| 1951 |
Francis Goes To The Races. |
Universal Pictures Co. Inc. |
88 min. |
35mm |
B&W |
sound |
| 1951 |
H, The Story Of A Teenage Drug Addict ▶ |
Larry Frisch |
|
|
|
|
| 1951 |
Love Is Better Than Ever. |
Loew’s Incorporated |
80 min. |
35mm |
B&W |
sound |
| 1951 |
One too many. |
Hallmark Productions Inc. |
111 min |
16mm |
B&W |
sound |
| 1951 |
When Worlds Collide. |
Paramount Pictures Corp. |
81 min. |
35mm |
Color |
sound |
| 1950 |
Emergency Wedding. |
Columbia Pictures Corp. |
78 min. |
35mm |
B&W |
sound |
| 1950 |
I Was A Shoplifter. |
Universal Pictures Co. Inc. |
74 min. |
35mm |
B&W |
sound |
| 1950 |
Mister 880. |
Twentieth Century-Fox Film Corp |
90 min. |
35mm |
B&W |
sound |
| 1950 |
Ride 'Em Chico |
Lansburgh Larry |
|
16mm |
|
sound |
| 1950 |
Story Of Standards |
Canadian Dept Of Agriculture |
|
16mm |
|
sound |
| 1950 |
WHIRLPOOL. |
Twentieth Century-Fox Film Corp |
97 min. |
35mm |
B&W |
sound |
| 1949 |
Jolson Sings Again. |
Henry Levin |
96 min. |
35mm |
Color |
sound |
| 1949 |
Story of standards |
Larry Gosnell |
|
|
|
|
| 1949 |
Vagabond Loafers. |
Edward Bernds |
16 min. |
35mm |
B&W |
sound |
| 1948 |
Crime On Their Hands. |
Edward Bernds |
18 min. |
35mm |
B&W |
sound |
| 1948 |
Democracy's diary |
Jay Bonafield Larry O'Reilly Phil Reisman Jr. Dwight Weist Richard Hanser Herman Fuchs |
|
|
|
|
| 1948 |
I'M A MONKEY'S UNCLE. |
Jules White |
|
16mm |
B&W |
|
| 1948 |
I'm A Monkey's Uncle. |
Jules White |
16 min. |
35mm |
B&W |
sound |
| 1948 |
Mummy's Dummies. |
Edward Bernds |
16 min. |
35mm |
B&W |
sound |
| 1948 |
Shivering Sherlocks. |
Del Lord |
17 min. |
35mm |
B&W |
sound |
| 1948 |
Squareheads Of The Round Table. |
Edward Bernds |
18 min. |
35mm |
B&W |
sound |
| 1948 |
The Gallant Blade. |
Henry Levin |
81 min. |
35mm |
Color |
sound |
| 1947 |
All Gummed Up. |
Jules White |
18 min. |
35mm |
B&W |
sound |
| 1947 |
Brideless Groom. |
Edward Bernds |
17 min. |
35mm |
B&W |
sound |
| 1947 |
Down To Earth. |
Alexander Hall |
101 min |
35mm |
Color |
sound |
| 1947 |
FRIGHT NIGHT. |
Columbia Pictures. |
16 min |
16mm |
B&W |
|
| 1947 |
Fright Night. |
Edward Bernds |
17 min. |
35mm |
B&W |
sound |
| 1947 |
The Swordsman. |
Joseph H. Lewis |
81 min. |
35mm |
Color |
sound |
| 1946 |
Magnificent Doll |
Frank Borzage |
95 min |
|
B&W |
|
| 1946 |
Renegades. |
George Sherman |
9 reels |
|
|
|
| 1946 |
The Jolson Story. |
Alfred E. Green |
128 min |
35mm |
Color |
sound |
| 1945 |
Counter-Attack. |
Zoltan Korda |
9 reels |
|
B&W |
|
| 1944 |
ARCTIC PASSAGE |
Pictorial Film Library, Inc |
18 min |
16mm |
B&W |
Sound |
| 1944 |
CHIP OFF THE OLD BLOCK |
Charles Lamont |
71 min |
16mm |
B&W |
sound |
| 1944 |
Chip Off The Old Block. |
Charles Lamont |
9 reels |
|
B&W |
|
| 1944 |
Music For Millions |
Irving Lesser Enterprises |
120 min |
16mm |
B&W |
sound |
| 1944 |
Sergeant Mike. |
Henry Levin |
6 reels |
|
B&W |
|
| 1944 |
She's A Sweetheart. |
Del Lord |
7 reels |
|
B&W |
|
| 1943 |
Reveille With Beverly. |
Charles Barton |
8 reels |
|
B&W |
|
| 1942 |
Atlantic Convoy. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Bambi |
James Algar, David Hand, Bill Roberts, Graham Heid, Samuel Armstrong, Norman Wright, Paul Satterfield |
69 min |
|
Color |
|
| 1942 |
Matri-Phony. |
Harry Edwards |
1 558 ft. |
|
B&W |
|
| 1942 |
Submarine Raider. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Three Smart Saps. |
Jules White |
1517 ft. |
|
B&W |
|
| 1941 |
In The Sweet Pie And Pie. |
Jules White |
1 545 ft. |
|
B&W |
|
| 1941 |
Loco Boy Makes Good. |
Jules White |
2 reels |
|
B&W |
|
| 1941 |
Sing For Your Supper. |
Charles Barton |
7 reels |
|
B&W |
|
| 1941 |
The Reluctant Dragon |
Disney |
72 min |
|
Color & B&W |
|
| 1941 |
The Reluctant Dragon. |
Hamilton Luske, Alfred L. Werker, Erwin Verity, Jasper Blystone, Ford Beebe Jr., Jim Handley |
9 reels |
|
B&W |
sound |
| 1940s |
[Children's party] |
[filmmaker, Joseph Cornell] |
10 |
16mm |
B&W |
silent |