| 1956 |
Jenny's Birthday Book |
Weston Woods Studios |
6 min |
16mm |
Color |
sound |
| 1956 |
Jenny’s Birthday Book. |
Weston Woods Studios Inc. |
6 min |
16mm |
B&W |
sound |
| 1956 |
The Burning Hills. |
Warner Bros. Pictures Inc. |
94 min. |
35mm |
Color |
sound |
| 1956 |
The Circus baby |
Weston Woods Studios |
5 |
16mm |
Color |
sound |
| 1956 |
The Circus Baby. |
Weston Woods Studios Inc. |
5 min |
16mm |
B&W |
sound |
| 1956 |
The Girl He Left Behind. |
Warner Bros. Pictures Inc. |
103 min |
35mm |
B&W |
sound |
| 1956 |
The Little Red Lighthouse |
Weston Woods |
|
|
|
|
| 1956 |
The Little red lighthouse and the great gray bridge |
Weston Woods Studios |
9 |
16mm |
Color |
sound |
| 1956 |
The Red carpet |
Weston Woods Studios |
9 |
16mm |
Color |
sound |
| 1956 |
The Searchers |
John Ford |
1:19 |
|
|
|
| 1955 |
Bride of the Monster |
Ed Wood |
|
|
|
|
| 1955 |
Hercules |
Weston Woods |
11 |
16mm |
Color |
sound |
| 1955 |
One Desire. |
Universal Pictures Co. Inc. |
94 min. |
35mm |
Color |
sound |
| 1955 |
Stone Soup |
Weston Woods |
11 min. |
16mm |
B&W |
sound |
| 1955 |
Story About Ping |
Weston Woods |
|
|
|
|
| 1955 |
The Red Carpet |
Weston Woods Studios Institutional Media Inst |
|
16mm |
|
sound |
| 1955 |
The Story about Ping |
Weston Woods Studios |
10 |
16mm |
Color |
sound |
| 1953 |
Born to the Saddle |
William Beaudine |
|
|
|
|
| 1953 |
Glen or Glenda |
Ed Wood |
|
|
|
|
| 1953 |
The Tall Texan |
Ideal Pictures Inc |
92 |
16mm |
B&W |
sound |
| 1950 |
Cinderella |
3 directors |
|
|
|
|
| 1950 |
Harriet Craig. |
Columbia Pictures Corp. |
94 min. |
35mm |
B&W |
sound |
| 1950 |
Let’s Dance. |
Paramount Pictures Corp. |
111 min |
35mm |
Color |
sound |
| 1950 |
No Sad Songs For Me. |
Columbia Pictures Corp. |
89 min. |
35mm |
B&W |
sound |
| 1950 |
The Islander. |
John Wood Co. Bennett Pump Division |
19 min. |
16mm |
Color |
sound |
| 1950 |
The Jackpot. |
Twentieth Century-Fox Film Corp |
85 min. |
35mm |
B&W |
sound |
| 1949 |
[Ed Wood Commercials, 1949] |
Ed Wood |
|
|
B&W |
sound |
| 1949 |
Barbary Pirate. |
Columbia Pictures Corp. |
64 min. |
35mm |
B&W |
sound |
| 1949 |
Colorado Territory. |
Raoul Walsh |
94 min. |
|
B&W |
sound |
| 1949 |
Marine Animals and Their Foods |
Coronet Films |
8 min |
|
Color |
|
| 1949 |
SOUTH OF ST. LOUIS. |
Ray Enright |
88 min. |
35mm |
Color |
sound |
| 1949 |
The Stratton Story. |
Sam Wood |
106 min |
35mm |
B&W |
sound |
| 1948 |
Command Decision |
Sam Wood |
|
|
|
|
| 1947 |
Ivy. |
Sam Wood |
98 min. |
35mm |
B&W |
sound |
| 1947 |
Miracle on 34th street |
Films inc. |
96 |
16mm |
B&W |
sound |
| 1946 |
[Tomorrow is forever--excerpts] |
International Pictures, Inc. ; directed by Irving Pichel. |
10 |
16mm |
B&W |
sound |
| 1946 |
Heartbeat. |
Sam Wood |
102 min |
|
|
|
| 1945 |
Guest Wife. |
Sam Wood |
88 min. |
|
|
|
| 1945 |
Saratoga trunk. |
Sam Wood |
5000 |
16mm |
|
sound |
| 1944 |
Casanova Brown. |
Sam Wood |
8239 ft. |
|
|
|
| 1944 |
Enemy Of Women. |
Alfred Zeisler |
9 reels |
|
|
|
| 1943 |
Corregidor. |
British Information Services |
8 reels |
16mm |
|
sound |
| 1943 |
For Whom The Bell Tolls. |
Sam Wood |
19 reels |
|
|
sound |
| 1943 |
HERS TO HOLD |
Universal Pictures |
90 min |
16mm |
B&W |
sound |
| 1942 |
Changes, Changes |
Hutchins Pat; Weston Woods Studios |
|
16mm |
|
sound |
| 1942 |
ILMSTRIPS 243 |
s form, or planted by farsighted early nae, tional leaders. (80 frames) The Farm and the Farm Woods U.S. Department of Agriculture |
80 frames |
Filmstrip |
|
|
| 1942 |
Kings Row |
Sam Wood |
|
|
|
|
| 1942 |
Sherlock Holmes And The Secret Weapon. |
Universal Pictures |
7 reels |
16mm |
B&W |
sound |
| 1941 |
Bachelor Daddy. |
|
7 reels |
16mm |
B&W |
Sound |
| 1941 |
Sky Raiders. |
Ford Beebe |
2 reels |
|
|
|