| 1972 |
Bartleby |
Anthony Friedman |
|
|
|
|
| 1972 |
Boxcar Bertha |
American International Productions |
92 min |
|
Color |
sound |
| 1972 |
Cup To Lip - The Origins Of Instrumental Action |
JOHN WILEY AND SONS INC PUB 605 THIRD AVE NEW YORK NY 10016 |
|
16mm |
|
sound |
| 1972 |
Deliverance |
John Boorman |
|
|
|
|
| 1972 |
Detroit Riverfront Development |
FMC Corp John Beam Div |
|
16mm |
|
sound |
| 1972 |
Early Words |
John Wiley And Sons Inc Pub |
|
16mm |
|
sound |
| 1972 |
Effective Writing - Research Skills |
Coronet |
11 min |
16mm |
Color |
sound |
| 1972 |
End of an Old Song |
John Cohen |
26 |
16mm |
B&W |
|
| 1972 |
Energetics of Life |
John Wiley And Sons Inc Pub |
|
16mm |
|
sound |
| 1972 |
Everglades Region: An Ecological Study |
John Wiley & Sons |
|
16mm |
|
sound |
| 1972 |
Everglades Region: An Ecology Study |
Media Guild John Wiley & Son |
800 Feet |
|
|
|
| 1972 |
Flow Diagram |
Halas (John) and Batchelor (Joy) |
|
16mm |
|
sound |
| 1972 |
Functions And Relations |
Halas (John) and Batchelor (Joy) |
|
16mm |
|
sound |
| 1972 |
Grave of the Vampire |
John Hayes |
|
|
|
|
| 1972 |
HOT STUFF |
National Film Board of Canada |
9 min |
16mm |
Color |
sound |
| 1972 |
Imogen Cunningham, Photographer |
Korty John |
|
16mm |
|
sound |
| 1972 |
Imogen Cunningham, photographer |
Korty Films presents ; a film by John Korty. |
21 |
16mm |
Color |
sound |
| 1972 |
Impetuous Fire |
John Law |
|
|
|
|
| 1972 |
Jesus Forgives A Sinful Woman |
John D |
13 fr |
Filmstrip |
Color |
|
| 1972 |
Moving Goods In The Community |
Coronet |
11 0:11:00 |
16mm |
Color |
sound |
| 1972 |
Moving people in the community |
Coronet Instructional Films: Distributor | Indiana University Audio-Visual Center: Distributor |
0:11:00 |
16mm |
Color |
sound |
| 1972 |
Nearest and Dearest |
John Robins |
|
|
|
|
| 1972 |
One Way To Change |
John Avery Galbraith |
10 min |
|
Color |
sound |
| 1972 |
One, Two, Many - Dealing With Multiple Objects |
JOHN WILEY AND SONS INC PUB 605 THIRD AVE NEW YORK NY 10016 |
|
16mm |
|
sound |
| 1972 |
Pink Flamingos |
John Waters |
|
|
|
|
| 1972 |
Please Sir! |
L.W.I. Productions & Leslie Grade, Ltd |
101 min |
|
Color |
sound |
| 1972 |
Reading poetry : |
Haiku Oxford Films presents ; an Art Evans production ; executive producer, Victor Moss ; producer, Art Evans ; director, John Mattias ; writer, Toby Sacker. |
8 |
16mm |
Color |
sound |
| 1972 |
Sitting Target |
Metro-Goldwyn-Mayer |
93 min |
|
Color |
sound |
| 1972 |
Statistics at a Glance |
John Wiley And Sons |
26 min. |
16mm |
Color |
sound |
| 1972 |
The electric flag. |
Korty John |
450 |
16mm |
|
sound |
| 1972 |
The Godfather |
Dist By Aims Media |
|
16mm |
|
sound |
| 1972 |
The Great Northfield Minnesota Raid |
Universal Pictures |
92 min |
|
Color |
sound |
| 1972 |
The Least Of These, My Brethren |
A John R. Gregory production |
14 min |
|
Color |
sound |
| 1972 |
The Life And Times Of Judge Roy Bean |
John Huston |
120 min |
|
Color |
sound |
| 1972 |
The Other |
Robert Mulligan |
|
|
|
|
| 1972 |
They're Attacking My Tree Fort |
See Guidance Associates Secondari John |
|
16mm |
|
sound |
| 1972 |
Thine Day Is Done |
Primm John |
|
16mm |
|
sound |
| 1972 |
To Sandy |
produced by John Greenman at the New York University Graduate Institute of Film ; director, Janet Forman. |
17 |
16mm |
|
sound |
| 1972 |
Topology |
Halas (John) and Batchelor (Joy) |
|
16mm |
|
sound |
| 1972 |
Treasure Island |
John Hough |
|
|
|
|
| 1972 |
What Makes Muscle Pull - The Structural Basis Of Contraction |
John Wiley And Sons Inc Pub |
|
16mm |
|
sound |
| 1972 |
Women In Chains |
Paramount Television |
74 min |
|
Color |
sound |
| 1971 |
[Cibernetik 5.3] |
filmmaker, John Stehura. |
7 |
16mm |
Color |
sound |
| 1971 |
Bonjour Balwyn |
Nigel Buesst |
|
|
|
|
| 1971 |
Cain's Cutthroats |
Ken Osborne |
|
|
|
|
| 1971 |
Charlie Chanstein Meets The Wild Bunch: John & Mary & Bob & Carol & Ted & Alice |
John G. Baron |
8 min |
|
Color |
sound |
| 1971 |
Cry Uncle! |
John G. Avildsen |
|
|
|
|
| 1971 |
Dad's Army |
Norcon Production |
95 min |
|
Color |
sound |
| 1971 |
Damon the mower |
designed and animated by George Dunning. |
4 |
16mm |
Color |
sound |
| 1971 |
Diamonds Are Forever |
Danjaq |
119 min |
|
Color |
sound |