| 1948 |
Black Bart. |
George Sherman |
80 min. |
35mm |
Color |
sound |
| 1948 |
Black Narcissus. |
Emeric Pressburger, Michael Powell |
99 min. |
35mm |
Color |
sound |
| 1948 |
Blanche Fury. |
Marc Allégret |
93 min. |
35mm |
Color |
sound |
| 1948 |
Blondie's Reward. |
Abby Berlin |
7 reels |
35mm |
B&W |
sound |
| 1948 |
Caged Fury. |
William Berke |
61 min. |
35mm |
B&W |
sound |
| 1948 |
Code Of Scotland Yard. |
George King |
60 min. |
35mm |
B&W |
sound |
| 1948 |
Command Decision. |
Sam Wood |
112 min |
35mm |
B&W |
sound |
| 1948 |
Cry of the city |
Twentieth Century-Fox Film Corp. (Publisher) |
95 min |
16mm |
B&W |
sound |
| 1948 |
Desperadoes Of Dodge City. |
Philip Ford |
60 min. |
35mm |
B&W |
sound |
| 1948 |
Dream Girl. |
Mitchell Leisen |
86 min. |
35mm |
B&W |
sound |
| 1948 |
Drunken Angel |
Akira Kurosawa |
1:08 |
|
B&W |
|
| 1948 |
Easter Parade. |
Charles Walters |
103 min |
35mm |
Color |
sound |
| 1948 |
Fort Apache |
John Ford |
1:28 |
|
B&W |
|
| 1948 |
Fort Apache. |
129 N Vermont |
128 min |
35mm |
B&W |
sound |
| 1948 |
Free For All. |
Charles Barton |
21 min. |
16mm |
B&W |
sound |
| 1948 |
Germany Year Zero |
Roberto Rossellini |
78 |
|
Color & B&W |
|
| 1948 |
Hamlet |
LCA |
153 min |
16mm |
B&W |
|
| 1948 |
Hamlet |
Anvil Film and Recording Group Ltd |
150 min |
|
B&W |
|
| 1948 |
Homecoming. |
Mervyn LeRoy |
112 min |
35mm |
B&W |
sound |
| 1948 |
I Remember Mama |
RKO Radio Pictures Inc. |
2:17:00 |
16mm |
B&W |
sound |
| 1948 |
Inner Sanctum. |
National Broadcasting Co. Inc. |
26 min. |
16mm |
B&W |
sound |
| 1948 |
Jiggs And Maggie In Court. |
William Beaudine |
71 min. |
35mm |
B&W |
sound |
| 1948 |
Joan of Arc |
Victor Fleming |
132 min |
16mm |
Color |
sound |
| 1948 |
June Bride. |
Bretaigne Windust |
97 min. |
35mm |
B&W |
sound |
| 1948 |
Key Largo |
John Huston |
1:00 |
16mm |
B&W |
|
| 1948 |
Last Of The Wild Horses. |
Robert L. Lippert |
84 min. |
35mm |
B&W |
sound |
| 1948 |
Little Gray Neck |
produced by Soyuzmultfilm Studios; a Fleetwood Films, Inc. production; directed by L. Amalrik ; written by George Berezko. |
20 |
16mm |
Color |
sound |
| 1948 |
Louisiana Story |
Robert Flaherty |
77 1:17:00 |
16mm |
B&W |
sound |
| 1948 |
Madonna Of The Desert. |
George Blair |
60 min. |
35mm |
B&W |
sound |
| 1948 |
Marshal Of Amarillo. |
Philip Ford |
60 min. |
35mm |
B&W |
sound |
| 1948 |
Melody Time. |
Clyde Geronimi, Wilfred Jackson, Hamilton Luske, Jack Kinney |
75 min. |
35mm |
Color |
sound |
| 1948 |
Mr. Blandings Builds His Dream House |
H. C. Potter |
94 |
|
Color & B&W |
|
| 1948 |
MR. BLANDINGS BUILDS HIS DREAM HOUSE. |
H. C. Potter |
94 min. |
35mm |
B&W |
sound |
| 1948 |
MR. PEABODY AND THE MERMAID. |
Irving Pichel |
89 min |
|
B&W |
|
| 1948 |
My Dear Secretary. |
Charles Martin |
94 min. |
35mm |
B&W |
sound |
| 1948 |
Mystery In Mexico. |
Robert Wise |
66 min. |
35mm |
B&W |
sound |
| 1948 |
Northwest stampede. |
Eagle-Lion Films Inc. |
2561 |
16mm |
Color |
sound |
| 1948 |
Oklahoma Badlands. |
Yakima Canutt |
59 min. |
35mm |
B&W |
sound |
| 1948 |
On Our Merry Way. |
King Vidor, Leslie Fenton |
96 min. |
35mm |
B&W |
sound |
| 1948 |
Out Of The Storm. |
R. G. Springsteen |
61 min. |
35mm |
B&W |
sound |
| 1948 |
Panhandle. |
Lesley Selander |
85 min. |
35mm |
B&W |
sound |
| 1948 |
Pitfall. |
André de Toth |
85 min. |
35mm |
B&W |
sound |
| 1948 |
Race Street. |
Edwin L. Marin |
79 min. |
35mm |
B&W |
sound |
| 1948 |
Relentless. |
George Sherman |
93 min. |
35mm |
Color |
sound |
| 1948 |
Road House. |
Jean Negulesco |
95 min. |
35mm |
B&W |
sound |
| 1948 |
Rusty Leads The Way |
Ideal Pictures Inc |
|
16mm |
B&W |
sound |
| 1948 |
Rusty Leads The Way. |
Will Jason |
59 min. |
35mm |
B&W |
sound |
| 1948 |
Sealed Verdict. |
Lewis Allen |
83 min. |
35mm |
B&W |
sound |
| 1948 |
Secret Service Investigator. |
R. G. Springsteen |
60 min. |
35mm |
B&W |
sound |
| 1948 |
Sleep, My Love. |
Douglas Sirk |
96 min. |
35mm |
B&W |
sound |