring for motion pictures from music library; editing. LLOYD NORLIN MUSICAL PRODS. 2509 Thayer…

• Educational Screen 1924-1925 — page 309

  …Skinner Museum Instruction Museums, especially natural history museums, have long been passive agents of instruction, usually being a source of information to the occasional…

• See and Hear 1950,1951,1952 — page 118

  …Co.) Music Appreciation for Everybody THE STORY OF THE PHONOSCOPE AND ITS ROLE IN MUSIC EDUCATION HAX'E YOU EVER sat through a concert…

• Educational Screen 1933 — page 74

  Page 74 The Educational Screen possible or desirable to set up at the educational museum center. The educational museum can render much valu- able…

• Educational Screen 1932 — page 270

  Page 262 The Educational Screen The Encouragement of Music Appreciation Through Visual Aids ALEXANDER M. HARLEY LOUIS A. ASTELL THE TEACHER of academic subjects…

• Educational Screen 1948-1949 — page 216

  …Class assembles in museum auditorium for last-minute instructions. him. His interest span is short, and he is soon over- come by museum fatigue…

• Business Screen 1963,1964 — page 644

  …Craig Danny Hart, Music Editor George Craig, Assistant Music Editor Services: music scoring for motion pictures Irom music library; editing. MUSIFEX, INC. 45 West…

• See and Hear 1950,1951,1952 — page 119

  …They mean that this musical inci- dent begins approximately 79 sec- onds after the beginning of the rec- ord side which contains this music…

• See and Hear, 1949, 1951 — page 377

  …Iowa State U. • Shows how musical sounds are converted to a system of music notation through extensive animation. Invitation to Music (20 min) Purchase…

• Business Screen 1958 — page 447

  …Museum of Art, fea- turing 20 American art museums, had its world premiere early in August in the American Pavilion at the Brussels World…

• Educational Screen 1946-1947 — page 252

  …7. — The students must know what they are expected to learn from them and must be held responsible for it. 8. — The teacher must…

• Educational Screen 1954,1955,1956 — page 216

  A Junior Leaguer guides seventh-graders on their "special emphasis" museum tours. SPECIAL EMPHASIS TOIJRS Well -planned trips to the museum give life and…

• Educational Screen 1951,1952,1953 — page 365

  I An EYE for MUSIC . . how visual as well as audio aids can be used in music education by LESLIE E. FRYE Director, Division…

• Educational Screen 1924-1925 — page 310

  304 Museums and Visual Education The Educational Screet teachers, guide service and exhibition hall in- struction for visiting classes, instruction for the blind, special…

• See and Hear 1948 — page 721

  …Iowa State U. • Shows how musical sounds are converted to a svstem of music notation through extensive animation. Invitation to Music (20 min) Purchase…

• Educational Screen 1951,1952,1953 — page 837

  …Every teacher must contribute to the child's musical education. Given the proper tools and a little encouragement, every teacher is a potential music…

• Educational Screen 1942 — page 190

  Page 176 The Educational Screen A Low-Cost School Museum A story of a museum development which pre- sents convincing argument for greater use…

• Business Screen 1944,1945,1946 — page 748

  FILM MUSIC Ideas for the Making of a Good Music Trad W by Emil Velazco iiKN an industrial motion pictine irodiicer has "sweat blood…

• Educational Screen 1926-1927 — page 258

  …They are the National Museum in Washington, the Field Museum of Chicago, the Philadelphia Com- mercial Museums, the Cleveland Museum, and others. A number…

• Educational Screen 1933 — page 73

  March, 19}} Page 73 famous actors and actresses of well-known pass- ages), science (talks by famous men), and history (music typifying certain periods…

• Business Screen 1942,1943 — page 275

  w MUSIC IN INDUSTRY I c, (> \ 1 1 N I h 11 h li U M 1' A O E 14 I meat of…

• Educational Screen 1926-1927 — page 225

  …More than 200 classes visited the nature ex- hibits in the Museum last year. From time to time Museum authorities have arranged courses of…

• Educational Screen 1942 — page 318

  Page 298 The Educational Screen A Museum school exhibit on "I Am an American." The Museum Goes to the SchooF WE in museums think…

• Educational Screen 1948-1949 — page 225

  …The classroom teacher must realize that a desirable attitude on the part of the pupils must be present when they arrive at the museum…

• Educational Screen 1928-1929 — page 11

  …Motion picture music may be di- vided into two groups—the pro- gram music, which includes the overture, ballet, dance music and the like…

• Educational Screen 1933 — page 244

  Page 240 The Educational Screen EDITORIAL Mu seums THE PERFECT "visual materials" for teaching are the actual objects themselves, standing or growing in their…

• Mogulls Bros Educational Film Catalog 1936 — page 132

  …See names of in- dividual musicians Muskellungs Battling with muskies 799.1 Invading muskieland 799.1 Tigers of the North 799.1 Musketeers Firearms…

• Educational Screen 1954,1955,1956 — page 850

  …Millions of Musicians rec FOLK 10" 33-l/3rpm. Shows that music Is oil oround us, recording "Music in Speech," "Rhythm of Words," "Calls…

• Educational Screen 1932 — page 271

  …Meisel's own distinctive contribution takes the form of synchronized music and sound composed to form a musical interpreta- tion of the actions and…

• Business Screen 1965,1966 — page 1433

  …music scoring to picture, live in studio; music libran'. Narration recording to picture; editing; slidefilm recording, tape duplicating. CAPITOL PRODUCTION MUSIC (CAPITOL RECORDS) Hollywood…

• Educational Screen 1951,1952,1953 — page 999

  We Take the Museum to the Schools DEEP ill the vast depths of the Cincinnati Natural His- tory Museum's basement were many unusual…

• Educational Screen 1935 — page 22

  …Louis maintain museums for lending materials to schools. The Pittsburgh board of education pays $15,000 annually to the Carnegie Museum to provide natural…

• Educational Screen 1938 — page 224

  Page 230 Current Film Releases Childrens' Museum Activities Filmed Proving that the subject of child development is not too difficult a one to be…

• See and Hear, 1949, 1951 — page 379

  …Leningrad Music Hall (35 min) Sd. Apply or rent: Brandon. • World famous music of Russia including music, dance, theater arts, etc. Let's All…

• Business Screen 1965,1966 — page 643

  …music scoring to picture, live in studio; music librarv-. Narration recording to picture; editing; slidefilm rec-ording. tajje duplicating. CAPITOL PRODUCTION MUSIC (CAPITOL RECORDS…