| 1985 |
Telephone Skills: Courtesy on the Line |
CRM/McGraw-Hill Films. |
|
16mm/video file |
|
|
| 1983 |
Microcomputers: An Introduction |
CRM/McGraw-Hill One Pass Video |
1200 Feet |
|
|
|
| 1982 |
A case of working smarter, not harder |
CRM/McGraw-Hill Films: Distributor | Indiana University Audio-Visual Center: Distributor |
0:15:50 |
16mm |
Color |
sound |
| 1981 |
Delegating |
CRM/McGraw-Hill Films. |
|
16mm |
|
sound |
| 1981 |
Delegating |
CRM/McGraw-Hill Films: Distributor | Indiana University Audio-Visual Center: Distributor |
0:28:52 |
16mm |
Color |
sound |
| 1981 |
Don't Bother Me, I'm Learning |
CRM/McGraw-Hill Films. |
1000 ft |
|
|
|
| 1981 |
Don't Bother Me, I'm Learning: Adventures in Computer Education |
CRM/McGraw-Hill Films. |
800 ft. |
|
|
|
| 1981 |
Human reproduction (third edition) |
CRM/McGraw-Hill Films: Distributor | Indiana University Audio-Visual Center: Distributor |
0:23:11 |
16mm |
Color |
sound |
| 1981 |
Probing for the Sale |
CRM/McGraw-Hill Films |
0:19:00 |
16mm |
Color |
sound |
| 1981 |
Probing For The Sale (1981) |
CRM/McGraw-Hill Films. |
|
|
|
|
| 1981 |
WHY PEOPLE BUY |
CRM/McGraw-Hill Films. |
8:00 |
16mm |
|
sound |
| 1981 |
Why People Buy |
CRM Productions | CRM/McGraw-Hill Films |
0:21:00 |
16mm |
Color |
sound |
| 1980 |
Black Holes and Quasars |
CRM; McGraw-Hill; Bernard Alexander |
12:00 |
16mm |
Color |
|
| 1980 |
Borrowed faces |
CRM/McGraw-Hill |
29 |
16mm |
Color |
sound |
| 1980 |
Finding time. |
CRM/McGraw-Hill Films. |
8:00 |
16mm |
|
sound |
| 1980 |
Preparing for College |
Columbia Broadcasting System | CRM/McGraw-Hill Films |
0:23:00 |
16mm |
Color |
sound |
| 1980 |
Problem solving strategies: the synectics approach |
CRM/McGraw-Hill |
28 |
16mm |
Color |
sound |
| 1980 |
Saga of Western Man 1776 (Part 1) |
CRM/McGraw-Hill Films. |
2000 Feet |
|
|
|
| 1980 |
Saga of Western Man 1776 (Part 2) |
CRM/McGraw-Hill Films. |
|
|
|
|
| 1980 |
The Magnificent Major (The Wizard of Oz) |
CRM/McGraw-Hill Films | Nick de Noia |
0:23:00 |
16mm |
Color |
sound |
| 1980 |
The Middle Atlantic Region |
McGraw-Hill Films Wilkman Productions CRM/McGraw-Hill Films |
800 Feet |
|
|
|
| 1980 |
Whales That Wouldn't Die |
CRM/McGraw-Hill Films |
0:33:00 |
16mm |
Color |
sound |
| 1979 |
Sredni Vashtar |
CRM/McGraw-Hill |
16 |
16mm |
B&W |
sound |
| 1978 |
Deciduous Forest |
CRM/McGraw-Hill Films |
33 |
16mm |
Color |
sound |
| 1978 |
Dr. Martin Luther King, Jr., an amazing grace |
CRM/McGraw-Hill |
62 |
16mm |
Color |
sound |
| 1978 |
Performance Appraisal: The Human Dynamics |
CRM/McGraw-Hill Films: Distributor | CRM/McGraw-Hill Films |
0:25:00 |
16mm |
Color |
sound |
| 1978 |
Performance appraisal: the human dynamics. |
CRM/McGraw-Hill Films McGraw-Hill Films |
80 |
16mm |
|
sound |
| 1978 |
Physical Development |
CRM McGraw Hill |
|
16mm |
|
sound |
| 1978 |
The Christians, No. 1: A Peculiar People |
CRM/McGraw-Hill Films | Granada Television |
0:41:00 |
16mm |
Color |
sound |
| 1978 |
The Last Tasmanian: extinction |
CRM/McGraw-Hill |
63 |
16mm |
Color |
sound |
| 1978 |
Three Cognitive Skills: Middle Childhood |
CRM/McGraw-Hill Films |
0:21:00 |
16mm |
Color |
sound |
| 1977 |
Grand Jury: An Institution Under Fire |
CRM/McGraw-Hill Films. |
1282 |
16mm |
|
sound |
| 1977 |
Growing old |
CRM/McGraw-Hill |
20 |
16mm |
Color |
sound |
| 1977 |
Seaway to the Heartland (Captioned Version) |
CRM/McGraw-Hill Films |
30 |
16mm |
Color |
|
| 1976 |
An ounce of prevention |
CRM/McGraw-Hill Films: Distributor | Indiana University Audio-Visual Center: Distributor |
0:16:50 |
16mm |
Color |
sound |
| 1976 |
Animal lover |
CRM/McGraw-Hill Films: Distributor | Indiana University Audio-Visual Center: Distributor |
0:15:00 |
16mm |
Color |
sound |
| 1976 |
Follow the Reader |
CRM/McGraw-Hill Films |
14 |
16mm |
Color |
sound |
| 1976 |
Nouns and Adjectives |
CRM/McGraw-Hill Films |
9 |
16mm |
Color |
|
| 1976 |
Prepositions |
CRM/McGraw-Hill Films |
10 |
16mm |
Color |
|
| 1976 |
Speak Up |
CRM/McGraw-Hill Films |
15 |
16mm |
Color |
sound |
| 1976 |
The Manufacturing Midwest |
CRM/McGraw-Hill Films |
19 |
16mm |
Color |
|
| 1976 |
Uncle Monty's Gone |
CRM/McGraw-Hill Films | Filmation Studios |
0:15:00 |
16mm |
Color |
sound |
| 1976 |
Verbs and Adverbs |
CRM/McGraw-Hill Films |
0:09:00 |
16mm |
Color |
sound |
| 1976 |
What's Say |
CRM/McGraw-Hill Films | Filmation Studios |
0:15:00 |
16mm |
Color |
sound |
| 1976 |
Wordly Wise |
CRM/McGraw-Hill Films |
0:14:00 |
16mm |
Color |
sound |
| 1976 |
Write On |
CRM/McGraw-Hill Films |
0:14:00 |
16mm |
Color |
sound |
| 1976 |
You Have Something to Offer |
CRM/McGraw-Hill Films | Filmation Studios |
0:16:00 |
16mm |
Color |
sound |
| 1975 |
El Hajj Malik El-Shabazz (Malcolm X) |
CRM/McGraw-Hill |
58 |
16mm |
B&W |
sound |
| 1975 |
I Guess I Got the Job |
CRM/McGraw-Hill Films. |
460 |
16mm |
|
sound |
| 1975 |
Methodology: The Psychologist and the Experiment |
CRM/McGraw-Hill Films. |
29 |
16mm |
Color |
sound |