| 1942 |
Smart Alecks. |
Wallace Fox |
7 reels |
|
B&W |
|
| 1942 |
Smith Of Minnesota. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Sock-A-Bye Baby. |
Jules White |
1 619 ft. |
|
B&W |
|
| 1942 |
Sons Of The Pioneers. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1942 |
South Of Santa Fe. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1942 |
Spy Ship. |
B. Reeves Eason |
62 min. |
|
Color |
|
| 1942 |
Stagecoach Express. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1942 |
Stand By All Networks. |
Lew Landers |
7 reels |
|
|
|
| 1942 |
Stardust On The Sage. |
Republic Pictures Corporation |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Stormy Weather. |
Andrew L. Stone |
1 reel |
16mm |
B&W |
sound |
| 1942 |
Strictly In The Groove. |
Vernon Keays |
7 reels |
|
B&W |
|
| 1942 |
Submarine Raider. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Sunday Punch. |
David Miller |
8 reels |
|
B&W |
sound |
| 1942 |
Sunset On The Desert. |
Joseph Kane |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Sunset Serenade. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1942 |
Surprised Parties. |
Edward L. Cahn |
995 ft. |
|
B&W |
sound |
| 1942 |
Sweetheart Of The Fleet. |
Charles Barton |
7 reels |
|
B&W |
|
| 1942 |
Symphonies in Stone #7 |
An Inspiration Film Production Directed by Horace Shepherd |
300 ft. |
|
|
|
| 1942 |
Syncopation. |
William Dieterle |
88 min. |
|
B&W |
|
| 1942 |
Taxi, Mister. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
Tenting Tonight On The Old Camp Ground. |
Lewis D. Collins |
6 reels |
|
B&W |
|
| 1942 |
The Avenging Rider. |
Sam Nelson |
56 min. |
|
B&W |
|
| 1942 |
The Battle Of Midway |
John Ford |
18 |
|
Color & B&W |
|
| 1942 |
The Battle of Russia |
FDR Presidential Library |
83 min |
16mm/video file |
B&W |
|
| 1942 |
The Big Shot. |
Lewis Seiler |
82 min. |
|
B&W |
|
| 1942 |
The Big Street. |
Irving Reis |
88 min. |
|
B&W |
|
| 1942 |
The Boss Of Big Town. |
Arthur Dreifuss |
7 reels |
|
B&W |
|
| 1942 |
The Cyclone Kid. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1942 |
The devil with Hitler. |
Gordon Douglas |
14:50 |
16mm |
B&W |
sound |
| 1942 |
The Falcon Takes Over. |
Irving Reis |
63 min. |
|
B&W |
|
| 1942 |
The Farmer's Daughter. |
James P. Hogan |
1 reel |
16mm |
B&W |
sound |
| 1942 |
The farmer's wife. |
Norman Lee |
2:50 |
16mm |
B&W |
sound |
| 1942 |
The Fleet's In. |
Victor Schertzinger |
9 reels |
|
B&W |
|
| 1942 |
The Girl From Alaska. |
Nick Grinde |
8 reels |
|
Color |
|
| 1942 |
The Hungry Wolf. |
Hugh Harman |
844 ft. |
|
|
sound |
| 1942 |
The Impatient Patient. |
Warner Bros. presents ; supervision [direction], Norman McCabe ; produced by Leon Schlesinger ; story by Don Christensen ; animation, Vive Risto. |
1 reel |
16mm |
Color |
sound |
| 1942 |
The lady or the tiger? |
Encyclopaedia Britannica Educational Corp. |
175 |
16mm |
|
sound |
| 1942 |
THE LOAN STRANGER |
Alex Lovy |
|
|
|
|
| 1942 |
The Lone Prairie. |
William Berke |
6 reels |
|
B&W |
|
| 1942 |
The Lone Rider And The Bandit. |
Sam Newfield |
6 reels |
|
B&W |
|
| 1942 |
The lone rider in Cheyenne. |
Sam Newfield |
6 reels |
16mm |
|
sound |
| 1942 |
The Lone Rider In Texas Justice. |
Sam Newfield |
6 reels |
|
|
|
| 1942 |
The Loves Of Edgar Allan Poe. |
Harry Lachman |
6 021 ft. |
|
B&W |
|
| 1942 |
The Male Animal. |
Elliott Nugent |
101 min |
|
B&W |
|
| 1942 |
The Man In The Trunk. |
Malcolm St. Clair |
6 279 ft. |
|
Color |
|
| 1942 |
The Man Who Came To Dinner. |
William Keighley |
112 min |
|
B&W |
|
| 1942 |
The Man Who Wouldn't Die. |
Herbert I. Leeds |
5 880 ft. |
|
B&W |
|
| 1942 |
The Mcguerins From Brooklyn. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
The New Spirit |
Walt Disney Productions. |
1 reel |
16mm |
Color |
sound |
| 1942 |
The Night Before The Divorce. |
Robert Siodmak |
6032 ft. |
|
B&W |
|