| 1963 |
The Day Of The Triffids. |
Security Pictures Ltd. |
90 min |
35mm |
Color |
sound |
| 1963 |
To Lighten The Shadows |
Southern Illinois Univ |
20 min |
16mm |
B&W |
sound |
| 1962 |
Architecture Mexico (cored) |
Allen-Moore Productions |
|
|
|
|
| 1962 |
Nine Hours To Rama. |
Twentieth Century-Fox Film Corp |
124 min |
35mm |
Color |
sound |
| 1962 |
Twist Around The Clock. |
Columbia Pictures Corp. |
|
35mm |
B&W |
sound |
| 1962 |
Walk on the Wild Side |
Edward Dmytryk |
114 min |
16mm |
B&W |
|
| 1961 |
Follow That Dream. |
Mirisch Co. Inc. |
109 min |
35mm |
Color |
sound |
| 1961 |
Professional photography |
Ansel Adams Milton Halberstadt Robert Katz Irving Saraf Denver Sutton Philip D. Greene Richard Moore William Triest KQED San Francisco |
|
16mm |
|
|
| 1961 |
The 300 Spartans. |
Twentieth Century-Fox Film Corp |
114 min |
35mm |
Color |
sound |
| 1961 |
X-15 |
Essex Productions Inc. |
106 min |
35mm |
Color |
sound |
| 1960 |
Technique |
Ansel Adams KQED San Francisco Robert Katz Richard Moore Irving Saraf Denver Sutton Philip D. Greene William Triest |
|
16mm |
|
|
| 1960 |
The Adventures of Huckleberry Finn. |
Loew's Inc. & Formosa Productions Inc. |
10 reels |
35mm |
Color |
sound |
| 1960 |
The Alaskans |
Park Films |
13 min |
16mm |
color |
sound |
| 1960 |
The Navajo : part II |
Dick Hartzell Ralph Patrick John Adair Larry Moore Evon Z. Vogt Office of Television Activities Washington University William Roper Dan Lovins Paul Jones J. Maurice McCabe Anna Wauneka KETC St. Louis |
|
16mm |
|
|
| 1960 |
The Siege Of Sidney Street. |
Mid-Century Film Productions Ltd. |
|
35mm |
B&W |
sound |
| 1960 |
The Sinister Urge. |
Headliner Productions Inc. |
72 min |
35mm |
B&W |
sound |
| 1960 |
The Sins Of Rachel Cade. |
Warner Bros. Pictures Inc. |
124 min |
35mm |
Color |
sound |
| 1960 |
Wake Me When It's Over |
Mervyn LeRoy |
|
|
|
|
| 1960 |
Why Must I Die? |
Roy Del Ruth |
|
|
|
|
| 1959 |
A Private’s Affair. |
Twentieth Century-Fox Film Corp |
92 min. |
35mm |
B&W |
sound |
| 1959 |
Alaska |
KQED San Francisco Kathleen K. Rawlings Richard Moore Ken Winslow Bash Kennett |
|
16mm |
|
|
| 1959 |
Animal Fare |
KQED San Francisco Bash Kennett Kathleen K. Rawlings Richard Moore Harry Monahan |
15 min |
16mm |
B&W |
Sound |
| 1959 |
Cast A Long Shadow. |
Mirisch Co. Inc. |
82 min. |
35mm |
B&W |
sound |
| 1959 |
Cattle |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Robert Nissen |
|
16mm |
|
|
| 1959 |
Cotton Farm |
KQED San Francisco Bash Kennett Kathleen K. Rawlings Robert Nissen Richard Moore |
15 min |
16mm |
B&W |
Sound |
| 1959 |
Fences |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Robert Nissen |
|
16mm |
|
|
| 1959 |
Figureheads |
KQED San Francisco Bash Kennett Kathleen K. Rawlings Richard Moore Harry Monahan |
|
16mm |
|
|
| 1959 |
Folk sayings |
KQED San Francisco Bash Kennett Kathleen K. Rawlings Richard Moore Ken Winslow |
|
16mm |
|
|
| 1959 |
Four Seasons |
KQED San Francisco Bash Kennett Kathleen Rawlings Richard Moore Matt Lehmann Harry Monahan |
|
16mm |
|
|
| 1959 |
Freedom |
KQED San Francisco John W. Dodds Richard Moore Robert Nissen |
100 min |
16mm |
Color |
Sound |
| 1959 |
Hacienda life |
KQED San Francisco Bash Kennett Kathleen K. Rawlings Richard Moore Ken Winslow |
15 min |
16mm |
B&W |
Sound |
| 1959 |
How We Know What We Know |
Dr. S.I. Hayakawa KQED San Francisco Richard Moore Tom Borden Ralph Chesse Ruth Asawa W.A. Palmer Films Inc. |
|
16mm |
|
|
| 1959 |
IMITATION OF LIFE. |
Universal Pictures Co. Inc. |
13 reels |
35mm |
Color |
sound |
| 1959 |
Love, Part 1 |
KQED San Francisco John W. Dodds Richard Moore Robert Nissen |
|
16mm |
|
|
| 1959 |
Love, Part 2 |
KQED San Francisco John W. Dodds Richard Moore Robert Nissen |
|
16mm |
|
|
| 1959 |
Man and Nature |
KQED San Francisco Alan W. Watts Richard Moore Ken Winslow Tom Borden |
|
16mm |
|
|
| 1959 |
Metalman |
KQED San Francisco Bash Kennett Kathleen K. Rawlings Richard Moore Ken Winslow |
|
16mm |
|
|
| 1959 |
Mighty Mississippi |
KQED San Francisco Bash Kennett Kathleen K. Rawlings Richard Moore Ken Winslow |
|
16mm |
|
|
| 1959 |
Missouri and the West |
KQED San Francisco Bash Kennett Kathleen K. Rawlings Richard Moore Ken Winslow |
15 min |
16mm |
B&W |
Sound |
| 1959 |
Mortality: part 2 |
KQED San Francisco John W. Dodds Richard Moore Robert Nissen |
|
16mm |
|
|
| 1959 |
Music boxes |
KQED San Francisco Kathleen K. Rawlings Richard Moore Bash Kennett Ken Winslow Lillian Patterson |
|
16mm |
|
|
| 1959 |
Nature, Part 1 |
KQED San Francisco John W. Dodds Richard Moore Robert Nissen |
|
16mm |
|
|
| 1959 |
Nature, part 2 |
John W. Dodds Richard Moore Robert Nissen KQED San Francisco |
|
16mm |
|
|
| 1959 |
Night of the Ghouls |
Ed Wood |
|
|
|
|
| 1959 |
Onions and Potatoes |
KQED San Francisco Bash Kennett Kathleen K. Rawlings Richard Moore Robert Nissen Lillian Patterson |
15 min |
16mm |
B&W |
Sound |
| 1959 |
Our country sings |
KQED San Francisco Kathleen K. Rawlings Richard Moore Ken Winslow Bash Kennett |
|
16mm |
|
|
| 1959 |
Pottery |
KQED San Francisco Bash Kennett Kathleen K. Rawlings Richard Moore Ken Winslow |
|
16mm |
|
|
| 1959 |
Queries and Sources |
KQED San Francisco Alan W. Watts Richard Moore Ken Winslow Tom Borden |
|
16mm |
|
|
| 1959 |
Railroads coast to coast |
KQED San Francisco Kathleen Rawlings Bash Kennett Richard Moore Ken Winslow |
15 min |
16mm |
B&W |
Sound |
| 1959 |
Recollection |
Alan W. Watts KQED San Francisco Richard Moore Ken Winslow Tom Borden |
|
16mm |
|
|