| 1988 |
The Bear |
Films Incorporated |
92 |
16mm |
Color |
sound |
| 1989 |
Derriere le mur |
la Maison de la culture du Havre, l'Esquisse et La Sept présentent ; un film de Raoul Ruiz ; producteur délégué, Jean-Luc Larguier. |
72 |
16mm |
Color & B&W |
sound |
| 1989 |
Everything's for you |
produced, directed, filmed and edited by Abraham Ravett. |
58 |
16mm |
Color & B&W |
silent and sound |
| 1989 |
Interrogation |
Ryszard Bugajski |
111 min |
16mm |
Color |
sound |
| 1989 |
Jesus of Montreal |
New Yorker |
119 mi |
16mm |
Color |
sound |
| 1989 |
Juke Bar |
Barry Martin |
10 min |
16mm |
Color |
sound |
| 1989 |
Let's get lost |
Zeitgeist |
119 mi |
16mm |
B&W |
sound |
| 1989 |
The White Dove |
McGraw-Hill Films |
100 min |
16mm |
Color |
sound |
| 1989 |
What Time Is It ? |
Ettore Scola |
11 |
16mm |
Color |
sound |
| 1990 |
Darkness light darkness. |
Jan Švankmajer |
8 min |
16mm |
|
sound |
| 1990 |
Dick Tracy |
Warren Beatty |
103 min |
16mm |
Color |
|
| 1990 |
Everybody wins! |
Karel Reisz |
8:00 |
16mm |
Color |
sound |
| 1990 |
Home Alone |
Barr Films. |
103 min |
|
Color |
|
| 1990 |
Isle of flowers |
First Run/Icarus |
15 |
16mm |
Color |
sound |
| 1990 |
The Ear |
22-2 Kanda Misakicho Chiyoda-Ku |
94 min |
16mm |
B&W |
sound |
| 1990 |
Two lies |
Women Make Movies |
25 |
16mm |
B&W |
sound |
| 1991 |
A brief history of time |
Errol Morris |
80 min |
16mm |
Color & B&W |
sound |
| 1991 |
Daddy and the muscle academy. |
Ilppo Pohjola |
1725 |
16mm |
|
sound |
| 1991 |
Epilogue |
Jens Asbjørn Seehuusen |
600 |
|
|
|
| 1991 |
Locked-up time. |
Sibylle Schönemann |
3175 |
16mm |
|
sound |
| 1991 |
Nothing But Trouble |
Boston Film Center |
94 min |
16mm |
Color |
sound |
| 1992 |
Daddy and the muscle academy |
Ilppo Pohjola |
55 |
16mm |
Color |
sound |
| 1992 |
Forbidden love: the unashamed stories of lesbian lives |
Women Make Movies |
85 |
16mm |
Color & B&W |
sound |
| 1992 |
Malcolm X |
Spike Lee |
201 min |
16mm |
Color & B&W |
|
| 1992 |
The Big Dipper |
Birger Larsen |
102 min |
|
Color |
|
| 1993 |
Fish out of Water |
Coronet (CORT) |
96 min |
|
|
|
| 1993 |
Haiku |
Terje Dragseth |
600 |
|
Color |
|
| 1993 |
King of the Hill |
Arthur Barr Productions and Forsberg Associates |
103 min |
16mm |
Color |
sound |
| 1993 |
Much Ado About Nothing |
Kenneth Branagh |
111 min |
|
Color |
|
| 1993 |
Point Of No Return |
Natl Safety Council |
103 min |
16mm |
Color |
sound |
| 1993 |
Rookie of the Year |
Daniel Stern |
104 min |
|
|
|
| 1993 |
Smoking |
Alain Resnais |
140 min |
|
Color |
|
| 1994 |
Amazing Grace. |
Amos Guttman |
3:00 |
16mm |
|
sound |
| 1994 |
Burnt by the sun |
Kino International |
132 mi |
16mm |
Color |
sound |
| 1994 |
Forgotten tenor : |
a tribute to tenor saxophonist Wardell Gray $h [videorecording]/ produced, directed, filmed and edited by Abraham Ravett. |
138 |
16mm |
Color & B&W |
sound |
| 1994 |
Linnea in Monet's garden |
First Run/Icarus |
30 |
16mm |
Color |
sound |
| 1994 |
The Shadow |
White Lion Pictograph |
108 min |
16mm |
Color |
sound |
| 1994 |
The Shadow |
Russell Mulcahy |
12:00 |
|
Color |
|
| 1994 |
To Live |
Contemporary Films |
132 min |
16mm |
Color |
sound |
| 1994 |
Trial By Jury |
Indiana University Audio-Visual Center: Distributor | University of Washington School of Law: Distributor |
0:31:28 |
16mm |
B&W |
sound |
| 1995 |
Search And Destroy |
Natl Football League Action Films |
90 min |
16mm |
Color |
sound |
| 1995 |
Underground |
United World Films Kinetic Division / Division Of Universal City Studios Inc |
163 min |
16mm |
Color |
sound |
| 1996 |
Before And After |
to be added |
103 min |
16mm |
Color |
sound |
| 1996 |
Chain Reaction |
Handy (Jam) Organization |
106 min |
16mm |
Color |
sound |
| 1996 |
Executive Decision |
Woroner Films |
127 min |
16mm |
Color |
sound |
| 1996 |
Fire |
Deepa Mehta |
12:00 |
|
Color |
|
| 1996 |
INDEPENDENCE DAY |
FitzPatrick Pictures Inc. |
138 min |
16mm |
Color |
silent |
| 1996 |
Ransom |
University Park |
116 min |
16mm |
Color |
sound |
| 1996 |
The Quest |
NFBC |
12:00 |
|
Color |
|
| 1996 |
The Right to Know |
Stephan Brenninkmeijer |
|
|
Color |
|