| 1911 |
His second choice. |
Nestor Films |
3:50 |
16mm |
|
silent |
| 1912 |
Cardinal Farley's return. |
Nestor Films |
1:41 |
16mm |
|
silent |
| 1912 |
Her Indian hero. |
Nestor Films |
|
16mm |
|
silent |
| 1914 |
By the sun's rays. |
Nestor Films |
3:50 |
16mm |
|
silent |
| 1916 |
SWEDEY THE JANITOR. |
Nestor |
1 reel |
|
B&W |
silent |
| 1926 |
Superfluous people |
Aleksandr Razumny |
|
|
B&W |
|
| 1938 |
THE SPIDER'S WEB. |
Columbia Pictures Corp. |
2 reels |
|
B&W |
|
| 1939 |
Beau Geste |
William A. Wellman |
112 min |
16mm |
B&W |
sound |
| 1939 |
The Hunchback of Notre Dame |
Films inc. |
114 mi |
16mm |
B&W |
sound |
| 1939 |
The Hunchback Of Notre Dame. |
William Dieterle |
117 min |
|
B&W |
|
| 1940 |
Boom Town. |
Metro-Goldwyn-Mayer. |
13 reels |
16mm |
B&W |
sound |
| 1942 |
Fly-By-Night. |
Robert Siodmak |
8 reels |
|
B&W |
|
| 1943 |
THE DANCING MASTERS |
Twentieth Century-Fox Film Corp |
63 min |
16mm |
B&W |
sound |
| 1943 |
The Dancing Masters. |
Malcolm St. Clair |
5 611 ft. |
|
B&W |
|
| 1944 |
Music For Millions |
Irving Lesser Enterprises |
120 min |
16mm |
B&W |
sound |
| 1944 |
Shine On Harvest Moon. |
David Butler |
112 min |
|
B&W |
sound |
| 1944 |
Tampico. |
Lothar Mendes |
6800 ft. |
|
B&W |
|
| 1945 |
A Thousand And One Nights |
Ideal Pictures Inc |
93 min |
16mm |
|
sound |
| 1945 |
Salome, Where She Danced. |
B. Reeves Eason, Charles Lamont |
10 reels |
|
Color |
sound |
| 1945 |
Tampico. |
Filmcraft (Firm) |
1:30 |
16mm |
B&W |
sound |
| 1945 |
Tampico. |
Lothar Mendes |
1 reel |
16mm |
B&W |
sound |
| 1945 |
The Southerner |
Loew-Hakim Inc |
1:31:00 |
16mm |
B&W |
sound |
| 1945 |
The Southerner ▶ |
Jean Renoir |
92 min |
|
B&W |
|
| 1945 |
The Southerner. |
Jean Renoir |
91 min. |
|
B&W |
|
| 1947 |
Ramrod. |
André de Toth |
94 min. |
35mm |
B&W |
sound |
| 1947 |
Road to Rio |
Jack Rose, Norman Z. McLeod |
12:00 |
|
B&W |
|
| 1947 |
Road To Rio. |
Jack Rose, Norman Z. McLeod |
100 min |
35mm |
B&W |
sound |
| 1947 |
The Trouble with women |
Sidney Lanfield |
80 min |
|
B&W |
|
| 1948 |
Adventures Of Casanova. |
Roberto Gavaldón |
83 min. |
35mm |
B&W |
sound |
| 1948 |
Joan of Arc |
Victor Fleming |
132 min |
16mm |
Color |
sound |
| 1948 |
Joan of Arc |
Victor Fleming |
132 min |
|
Color |
|
| 1948 |
Mr. Blandings Builds His Dream House |
H. C. Potter |
94 |
|
Color & B&W |
|
| 1948 |
MR. BLANDINGS BUILDS HIS DREAM HOUSE. |
H. C. Potter |
94 min. |
35mm |
B&W |
sound |
| 1949 |
Mighty Joe Young. |
Ernest B. Schoedsack |
94 min. |
35mm |
B&W |
sound |
| 1950 |
Rope of Sand ▶ |
William Dieterle |
104 min |
|
B&W |
|
| 1950 |
THE DESERT HAWK. |
Universal Pictures Co. Inc. |
78 min. |
35mm |
Color |
sound |
| 1951 |
My Favorite Spy. |
Paramount Pictures Corp. |
93 min. |
35mm |
B&W |
sound |
| 1951 |
ON DANGEROUS GROUND. |
RKO Radio Pictures Inc. |
82 min. |
35mm |
B&W |
sound |
| 1951 |
The Great Caruso |
Richard Thorpe |
109 min |
|
Color |
|
| 1951 |
The Great Caruso. |
Loew's Inc. |
109 min |
35mm |
Color |
sound |
| 1951 |
The Lady Pays Off. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
B&W |
sound |
| 1952 |
Phone Call From a Stranger |
Jean Negulesco |
1:05 |
|
B&W |
|
| 1952 |
Phone Call From A Stranger. |
Twentieth Century-Fox Film Corp |
96 min. |
35mm |
B&W |
sound |
| 1953 |
Call me Madam |
Twentieth Century-Fox Film Corp. (Publisher) |
1:55:00 |
16mm |
Color |
sound |
| 1953 |
Call Me Madam. |
Twentieth Century-Fox Film Corp |
118 min |
35mm |
Color |
sound |
| 1954 |
Creature From The Black Lagoon. |
Universal Pictures Co. Inc. |
79 min. |
35mm |
B&W |
sound |
| 1954 |
The desperado. |
Allied Artists Pictures Corp. |
81 min. |
35mm |
B&W |
sound |
| 1955 |
All That Heaven Allows. |
Universal Pictures Co. Inc. |
89 min. |
35mm |
Color |
sound |
| 1955 |
Hell On Frisco Bay |
Frank Tuttle |
1600 |
|
Color |
|
| 1955 |
Revenge Of The Creature. |
Universal Pictures Co. Inc. |
82 min. |
35mm |
B&W |
sound |