| 1940 |
I was an Adventuress |
Twentieth Century-Fox Film Corporation |
12000 |
16mm |
B&W |
sound |
| 1940 |
I Was An Adventuress. |
Gregory Ratoff |
7 208 ft. |
|
B&W |
|
| 1940 |
Island Of Doomed Men. |
Charles Barton |
7 reels |
|
B&W |
|
| 1940 |
Santa Fe Trail |
Michael Curtiz |
110 min |
|
Color & B&W |
|
| 1940 |
Strange Cargo. |
Frank Borzage |
12 reels |
|
B&W |
sound |
| 1940 |
Stranger On The Third Floor. |
Boris Ingster |
64 min. |
|
B&W |
|
| 1940 |
You'll Find Out. |
David Butler |
97 min. |
|
B&W |
|
| 1939 |
A Chump at Oxford |
Hal Roach Studios Inc. |
1600 |
|
B&W |
|
| 1939 |
Gestern und Heute : |
ein Filmdokument gestaltet von Hans Steinhoff. |
11 |
16mm |
B&W |
sound |
| 1939 |
Mr. Moto in Danger Island. |
Herbert I. Leeds |
2450 |
16mm |
B&W |
sound |
| 1939 |
Mr. Moto's last warning. |
Norman Foster |
2375 |
16mm |
B&W |
sound |
| 1939 |
The house of fear |
Crime Club Productions |
1:07:00 |
16mm |
B&W |
sound |
| 1939 |
The house of fear. |
Universal Pictures Co. Inc. |
7 reels |
16mm |
B&W |
sound |
| 1939 |
The Nursemaid Who Disappeared |
Arthur B. Woods |
|
|
|
|
| 1938 |
I'LL GIVE A MILLION. |
Fox Film Corp |
70 min |
|
B&W |
|
| 1938 |
Mr. Moto takes a chance. |
Fox Film Corp |
7 reels |
16mm |
B&W |
sound |
| 1938 |
Mr. Moto's gamble. |
Fox Film Corp |
2525 |
16mm |
B&W |
sound |
| 1938 |
Mr. Reeder in Room 13 |
Norman Lee |
|
|
|
|
| 1938 |
Mysterious Mr. Moto |
Twentieth Century-Fox Film Corporation |
1:03:00 |
16mm |
B&W |
sound |
| 1938 |
Mysterious Mr. Moto. |
Fox Film Corp |
2175 |
16mm |
B&W |
sound |
| 1938 |
Sergeant Berry. |
Euphono-Film GmbH |
114 min |
16mm |
B&W |
sound |
| 1937 |
Der Katzensteg. |
Fritz Peter Buch |
|
16mm |
|
sound |
| 1937 |
GEWITTERFLUG ZU CLAUDIA |
UFA (Firm) |
74 min |
16mm |
|
sound |
| 1937 |
NANCY STEELE IS MISSING. |
Fox Film Corp |
84 min |
|
B&W |
|
| 1937 |
Thank you, Mr. Moto. |
Fox Film Corp |
2400 |
16mm |
B&W |
sound |
| 1937 |
Think fast, Mr. Moto. |
Fox Film Corp |
2300 |
16mm |
B&W |
sound |
| 1936 |
As you like it |
Twentieth Century-Fox ; directed and produced by Paul Czinner. |
96 |
16mm |
B&W |
sound |
| 1936 |
Crack-up. |
Fox Film Corp |
325 |
16mm |
B&W |
sound |
| 1936 |
SECRET AGENT. |
Gaumont British Picture Corp. of America |
9 reels |
|
B&W |
|
| 1936 |
The Amazing Quest of Ernest Bliss |
Alfred Zeisler |
|
|
|
|
| 1936 |
The Secret Agent |
Gaumont-British Instructional Films |
|
16mm |
|
sound |
| 1935 |
Crime and punishment |
producer, B. P. Schulberg ; director, Josef von Sternberg ; screenplay, S. K. Lauren and Joseph Anthony. |
88 |
16mm |
B&W |
sound |
| 1935 |
CRIME AND PUNISHMENT. |
Columbia Pictures Corp. |
9 reels |
|
B&W |
|
| 1935 |
Hot off the press. |
Victory Pictures Corp. |
6 reels |
16mm |
B&W |
silent |
| 1935 |
Liebeslied. |
UFA (Firm) |
2400 |
16mm |
B&W |
sound |
| 1935 |
MAD LOVE. |
Metro-Goldwyn-Mayer Corp. |
7 reels |
|
B&W |
|
| 1935 |
Tag Der Freiheit - Unsere Wehrmacht |
Leni Riefenstahl |
17 |
|
B&W |
|
| 1935 |
WAVES AND WAVE-MOTION. |
Emerich Peters (Frank Lisintzki author) |
7 reels |
|
|
|
| 1934 |
Die Reiter von Deutsch-Ostafrika. |
Terra-Film AG |
89 min |
16mm |
B&W |
sound |
| 1934 |
Grand Prix |
St. John Legh Clowes |
|
|
|
|
| 1934 |
The Man Who Knew Too Much |
Gaumont British ; director, Alfred Hitchcock. |
80 1:15:00 |
16mm |
Color & B&W |
sound |
| 1933 |
Footlight Parade |
Lloyd Bacon |
1:04 |
|
B&W |
|
| 1933 |
The Kennel Murder Case |
Michael Curtiz |
73 |
|
B&W |
|
| 1932 |
F P 1 Antwortet Nicht |
West Glen Communications |
114 min |
16mm |
B&W |
sound |
| 1931 |
Down River |
Peter Godfrey |
|
|
|
|
| 1931 |
M |
Essex Films ; [directed by] Fritz Lang. |
99 94 min |
16mm |
B&W |
sound |
| 1931 |
MONTE CARLO MADNESS. |
UFA Films Inc. (Universum Film Aktiengesellschaft). |
7 reels |
|
B&W |
|
| 1927 |
TARZAN AND THE GOLDEN LION. |
R-C Pictures Corp. |
6 reels |
|
B&W |
|
| 1927 |
THE GOLDEN CLOWN. |
Pathe Exchange Inc. |
8 reels |
16mm |
B&W |
Silent |
| 1926 |
THE LIFE OF SAINT GENEVIEVE. |
Peter Contarino |
|
|
|
|