| 1983 |
Electric Boogie |
Freke Vuijst |
1200 ft. |
|
|
|
| 1983 |
Flamenco at 5:15 |
Direct Cinema Ltd. |
30 |
16mm |
Color |
sound |
| 1983 |
Fort Apache, The Bronx |
Time-Life Video Distribution Center |
125 min |
16mm |
Color |
sound |
| 1983 |
Jan Amos Comenius. |
Barrandov Film Studios |
150 min |
16mm |
|
sound |
| 1983 |
Joe's Bed-Stuy barbershop: we cut heads |
FIRST RUN FEATURES |
60 |
16mm |
Color |
sound |
| 1983 |
Le Bal |
Almi-Cinema 5 |
112 mi |
16mm |
Color |
sound |
| 1983 |
Scarface |
Caddo Co Inc | Howard Hughes |
93 1:33:00 |
16mm |
B&W |
sound |
| 1983 |
Sugar Cane Alley |
New Yorker |
103 mi |
16mm |
Color |
sound |
| 1983 |
When the mountains tremble |
New Yorker |
83 |
16mm |
Color |
sound |
| 1984 |
Bolero |
Pyramid |
104 min |
16mm |
Color |
sound |
| 1984 |
Bolero |
John Derek |
12:00 |
|
Color |
|
| 1984 |
Choosing children |
Cambridge Documentary Films |
45 |
16mm |
Color |
sound |
| 1984 |
Classic Creatures: Return of the Jedi |
Robert Guenette |
|
16mm |
|
sound |
| 1984 |
Der Schimmelreiter |
West Glen Communications |
96 min |
16mm |
|
sound |
| 1984 |
Nineteen Eighty Four |
unknown |
113 min |
16mm |
Color |
sound |
| 1984 |
POLICE ACADEMY |
Hugh Wilson |
8:00 |
16mm |
Color |
silent |
| 1984 |
Splash |
Ron Howard |
12:00 |
|
Color |
|
| 1984 |
The Times of Harvey Milk |
Cinecom |
87 |
16mm |
Color |
sound |
| 1984 |
Your Money Or Your Life |
New York |
94 min |
(14 min.) (14 min.) 3/4 in. |
|
sound |
| 1985 |
After hours. |
Martin Scorsese |
96 min |
16mm |
Color |
sound |
| 1985 |
Black Arrow |
John Hough |
60 min. |
16mm |
|
|
| 1985 |
Choosing children. |
Debra Chasnoff, Margaret Lazarus, Kim Klausner |
1550 |
16mm |
Color |
sound |
| 1985 |
Christopher Columbus |
National Geographic |
280 min |
16mm |
|
sound |
| 1985 |
God's Country |
Youth Films Inc |
95 min |
16mm |
Color |
sound |
| 1985 |
Tangos, the exile of Gardel |
New Yorker |
125 mi |
16mm |
Color |
sound |
| 1985 |
Tangos, the exile of Gardel. |
Fernando Solanas |
119 min |
16mm |
Color |
sound |
| 1985 |
The Official story |
Almi-Cinema 5 |
112 mi |
16mm |
Color |
sound |
| 1985 |
Vagabond |
Agnès Varda |
100 min |
16mm |
Color |
|
| 1985 |
Vagabond |
Official Films Inc. |
800 ft. |
|
Color |
|
| 1985 |
VAGABOND |
Agnès Varda |
100 min |
|
Color |
|
| 1985 |
VAGABOND |
Agnès Varda |
100 min |
|
Color |
|
| 1985 |
Witness |
Peter Weir |
112 min |
16mm |
Color |
|
| 1986 |
A Virus knows no morals |
First Run/Icarus |
82 |
16mm |
Color |
sound |
| 1986 |
Lion with a white mane. |
Jaromil Jireš |
127 min |
16mm |
Color |
sound |
| 1986 |
Mala Noche. |
Gus Van Sant |
2400 |
16mm |
Color & B&W |
sound |
| 1986 |
Precious images |
Museum of Modern Art |
6 |
16mm |
Color & B&W |
sound |
| 1986 |
Street of crocodiles |
First Run/Icarus |
21 |
16mm |
Color & B&W |
sound |
| 1986 |
The Fly |
Perspective Films |
2:00 |
|
Color |
|
| 1986 |
The Gang |
FMS Productions Inc |
82 min |
16mm |
Color |
sound |
| 1986 |
The Sixth Day |
Paulist Productions |
106 min |
16mm |
Color |
sound |
| 1986 |
Weekend Warriors. |
Bert Convy |
550 |
16mm |
Color |
silent |
| 1987 |
Like Father Like Son |
Rod Daniel |
600 |
|
Color |
|
| 1987 |
One hundred children waiting for a train |
First Run/Icarus |
57 |
16mm |
Color |
sound |
| 1987 |
The Way Things Go |
Hans-Ulrich Jordi |
30 |
16mm |
Color |
|
| 1987 |
Yuki Yukite shingun = |
The Emperor's naked army marches on Imamura Productions ; Shisso Production ; Zanzou-sha ; produced by Sachiko Kobayashi ; directed by Kazuo Hara. |
119 |
16mm |
Color |
sound |
| 1988 |
A Soldier's Tale |
Arthur Cantor Inc |
96 min |
16mm |
|
sound |
| 1988 |
A World Apart |
Princess Cruise Lines |
600 |
|
Color |
|
| 1988 |
Chocolat |
Cinemanuel : Marin Karmitz-MK2 Productions : Cerito Films : La S.E.P.T. : Wim Wenders Productions-Berlin : Caroline Productions : Le F.O.D.I.C. : T.F.I. Films production |
106 mi |
16mm |
Color |
sound |
| 1988 |
Running on Empty |
Sidney Lumet |
116 min |
|
Color |
|
| 1988 |
SHOOT TO KILL |
Roger Spottiswoode |
109 min |
16mm |
Color |
|