| 1985 |
VAGABOND |
Agnès Varda |
100 min |
|
Color |
|
| 1985 |
We were so beloved |
First Run Features/Icarus |
145 mi |
16mm |
Color & B&W |
sound |
| 1985 |
When father was away on business |
Almi/Krypton |
136 mi |
16mm |
Color |
sound |
| 1985 |
Witness |
Peter Weir |
112 min |
16mm |
Color |
|
| 1985 |
World of tomorrow |
Direct Cinema |
84 |
16mm |
Color |
sound |
| 1984 |
A Flash of green |
Nunez Film Company |
118 mi |
16mm |
Color |
sound |
| 1984 |
A Good tree |
beacon |
24 |
16mm |
Color |
sound |
| 1984 |
A Sense of Touch |
NFBC |
|
16mm |
|
sound |
| 1984 |
Alice underground |
produced and directed by Kate Kline May. |
29 |
16mm |
B&W |
sound |
| 1984 |
Almonds And Raisins |
Teleculture Inc. |
88 min |
16mm |
|
sound |
| 1984 |
America and Lewis Hine |
Cinema Guild |
58 |
16mm |
Color |
sound |
| 1984 |
America and Lewis Hine |
New Video Group Inc. New York NY [1996] ©1984 |
Genre:documentary film |
|
|
|
| 1984 |
An ancient gift |
produced for the Museum of Northern Arizona by Tellens, Inc. ; producers, Donald Coughlin, Therese Burson ; directed, Donald Coughlin ; writers, Donald Coughlin, Therese Burson. |
17 |
16mm |
Color |
sound |
| 1984 |
Autumn almanac |
written and directed by Béla Tarr. |
120 |
16mm |
Color |
sound |
| 1984 |
Backwards: The Riddle Of Dyslexia |
lcoa |
32 |
16mm |
Color |
sound |
| 1984 |
Before Stonewall. |
Greta Schiller |
87 min |
16mm |
Color |
sound |
| 1984 |
Beyond Words: Animal Communication |
Wolfgang Bayer |
|
|
|
|
| 1984 |
Blackberry Subway Jam |
NFBC |
8 |
16mm |
Color |
sound |
| 1984 |
Blackberry Subway Jam |
Robert Doucet |
600 |
|
|
|
| 1984 |
Bolero |
Pyramid |
104 min |
16mm |
Color |
sound |
| 1984 |
Bolero |
John Derek |
12:00 |
|
Color |
|
| 1984 |
Budgeting |
Peter Robinson |
|
16mm |
|
sound |
| 1984 |
Camels and the Pitjantjara |
produced by the Australian Institute of Aboriginal Studies ; written and directed by Roger Sandall. |
28 |
16mm |
Color |
sound |
| 1984 |
Choosing children |
Cambridge Documentary Films |
45 |
16mm |
Color |
sound |
| 1984 |
Computer: Tool for the Future |
National Geographic |
|
|
|
|
| 1984 |
Couples and robbers |
Direct Cinema |
29 |
16mm |
Color |
sound |
| 1984 |
Curious George |
Churchill |
14 |
16mm |
Color |
sound |
| 1984 |
Der Schimmelreiter |
West Glen Communications |
96 min |
16mm |
|
sound |
| 1984 |
Doctor De Soto |
Schindel Morton |
10 min |
16mm |
Color |
sound |
| 1984 |
Doctor de Soto |
Weston |
10 min. |
16mm |
Color |
sound |
| 1984 |
Doctor De Soto |
Michael Sporn |
10 min |
|
Color |
|
| 1984 |
Einstein on the beach: the changing image of opera |
Direct Cinema Ltd. |
58 |
16mm |
Color |
sound |
| 1984 |
Facing It: My Friend's An Alcoholic |
William Haugse |
|
16mm |
|
sound |
| 1984 |
Garbo Talks |
Sidney Lumet |
103 min |
16mm |
Color |
|
| 1984 |
Gaza Ghetto |
NEW TIME FILMS PO BOX 502 VILLAGE STATION NEW YORK NY 10014 |
82 |
16mm |
Color |
sound |
| 1984 |
Go tell it on the mountain |
New Line Cinema |
96 |
16mm |
Color |
sound |
| 1984 |
Going Back |
Virginia Productions |
1872 ft. |
|
|
|
| 1984 |
Goldilocks and the Three Bears |
McGraw-Hill |
|
16mm |
|
sound |
| 1984 |
Goldilocks and the Three Bears |
Perspective Films |
432 ft. #12 |
|
|
|
| 1984 |
Goodbye War |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1984 |
Group productivity |
MCGRAW HILL PUBLISHING CO |
21 |
16mm |
|
|
| 1984 |
Heavenly Bodies |
Lawrence Dane |
89 min |
16mm |
Color |
sound |
| 1984 |
How The First Letter Was Written |
Stephen Bosustow |
603 min |
16mm |
|
sound |
| 1984 |
How to Be a Perfect Person in Just Three Days |
LCA |
31 min. |
16mm |
Color |
sound |
| 1984 |
I can do it!: Ed Lewis |
Direct Cinema |
15 |
16mm |
Color |
sound |
| 1984 |
Jackson Pollock |
direct |
54 min. |
16mm |
Color |
|
| 1984 |
King Of The Cats |
Weston Woods |
5 |
16mm |
Color |
sound |
| 1984 |
Learning About Computers |
National Geographic |
396 ft. |
|
|
|
| 1984 |
Learning About Computers |
Yves Gerard Issembert |
|
|
|
|
| 1984 |
Lulu in Berlin |
Kino International Corp. |
50 |
16mm |
Color |
sound |