| 1949 |
Campus Capers |
Bill Tytla |
6 min |
16mm |
|
sound |
| 1949 |
Canada calling |
David A. Smith |
|
|
|
|
| 1949 |
Celia. |
Francis Searle |
|
16mm |
|
sound |
| 1949 |
Challenge Of The Range. |
Ray Nazarro |
56 min. |
35mm |
B&W |
sound |
| 1949 |
Challenge To Lassie. |
Richard Thorpe |
76 min. |
35mm |
Color |
sound |
| 1949 |
Chicago Deadline. |
Paramount Pictures Inc. |
87 min. |
35mm |
B&W |
sound |
| 1949 |
Colorado Territory. |
Raoul Walsh |
94 min. |
|
B&W |
sound |
| 1949 |
Comin' Round The Mountain. |
Charles Lamont |
7 min |
35mm |
B&W |
sound |
| 1949 |
Conspirator. |
Victor Saville |
87 min. |
35mm |
B&W |
sound |
| 1949 |
Cover-Up. |
Alfred Edward Green |
82 min. |
35mm |
B&W |
sound |
| 1949 |
Crashing Thru. |
Ray Taylor |
58 min. |
35mm |
B&W |
sound |
| 1949 |
Criss Cross |
Universal Pictures Co. Inc. (Publisher) |
94 |
16mm |
B&W |
sound |
| 1949 |
D.O.A. |
Rudolph Maté |
83 |
|
B&W |
|
| 1949 |
Daughter Of The West. |
Harold Daniels |
77 min. |
35mm |
Color |
sound |
| 1949 |
Daybreak. |
Compton Bennett |
2 reels |
16mm |
B&W |
sound |
| 1949 |
Desert Vigilante. |
Fred F. Sears |
56 min. |
35mm |
B&W |
sound |
| 1949 |
Dime store |
by Dorsey Alexander. |
6 |
16mm |
Color |
sound |
| 1949 |
Doggone Tired. |
Tex Avery |
8 min |
35mm |
Color |
sound |
| 1949 |
Down Dakota Way. |
William Witney |
67 min. |
35mm |
Color |
sound |
| 1949 |
Down Memory Lane. |
Phil Karlson |
73 min. |
35mm |
B&W |
sound |
| 1949 |
Down To The Sea In Ships. |
Twentieth Century-Fox Film Corporation. |
120 min |
35mm |
B&W |
sound |
| 1949 |
Easy Living. |
Jacques Tourneur |
77 min. |
35mm |
B&W |
sound |
| 1949 |
El Abandonado. |
Importadora Inc. |
84 min. |
35mm |
B&W |
sound |
| 1949 |
El Diablo No Es Tan Diablo. |
Importadora Inc. |
95 min. |
35mm |
B&W |
sound |
| 1949 |
Electrochemistry |
unknown |
|
16mm |
|
sound |
| 1949 |
Everybody Does It. |
Twentieth Century-Fox Film Corp |
98 min. |
35mm |
B&W |
sound |
| 1949 |
Fallen idol |
directed and produced by Carol Reed. |
92 |
16mm |
B&W |
sound |
| 1949 |
Family Circles |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1949 |
Family Circles |
National Film Board of Canada |
33 |
16mm |
B&W |
|
| 1949 |
Feudin' Rhythm. |
Edward Bernds |
65 min. |
35mm |
B&W |
sound |
| 1949 |
Fighting Fools. |
Reginald LeBorg |
69 min. |
35mm |
B&W |
sound |
| 1949 |
Flame Of Youth. |
R. G. Springsteen |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Flaming Fury. |
George Blair |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Frontier Outpost. |
Columbia Pictures Corp. |
65 min. |
35mm |
B&W |
sound |
| 1949 |
Grand Canyon. |
Paul Landres |
65 min. |
35mm |
B&W |
sound |
| 1949 |
Gun Law Justice. |
Lambert Hillyer |
54 min. |
35mm |
B&W |
sound |
| 1949 |
Gun Runner. |
Lambert Hillyer |
56 min. |
35mm |
B&W |
sound |
| 1949 |
Haunted Trails. |
Lambert Hillyer |
60 min. |
35mm |
B&W |
sound |
| 1949 |
He Acts His Age |
McGraw-Hill Films Crawley Films Limited |
|
|
|
|
| 1949 |
Heart To Heart |
L A County Heart Assn |
21 min. |
16mm |
B&W |
sound |
| 1949 |
Henry, The Rainmaker. |
Jean Yarbrough |
64 min. |
35mm |
B&W |
sound |
| 1949 |
Hold That Baby. |
Reginald LeBorg |
64 min. |
35mm |
B&W |
sound |
| 1949 |
Home In San Antone. |
Ray Nazarro |
7 reels |
35mm |
B&W |
sound |
| 1949 |
Horsemen Of The Sierras. |
Fred F. Sears |
6 reels |
35mm |
B&W |
sound |
| 1949 |
How To Build An Igloo |
National Film Board of Canada. |
|
16mm |
|
sound |
| 1949 |
I Was A Male War Bride |
Twentieth Century-Fox Film Corporation. |
1:05 |
16mm |
B&W |
sound |
| 1949 |
I Was A Male War Bride. |
Howard Hawks |
105 min |
35mm |
B&W |
sound |
| 1949 |
In The Good Old Summertime. |
Robert Z. Leonard, Buster Keaton |
103 min |
35mm |
Color |
sound |
| 1949 |
Intruder In The Dust. |
Clarence Brown |
89 min. |
35mm |
B&W |
sound |
| 1949 |
Jiggs And Maggie In Jackpot Jitters. |
William Beaudine |
67 min. |
35mm |
B&W |
sound |