| 1947 |
Slave Girl. |
Charles Lamont |
80 min. |
35mm |
Color |
sound |
| 1947 |
Stork Bites Man. |
Cy Endfield |
75 min. |
35mm |
B&W |
sound |
| 1947 |
Summer Holiday. |
Rouben Mamoulian |
93 min. |
35mm |
Color |
sound |
| 1947 |
The Beast With Five Fingers. |
Robert Florey |
88 min. |
35mm |
B&W |
sound |
| 1947 |
The Cage |
produced by Workshop 20, California School of Fine Arts ; directed by Sidney Peterson. |
28 |
16mm |
B&W |
silent |
| 1947 |
The drawings and the shop |
Pathescope Charles J. Vierck Charles D. Cooper Paul E. Machovina Ralph S. Paffenbarger Hollie W. Shupe |
|
|
|
|
| 1947 |
The Imperfect Lady. |
Lewis Allen |
95 min. |
35mm |
B&W |
sound |
| 1947 |
The Magic Bow. |
Bernard Knowles |
105 min |
35mm |
B&W |
sound |
| 1947 |
The Paradine case. |
Vanguard Films |
4108 |
16mm |
B&W |
sound |
| 1947 |
The sea of grass |
Indiana University Audio-Visual Center: Distributor | Teaching Film Custodians: Distributor |
0:11:00 |
16mm |
B&W |
sound |
| 1947 |
The Wistful Widow Of Wagon Gap. |
Charles Barton |
78 min. |
35mm |
B&W |
sound |
| 1947 |
Three On A Ticket. |
PRC Pictures Inc. |
64 min. |
35mm |
B&W |
sound |
| 1947 |
Tycoon |
129 N Vermont |
130 min |
16mm |
Color |
sound |
| 1947 |
Unconquered |
Florida Dept Of Commerce Film Library |
147 min |
16mm |
Color |
sound |
| 1947 |
Unconquered |
Cecil B. DeMille |
12:00 |
|
Color |
|
| 1947 |
Voyage-Surprise |
Coop_rative G_n_rale du Cinema | Synops |
1:25:00 |
16mm |
B&W |
sound |
| 1947 |
Where There's Life. |
Sidney Lanfield |
75 min. |
35mm |
B&W |
sound |
| 1946 |
Angel on my Shoulder |
Archie Mayo |
100 min |
16mm |
B&W |
|
| 1946 |
BLUE SKIES |
Musical Shorts Ltd. |
104 min |
16mm |
Color |
sound |
| 1946 |
California Gold Rush |
R. G. Springsteen |
12:00 |
|
Color |
|
| 1946 |
Cluny Brown |
Ernst Lubitsch |
1:00 |
|
B&W |
|
| 1946 |
Cluny Brown. |
Ernst Lubitsch |
9100 ft. |
35mm |
B&W |
sound |
| 1946 |
Galloping Thunder. |
Ray Nazarro |
6 reels |
|
B&W |
|
| 1946 |
Gunning For Vengeance. |
Ray Nazarro |
6 reels |
|
B&W |
|
| 1946 |
Heading West. |
Ray Nazarro |
6 reels |
|
B&W |
|
| 1946 |
I've always loved you. |
Republic Pictures Corporation |
12 reels |
16mm |
Color |
sound |
| 1946 |
Joe Palooka, champ. |
Reginald LeBorg |
8 reels |
16mm |
B&W |
sound |
| 1946 |
Landrush. |
Vernon Keays |
6 reels |
|
B&W |
|
| 1946 |
Larceny in Her Heart. |
PRC Pictures Inc. |
7 reels |
16mm |
B&W |
silent |
| 1946 |
MARGIE |
Film Circulation Corp. |
94 min |
16mm |
|
sound |
| 1946 |
MR. ACE. |
Edwin L. Marin |
82 min. |
35mm |
B&W |
sound |
| 1946 |
My Darling Clementine. |
John Ford |
97 min. |
35mm |
B&W |
sound |
| 1946 |
No Leave, No Love. |
Charles Martin |
13 reels |
35mm |
B&W |
sound |
| 1946 |
Notorious. |
129 N Vermont |
101 min |
35mm |
B&W |
sound |
| 1946 |
Queen Of Burlesque. |
Sam Newfield |
7 reels |
16mm |
B&W |
sound |
| 1946 |
Renegades. |
George Sherman |
9 reels |
|
|
|
| 1946 |
Roaring Rangers. |
Ray Nazarro |
6 reels |
|
B&W |
|
| 1946 |
Shadow Of A Woman. |
Joseph Santley |
78 min. |
35mm |
B&W |
sound |
| 1946 |
Sinbad The Sailor. |
Richard Wallace |
117 min |
35mm |
Color |
sound |
| 1946 |
Smoky. |
Louis King |
7 851 ft. |
35mm |
|
sound |
| 1946 |
Son Of The Guardsman. |
Derwin Abrahams |
2 reels |
35mm |
B&W |
sound |
| 1946 |
Terror Trail. |
Ray Nazarro |
6 reels |
|
B&W |
|
| 1946 |
The Crimson Ghost. |
Fred C. Brannon, William Witney |
2 reels |
35mm |
B&W |
sound |
| 1946 |
The Green Years. |
Victor Saville |
13 reels |
|
B&W |
sound |
| 1946 |
The Killers. |
Robert Siodmak |
11 reels. |
35mm |
B&W |
sound |
| 1946 |
The land rush |
Columbia ; producer, Colbert Clark ; director, Vernon Keays. |
44 |
16mm |
B&W |
sound |
| 1946 |
The Perfect Marriage. |
Lewis Allen |
9 reels |
|
B&W |
|
| 1946 |
The Razor's Edge |
Twentieth Century-Fox Film Corporation |
2:26:00 |
16mm |
B&W |
sound |
| 1946 |
The Razor's Edge. |
Edmund Goulding |
146 min |
35mm |
B&W |
sound |
| 1946 |
The Time Of Their Lives. |
Charles Barton |
82 min. |
35mm |
B&W |
sound |