| 1964 |
Becket. |
Paramount Film Service Ltd. |
148 min |
35mm |
Color |
sound |
| 1964 |
Coast of Skeletons |
Robert Lynn |
|
|
|
|
| 1964 |
Crisis And The University |
Ohio State Univ Motion Picture Division |
28 min |
16mm |
B&W |
sound |
| 1964 |
Critical path. |
RICHARD COSTAIN |
601 |
16mm |
|
sound |
| 1964 |
Dear Heart |
Ideal Pictures Inc |
110 min |
16mm |
B&W |
sound |
| 1964 |
Down on the farm |
Norman Ross Joseph J. Katz Henry L. Crespi David McElroy Clifford Braun John Suchy Richard Puryear Theodore Krohne Ross-McElroy Productions Argonne National Laboratory |
|
16mm |
|
|
| 1964 |
FATE. |
Richard Vincent McCool |
|
16mm |
B&W |
sound |
| 1964 |
Flight From Ashiya. |
Harold Hecht Films Inc. |
102 min |
35mm |
Color |
sound |
| 1964 |
Guns at Batasi |
John Guillermin |
1:03 |
|
B&W |
|
| 1964 |
Guns At Batasi. |
Twentieth Century-Fox Productions Ltd. |
103 min |
35mm |
B&W |
sound |
| 1964 |
Harnessing the rainbow |
Norman Ross Frank S. Tomkins Mark S. Fred Athos Giacchetti David McElroy Clifford Braun John Suchy Richard Puryear Theodore Krohne Ross-McElroy Productions Argonne National Laboratory |
|
16mm |
|
sound |
| 1964 |
HELP. |
California Research Corp. |
1 reel |
16mm |
Color |
sound |
| 1964 |
John Goldfarb, Please Come Home. |
Parker-Orchard Productions & Twentieth Century-Fox Film Corp. |
96 min |
35mm |
Color |
sound |
| 1964 |
Joy In The Morning. |
Metro-Goldwyn-Mayer Inc. |
103 min |
35mm |
Color |
sound |
| 1964 |
Laryngectomy and Neck Dissection |
Ohio State University, Motion Picture Division, Department of Photography, Columbus, Ohio |
22 min |
|
Color |
|
| 1964 |
Machines that think |
Norman Ross William F. Miller Alan Smith David McElroy Carl Tubbs John Suchy Richard Puryear Theodore Krohne Ross-McElroy Productions Argonne National Laboratory |
|
16mm |
|
|
| 1964 |
Make like a thief |
Veikko Laihanen Oy ; V. P. Productions ; written and produced by Palmer Thompson ; directed by Palmer Thompson and Richard Long. |
79 |
16mm |
Color |
sound |
| 1964 |
Man's Search For Happiness |
Brigham Young University |
|
16mm |
|
sound |
| 1964 |
Mary Poppins |
SWANK |
140 mi |
16mm |
Color |
sound |
| 1964 |
Microscope for the unknown |
Norman Ross Lee C. Teng David McElroy Carl Tubbs John Suchy Richard Puryear Theodore Krohne Ross-McElroy Productions Argonne National Laboratory |
|
16mm |
|
|
| 1964 |
Mutiny in outer space. |
Hugo Grimaldi Productions Inc. |
2725 |
35mm |
B&W |
sound |
| 1964 |
Rio Conchos. |
Twentieth Century-Fox Film Corp |
107 min |
35mm |
Color |
sound |
| 1964 |
Seance On A Wet Afternoon |
Beaver Films, Ltd |
121 min |
16mm |
B&W |
sound |
| 1964 |
Stories Are for Telling |
Iowa State University, Film Production Unit, Ames, Iowa |
13 min |
|
B&W |
|
| 1964 |
Teaching Transurethral Surgery Using A Cow's Udder |
Ohio State Univ Motion Picture Division |
960 |
16mm |
Color |
sound |
| 1964 |
Testing for tomorrow |
Norman Ross Claus J. Renken Harold Berger Ronald H. Selner David McElroy Clifford Braun John Suchy Richard Puryear Theodore Krohne Ross-McElroy Productions Argonne National Laboratory |
|
16mm |
|
|
| 1964 |
The Escape |
Family Theater Inc. |
25 min |
16mm |
|
sound |
| 1964 |
The fuel of the future |
Norman Ross Arthur Shuck Frank Foote David McElroy Clifford Braun John Suchy Richard Puryear Theodore Krohne Ross-McElroy Productions Argonne National Laboratory |
|
16mm |
|
sound |
| 1964 |
The Great Unfenced |
Contemporary Films Harry Atwood |
33 min |
16mm |
Color |
sound |
| 1964 |
The Lure Of Bali. |
Richard Foote |
|
16mm |
Color |
sound |
| 1964 |
The Soft Skin |
François Truffaut |
1:13 |
|
B&W |
|
| 1964 |
The Soft Skin. |
Films du Carrosse Sedif-Simar |
113 min |
35mm |
B&W |
sound |
| 1964 |
The Third Secret. |
Hubris Productions Ltd. |
103 min |
35mm |
B&W |
sound |
| 1964 |
The Time Travelers |
Ideal Pictures Inc |
82 min |
16mm |
Color |
sound |
| 1964 |
Three Invincible Sergeants |
Ideal Pictures Inc |
88 |
16mm |
Color |
sound |
| 1964 |
Young Fury |
Paramount Pictures Corp. & A. C. Lyles Productions Inc. |
80 min |
35mm |
Color |
sound |
| 1964 |
Zulu |
Avco Embassy Pictures |
138 min |
16mm |
Color |
sound |
| 1965 |
Anatomy of a Crucifixion |
Ohio State University, Motion Picture Division, Department of Photography, Columbus, Ohio |
3 min |
|
B&W |
|
| 1965 |
Arizona Raiders. |
Admiral Pictures Inc. |
88 min |
35mm |
Color |
sound |
| 1965 |
Autobiographical by A.M. Klein |
Richard Notkin |
|
|
|
|
| 1965 |
Bunny Lake is missing |
Columbia Pictures Corp.: Publisher |
1:47:00 |
16mm |
B&W |
sound |
| 1965 |
Bus Riley's Back In Town. |
Universal Pictures Co. Inc. |
|
35mm |
Color |
sound |
| 1965 |
Cheyenne Autumn. |
Ford-Smith Productions |
151 min |
35mm |
Color |
sound |
| 1965 |
Children Who Hate |
University of Michigan, Television Center and Film Unit, Audio-Visual Education Center, Ann Arbor, Michigan |
29 min |
|
B&W |
|
| 1965 |
Clarence, The Cross-Eyed Lion. |
Metro-Goldwyn-Mayer Inc. & Ivan Tors Enterprises Inc. |
98 min |
35mm |
Color |
sound |
| 1965 |
Convict Stage. |
Twentieth Century-Fox Film Corp |
|
35mm |
B&W |
sound |
| 1965 |
Development of our decimal numeration system |
Joseph Moray National Council of Teachers of Mathematics John M. Davidson Richard Gilbert Arthur M. Kaye Shirley Tebbe Francesca Greene Peter Smith Carole Eickhoff Davidson Films |
|
|
|
|
| 1965 |
Dialogue with Dr. Gardner Murphy, I |
University of Houston, Department of Psychology, Houston, Texas |
2 min |
|
B&W |
|
| 1965 |
Dialogue with Dr. Gardner Murphy, II |
University of Houston, Department of Psychology, Houston, Texas |
47 min |
|
B&W |
|
| 1965 |
Dialogue with Dr. Henry Murray, I |
University of Houston, Department of Psychology, Houston, Texas |
47 min |
|
B&W |
|