| 1996 |
Twister. |
Jan de Bont |
113 min |
16mm |
Color |
silent |
| 1996 |
Two If By Sea |
Natl Broadcasting Company |
92 min |
16mm |
Color |
sound |
| 1997 |
Conquest |
Teaching Film Custodians: Distributor | Teaching Film Custodians: Publisher |
0:23:43 |
16mm |
B&W |
sound |
| 1997 |
Contact! |
Calvin Productions Inc. |
3:00 |
16mm |
Color |
sound |
| 1997 |
Leave It To Beaver. |
Revue Studios. |
27 min. |
16mm |
B&W |
sound |
| 1997 |
Money Talks |
Brett Ratner |
91 min |
16mm |
Color |
sound |
| 1998 |
Acid house. |
Paul McGuigan |
111 min |
16mm |
Color |
sound |
| 1998 |
Dirty Work |
Blackhawk Films |
600 |
|
Color |
|
| 1998 |
The Gingerbread Man |
Perspective Films |
107 min |
|
Color |
|
| 1998 |
The Polar Bear |
Phoenix |
90 min |
16mm |
Color |
sound |
| 1998 |
The Thin Red Line. |
Security Pictures Inc. |
166 min |
35mm |
B&W |
sound |
| 1999 |
The Sixth Sense |
Walter J Klein Co Ltd |
107 min |
16mm |
Color |
sound |
| 2000 |
Dinosaur |
Vinton Productions |
504 ft. #14 |
|
Color |
|
| 2000 |
Memento |
American Telephone and Telegraph Company. |
113 min |
16mm |
Color |
sound |
| 2000 |
Memento |
Christopher Nolan |
113 min |
|
Color |
|
| 2000 |
Panic. |
Al Simon Productions Inc. & McCadden Corp. |
29 min. |
16mm |
B&W |
sound |
| 2000 |
What Kind Of Day Has It Been |
Transfilm Inc |
|
16mm |
Color |
sound |
| 2001 |
Circuit |
Dirk Shafer |
|
|
|
|
| 2001 |
Four Women |
Black Filmmaker Foundation |
7 |
16mm |
Color |
sound |
| 2001 |
Pearl Harbor |
Castle Films |
400 ft. |
|
Color |
|
| 2001 |
The Profession Of Arms |
Natl Film Board Of Canada |
100 min |
16mm |
Color |
sound |
| 2002 |
Crossroads |
FilmFair Communications |
7:00 |
|
Color |
|
| 2002 |
Crossroads |
Tamra Davis |
7:00 |
|
Color |
|
| 2002 |
God is dead |
Indiana University Audio-Visual Center: Distributor | National Educational Television: Distributor |
0:30:00 |
16mm |
B&W |
sound |
| 2002 |
Luster. |
Everett Lewis |
90 min |
16mm |
Color |
sound |
| 2002 |
Minority Report |
Steven Spielberg |
12:00 |
|
Color |
|
| 2002 |
Rabbits |
David Lynch |
43 min |
|
Color |
|
| 2002 |
Showtime |
Venard Film Distribution Service |
91 min |
16mm |
Color |
sound |
| 2002 |
Sweet Sixteen |
Ken Loach |
12:00 |
|
Color |
|
| 2002 |
The Revenge |
Boston Film Center |
100 min |
16mm |
Color |
sound |
| 2002 |
The Rookie |
Natl Football League Action Films |
123 min |
16mm |
Color |
sound |
| 2002 |
The Sea |
Baltasar Kormákur |
12:00 |
|
Color |
|
| 2003 |
Big Fish |
Castle |
16-si-sd |
16mm |
Color |
sound |
| 2003 |
Cowboys & angels. |
David Gleeson |
89 min |
16mm |
Color |
sound |
| 2003 |
Feelings |
Aspect IV Educational Films |
4:00 |
|
Color |
|
| 2003 |
Freaky Friday |
Mark Waters |
24 min. |
16mm |
Color |
|
| 2003 |
Future Tense |
Mars Hill Productions |
42 min |
16mm |
Color |
sound |
| 2003 |
Reconstruction |
Graphic Curriculum | National Broadcasting Corporation |
24 0:24:00 |
16mm |
Color |
sound |
| 2003 |
Seabiscuit |
Gary Ross |
134 min |
16mm |
Color |
sound |
| 2003 |
Sibelius. |
Timo Koivusalo |
325 |
16mm |
Color |
sound |
| 2003 |
The Cat in the Hat |
Bo Welch |
600 ft. |
|
Color |
|
| 2003 |
The Park |
Andrew Lau |
91 min |
|
Color |
|
| 2003 |
The Return |
Andrey Zvyagintsev |
12:00 |
|
Color |
|
| 2003 |
The Room |
Grove Press-Cinema 16 Film Lib |
99 min |
16mm |
Color |
sound |
| 2003 |
Today and tomorrow. |
Alejandro Chomski |
2:40 |
16mm |
Color |
sound |
| 2004 |
Everyone |
Modern Talking Picture Service / A KDI Company |
90 min |
16mm |
|
sound |
| 2004 |
Head On |
Handy (Jam) Organization |
116 min |
16mm |
Color |
sound |
| 2004 |
Look at Me |
Chicago Educational Television Association |
25 min. |
16mm |
B&W |
sound |
| 2004 |
Oh Happy Day |
812 Traders Natl Bank Bldg 1125 Grand |
98 min |
16mm |
Color |
sound |
| 2004 |
Shall We Dance? |
Peter Chelsom |
106 min |
|
Color |
|