| 1967 |
Double Entry |
23200 Fred L Frechette Motion Picture |
|
16mm |
|
sound |
| 1967 |
Eddie's Wonderful World |
United Fund Of The Philadelphia Area Fred L Frechette Motion Picture |
|
16mm |
|
sound |
| 1967 |
Electromagnets: Electricity Makes Magnets. |
Fred Lasse Productions. |
|
8mm |
Color |
sound |
| 1967 |
Joan Goes To Misery. |
Fred Camper |
|
16mm |
Color |
sound |
| 1967 |
Providers Of Plenty |
Fred A Niles Communications Center |
|
16mm |
|
sound |
| 1967 |
Riot On Sunset Strip. |
American International Pictures & Four Leaf Productions Inc. |
87 min |
35mm |
Color |
sound |
| 1967 |
The Happiest Millionaire. |
Walt Disney Productions. |
164 min |
35mm |
Color |
sound |
| 1967 |
To Sir with love |
columbia |
105 mi |
16mm |
Color |
sound |
| 1967 |
Wagon Trains In The 20th Century |
California Moving And Storage Assn Fred Russell Co |
|
16mm |
Color |
sound |
| 1967 |
War Italian Style. |
American International Pictures |
84 min |
35mm |
Color |
sound |
| 1966 |
A fable |
= Une fable = Una fiaba = Eine Fabel = Una fabula / Columbia ; Xerox Films ; produced by Fred A. Niles ; written and directed by Rolf W. Brandis. |
19 |
16mm |
B&W |
sound |
| 1966 |
Blowup. |
Metro-Goldwyn-Mayer Inc. |
111 min |
35mm |
Color |
sound |
| 1966 |
Bullet and the flesh |
Walter Manley Enterprises presents ; a Marco Film - Rome, Hesperia Films - Madrid, Cineurop - Paris co-production ; production manager, Adriano Merkel ; story and screenplay by Gino de Sanctis ; directed by Fred Wilson. |
85 |
16mm |
Color |
sound |
| 1966 |
Ephesus |
Padula Fred |
|
16mm |
|
sound |
| 1966 |
Focal Point |
23219 Fred L Frechette Motion Picture |
|
16mm |
|
sound |
| 1966 |
Frankie and Johnny |
Fred De Cordova |
|
|
|
|
| 1966 |
How To Steal A Million. |
World Wide Productions Inc. & Twentieth Century-Fox Film Corp. |
123 min |
35mm |
Color |
sound |
| 1966 |
Munster Go Home. |
Universal Pictures Co. Inc. |
96 min |
35mm |
Color |
sound |
| 1966 |
Portable Fire Extinguishers |
Iowa State Univ/ISURF-Film |
20 min |
16mm |
Color |
sound |
| 1966 |
Renaissance Of A Railroad |
Pennsylvania Railroad Co Fred L Frechette Motion Picture |
|
16mm |
|
sound |
| 1966 |
The Campaign Of Vicksburg. |
Joseph E. Barrett & Fred E. Schoen |
|
16mm |
Color |
sound |
| 1966 |
The Day The Fish Stopped Biting |
Lycoming United Fund Fred L Frechette Motion Picture |
|
16mm |
|
sound |
| 1966 |
The Forgotton Killer |
42210 Fred L Frechette Motion Picture |
|
16mm |
|
sound |
| 1966 |
The Great Society |
Pyramid Film & Video |
60 |
16mm |
|
sound |
| 1966 |
This Property Is Condemned. |
Paramount Pictures Corp. |
110 min |
35mm |
Color |
sound |
| 1966 |
To Sir, With Love. |
Columbia (British) Productions Ltd. |
106 min |
35mm |
Color |
sound |
| 1966 |
Tobacco Money |
Montana State University, Film and TV Center, Bozeman, Montana |
8 min |
|
B&W |
|
| 1966 |
Twenty - Fourth And Tomorrow |
Martin Fred |
|
16mm |
|
sound |
| 1965 |
Bulls, bears, and chimpanzees / WNET/13 |
Joan Shigekawa Mallory Slate Fred Baker James Salter Edward Nielsen Lane Slate Brice Howard |
|
16mm |
|
|
| 1965 |
Convict Stage. |
Twentieth Century-Fox Film Corp |
|
35mm |
B&W |
sound |
| 1965 |
Dear Brigitte. |
Twentieth Century-Fox Film Corp |
100 min |
35mm |
Color |
sound |
| 1965 |
Exit Drill In The Home - Operation Edith |
Iowa State Univ/ISURF-Film |
11 min |
16mm |
Color |
sound |
| 1965 |
Fort Courageous. |
Twentieth Century-Fox Film Corp |
72 min |
35mm |
B&W |
sound |
| 1965 |
Gripstop |
42210 Fred L Frechette Motion Picture |
|
16mm |
|
sound |
| 1965 |
Harum Scarum. |
Metro-Goldwyn-Mayer Inc. & Four Leaf Productions Inc. |
95 min |
35mm |
Color |
sound |
| 1965 |
Her Last Hope |
Montana State University, Film and TV Center, Bozeman, Montana |
10 min |
|
B&W |
|
| 1965 |
My Three Sons |
Charley and the kid ABC ; a Don Fedderson production ; executive producer, Don Fedderson ; produced by Edmund Hartmann ; directed by James V. Kern ; teleplay by George Tibbles. |
29 |
16mm |
B&W |
sound |
| 1965 |
Pacemakers In Packaging |
23261 Fred L Frechette Motion Picture |
|
16mm |
|
sound |
| 1965 |
Summer At Ole Miss |
Dept Of Educational Film Production / Division Of Special Activities |
14 min |
16mm |
Color |
sound |
| 1965 |
The First Century |
University of Pennsylvania, Motion Picture Services, Philadelphia, Pennsylvania |
33 min |
|
Color |
|
| 1965 |
The Front Line |
Niles (Fred) Communications Centers Inc. |
|
16mm |
|
sound |
| 1965 |
The top |
Murakami-Wolf Films ; director, Jimmy T. Murakami. |
8 |
16mm |
Color |
sound |
| 1965 |
UNCLE TOM'S CABIN |
Géza von Radványi |
116 min |
16mm |
Color |
silent |
| 1965 |
When The Boys Meet The Girls |
Metro-Goldwyn-Mayer Inc. & Four Leaf Productions Inc. |
97 min |
35mm |
Color |
sound |
| 1964 |
Back Door To Hell. |
Twentieth Century-Fox Film Corp |
75 min |
35mm |
B&W |
sound |
| 1964 |
Behold a Pale Horse |
Fred Zinnemann |
|
|
|
|
| 1964 |
Coordinated Fire Attack |
Iowa State University |
25 |
16mm |
Color |
|
| 1964 |
Harnessing the rainbow |
Norman Ross Frank S. Tomkins Mark S. Fred Athos Giacchetti David McElroy Clifford Braun John Suchy Richard Puryear Theodore Krohne Ross-McElroy Productions Argonne National Laboratory |
|
16mm |
|
sound |
| 1964 |
In The Beginning. |
Fred Martin |
|
16mm |
Color |
sound |
| 1964 |
John Goldfarb, Please Come Home. |
Parker-Orchard Productions & Twentieth Century-Fox Film Corp. |
96 min |
35mm |
Color |
sound |