| 1955 |
The Gilded Cage |
John Gilling |
|
|
|
|
| 1955 |
The Girl In The Red Velvet Swing. |
Twentieth Century-Fox Film Corp |
109 min |
35mm |
Color |
sound |
| 1955 |
The Glass Cage |
Montgomery Tully |
|
|
|
|
| 1955 |
The Legacy of the Colonial Centuries |
KETC St. Louis John Francis Bannon William J. Lesko |
|
16mm |
|
|
| 1955 |
The Lonely Man. |
Revue Productions Inc. |
27 min. |
16mm |
B&W |
sound |
| 1955 |
The man from Bitter Ridge. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
Color |
sound |
| 1955 |
The Mechanism Of Accommodation. |
John J. Flick |
15 min. |
16mm |
B&W |
sound |
| 1955 |
The name's the same. |
[1955-02-21] / a Mark Goodson-Bill Todman production ; sponsored by the Ralston-Purina Company ; producers, Mark Goodson and Bill Todman ; directed by Jerome Schnur. |
29.47 |
16mm |
B&W |
sound |
| 1955 |
The Night Holds Terror. |
Columbia Pictures Corp. |
11 reels. |
35mm |
B&W |
sound |
| 1955 |
The Philippine Republic: is it American's hope in the far East? |
Dr. George A. Peek Jr. Albert Ravenholt John W. Lederle University of Michigan Television Hazen Schumacher Robert Newman Tom Coates Frederick Remley Don Hall |
|
16mm |
|
|
| 1955 |
THE PURPLE MASK. |
Universal Pictures Co. Inc. |
82 min. |
35mm |
Color |
sound |
| 1955 |
The Return Of Jack Slade. |
Allied Artists Pictures Corp. |
79 min. |
35mm |
B&W |
sound |
| 1955 |
The rise of the trans-Allegheny west |
John Francis Bannon KETC St. Louis William J. Lesko |
|
16mm |
|
|
| 1955 |
The Seven Little Foys |
Paramount Pictures Corporation |
3200 |
16mm |
Color |
sound |
| 1955 |
The shadow of Europe still lingers |
John Francis Bannon KETC St. Louis William J. Lesko |
|
16mm |
|
|
| 1955 |
The Spaniards Hit the Jackpot |
KETC St. Louis John Francis Bannon William J. Lesko |
|
16mm |
|
|
| 1955 |
THE SPOILERS. |
Universal Pictures Co. Inc. |
84 min. |
35mm |
Color |
sound |
| 1955 |
The Square Jungle. |
Universal Pictures Co. Inc. |
86 min. |
35mm |
B&W |
sound |
| 1955 |
The Threat of Freedom |
KETC St. Louis John Francis Bannon William J. Lesko |
|
16mm |
|
|
| 1955 |
The three R's -- New Deal version |
KETC St. Louis John Francis Bannon William J. Lesko |
|
16mm |
|
|
| 1955 |
The Trouble With Harry. |
Alfred Hitchcock Productions Inc. |
99 min. |
35mm |
Color |
sound |
| 1955 |
The USA, World Power |
KETC St. Louis John Francis Bannon William J. Lesko |
|
16mm |
|
|
| 1955 |
The war between the states |
John Francis Bannon KETC St. Louis William J. Lesko |
|
16mm |
|
|
| 1955 |
These united colonies |
KETC St. Louis John Francis Bannon William J. Lesko |
|
16mm |
|
|
| 1955 |
To Hell And Back. |
Universal Pictures Co. Inc. |
106 min |
35mm |
Color |
sound |
| 1955 |
Understanding Solids In Geometry |
Tunbo John |
|
16mm |
|
sound |
| 1955 |
University of Arkansas |
: folklore research / filmed by Information Productions, Inc. ; produced by Irving Gitlin ; written by Stephen Fleischman ; directed by Henwar Rodakiewicz. |
25 |
16mm |
B&W |
sound |
| 1955 |
We’re No Angels. |
Paramount Pictures Corp. |
103 min |
35mm |
Color |
sound |
| 1955 |
Wheat - Its Growth, Transportation And Marketing |
John Ott Pictures. |
|
16mm |
|
sound |
| 1955 |
White Feather. |
Twentieth Century-Fox Film Corp |
12 reels |
35mm |
Color |
sound |
| 1955 |
Why is Japan of grave importance to the United States? |
Frederick Remley Jr. Karl Lohmann Jr. Verne Weber Thomas Coates George A. Peek Jr. Hazen Schumacher Jr. John McGiffert Garnet R. Garrison John W. Hall Robert E. Ward |
|
16mm |
|
|
| 1955 |
Windfall |
John Gilling |
|
|
|
|
| 1955 |
Wooden Shoes on the Hudson |
KETC St. Louis John Francis Bannon William J. Lesko |
|
16mm |
|
|
| 1955 |
YOU BET YOUR LIFE. [1955-04-28] |
John Guedel Productions |
3:23 |
16mm |
|
sound |
| 1955 |
YOU BET YOUR LIFE. [1955-05-12] |
John Guedel Productions |
3:37 |
16mm |
|
sound |
| 1955 |
YOU BET YOUR LIFE. [1955-06-16] |
John Guedel Productions |
289 |
16mm |
|
sound |
| 1955 |
YOU BET YOUR LIFE. [1955-10-20] |
John Guedel Productions |
1080 |
16mm |
|
sound |
| 1955 |
YOU BET YOUR LIFE. [1955-12-08] |
John Guedel Productions |
1080 |
16mm |
|
sound |
| 1955 |
YOU BET YOUR LIFE. [1955-12-15] |
John Guedel Productions |
1080 |
16mm |
|
sound |
| 1956 |
[YOU BET YOUR LIFE. 1956-01-12--EXCERPTS] |
John Guedel Productions |
2:00 |
16mm |
|
sound |
| 1956 |
[YOU BET YOUR LIFE. 1956-03-01--EXCERPTS] |
John Guedel Productions |
2:00 |
16mm |
|
sound |
| 1956 |
A musical partnership |
Dynamic Films Inc. Arts and Audiences Inc. John Barrows Vera Brodsky Nina Collier Lee R. Bobker |
|
16mm |
|
|
| 1956 |
Abstract Art, Part 1 |
Hofstra College WOR-TV Malcolm Preston Wilbur S. Scott John F. Hopkins Robert C. Eberle Worthington A. Gregory |
|
16mm |
|
|
| 1956 |
Abstract Art: Part 2 |
Hofstra College WOR-TV Malcolm Preston Stuart Davis Wilbur S. Scott John F. Hopkins Robert C. Eberle Worthington A. Gregory |
|
16mm |
|
|
| 1956 |
Alabama State Fox Hunt The Alabama Fox Hunt) John Mcclure Snook. |
John McClure Snook |
24 min. |
16mm |
Color |
sound |
| 1956 |
Are You an Artist? Part 2 |
WOR-TV Hofstra College Malcolm Preston Robert E. Myron Albert Tepper Wilbur S. Scott John F. Hopkins Robert C. Eberle Worthington A. Gregory |
|
16mm |
|
|
| 1956 |
Around the World in Eighty Days |
Michael Anderson, John Farrow |
|
|
|
|
| 1956 |
Backlash |
John Sturges |
|
|
|
|
| 1956 |
Bananas? Si, Señor! |
John Sutherland Productions |
14 |
|
|
|
| 1956 |
Battle Stations. |
Columbia Pictures Corp. |
9 reels |
35mm |
B&W |
sound |