| 1977 |
Roots |
Films inc. |
720 mi |
16mm |
Color |
sound |
| 1977 |
Sampling And Estimation Shaves $122,000,000! |
John Wiley and Sons, Inc |
23 min |
|
Color |
sound |
| 1977 |
Satan's Cheerleaders |
Greydon Clark |
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| 1977 |
Saturday Night Fever |
Stigwood Group, Ltd |
119 min |
|
Color |
sound |
| 1977 |
Sorcerer |
Universal Pictures Co. Inc. |
121 min |
16mm |
Color |
sound |
| 1977 |
Spaceborne |
produced through the Lawrence Hall of Science ; produced by Philip M. Dauber. |
15 |
16mm |
Color |
sound |
| 1977 |
Step style |
Choreometrics Project, Columbia University ; a Choreometric teaching film directed by Alan Lomax and Forrestine Paulay. |
29 |
16mm |
Color |
sound |
| 1977 |
Sweeney! |
David Wickes |
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| 1977 |
Swift, Strong And Beautiful |
John J Hennessy Motion Pictures |
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16mm |
|
sound |
| 1977 |
Tentacles |
Ovidio G. Assonitis |
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| 1977 |
The Car |
Elliot Silverstein |
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| 1977 |
The Great Smokey Roadblock |
John Leone |
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| 1977 |
The Kentucky Fried Movie |
John Landis |
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| 1977 |
The Many Adventures of Winnie the Pooh |
Wolfgang Reitherman |
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| 1977 |
The Other Side Of Midnight |
Frank Yablans Presentations, Inc |
166 min |
|
Color |
sound |
| 1977 |
The Prophecy Of The Royal Maze |
John S. Cooke |
45 min |
|
Color |
sound |
| 1977 |
The Rescuers |
John Lounsbery |
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| 1977 |
What Color Is Skin |
Korty John |
|
16mm |
|
sound |
| 1977 |
What Makes Me Different |
Korty John |
|
16mm |
|
sound |
| 1977 |
Which Way Is Up |
Universal Pictures Co. Inc. |
|
16mm |
|
sound |
| 1977 |
Why Not A Woman |
Pennsylvania Commission For Women John Norris Associates |
|
16mm |
|
sound |
| 1977 |
Wonders in your own backyard |
a Churchill film ; director, Michael Moore. |
12 |
16mm |
Color |
sound |
| 1978 |
[Walt Disney new product 1978--live action trailers] |
. |
10 |
16mm |
Color |
sound |
| 1978 |
Accounts Receivable |
Welsh (John A) and White (Jerry F) |
|
16mm |
|
sound |
| 1978 |
Attack of the Killer Tomatoes |
John De Bello |
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| 1978 |
Battlestar Galactica |
a Glen A. Larson production; producer, John Dykstra; director, Richard A. Colla |
126 min |
|
|
sound |
| 1978 |
Big Wednesday |
John Milius |
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| 1978 |
Building A Dignified Life For Senior Citizens |
John Bloom Productions |
15 min |
|
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| 1978 |
Conway Twitty In Concert |
director, John Blanchard; producer, Nicolas Wry |
58 min |
|
|
sound |
| 1978 |
Corvette Summer |
Metro-Goldwyn-Mayer; a Plotto Company film |
105 min |
|
Color |
sound |
| 1978 |
Dans Le Parc |
Halas (John) and Batchelor (Joy) |
|
16mm |
|
sound |
| 1978 |
Dead Ships |
CN: John J Hennessy Motion Pictures |
|
16mm |
|
sound |
| 1978 |
Death on the Nile |
John Guillermin |
|
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| 1978 |
Elie Wiesel's Jerusalem |
Nielsen - Ferns Ltd McGreevy John |
|
16mm |
|
sound |
| 1978 |
En Retard Au Bureau |
Halas (John) and Batchelor (Joy) |
|
16mm |
|
sound |
| 1978 |
Feeding. [Second edition]. |
John Sutherland Productions |
3:00 |
16mm |
|
sound |
| 1978 |
Financing Growth |
Welsh (John A) and White (Jerry F) |
|
16mm |
|
sound |
| 1978 |
First Aid Training For Law Enforcement |
Raimon John |
|
16mm |
|
sound |
| 1978 |
Flight Patterns |
90009 John J Hennessy Motion Pictures |
|
16mm |
|
sound |
| 1978 |
FM |
John A. Alonzo |
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| 1978 |
Gasoline And How To Stretch It |
John Hart Films. |
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16mm |
|
sound |
| 1978 |
General Laboratory Safety Procedures |
author, John C. MacDonald; science editor for CSC Media, Thomas Deacon; science editor for Prentice Hall Media, Lottie E. Mackay; produced by CSC Media, Inc |
1 filmstrip |
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| 1978 |
George Plimpton's New York |
McGreevy John |
|
16mm |
|
sound |
| 1978 |
Goin' South |
Jack Nicholson |
|
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| 1978 |
Grease |
Randal Kleiser |
|
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| 1978 |
Halloween |
director, John Carpenter. |
93 |
16mm |
Color |
sound |
| 1978 |
Hardware wars |
Pyramid Films ; produced by Michael Wiese and Ernie Fosselius ; associate producer, Laurel Polanick ; assistant producer, John Fante ; written and directed by Ernie Fosselius. |
12 |
16mm |
Color |
sound |
| 1978 |
Life at Salt Point |
Coronet Films |
|
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Color |
|
| 1978 |
Life in Lost Creek: Fresh Water Ecology |
Coronet Films |
15 min |
|
Color |
|
| 1978 |
Long Weekend |
Colin Eggleston |
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