| 2006 |
Stranger Than Fiction |
Universal Pictures |
108 min |
|
Color |
|
| 1999 |
Fight club |
David Fincher |
139 min |
|
Color |
|
| 1999 |
Three kings |
David O. Russell |
110 min |
|
Color |
|
| 1998 |
Enemy of the State |
Tony Scott |
132 min |
|
Color |
|
| 1998 |
Rushmore |
Wes Anderson |
93 min |
|
Color |
|
| 1997 |
Fallout |
U S Office Of Civil Defense |
|
16mm |
|
sound |
| 1997 |
Grosse Pointe blank |
George Armitage |
107 min |
|
Color |
|
| 1997 |
Leave It To Beaver. |
Revue Studios. |
27 min. |
16mm |
B&W |
sound |
| 1996 |
Buckminster Fuller: thinking out loud. |
Karen Goodman |
3250 |
16mm |
|
sound |
| 1996 |
Chain Reaction ▶ |
Handy (Jam) Organization |
106 min |
16mm |
Color |
sound |
| 1996 |
Chain reaction |
Andrew Davis |
106 min |
|
Color |
|
| 1996 |
Dear diary |
David Frankel |
38 min |
|
Color |
|
| 1996 |
Muppet Treasure Island |
Brian Henson |
99 min |
|
Color |
|
| 1996 |
Ransom |
University Park |
116 min |
16mm |
Color |
sound |
| 1996 |
The Battle Over Citizen Kane |
Thomas Lennon |
1:15 |
16mm |
Color |
|
| 1995 |
Catherine the Great |
Marvin J. Chomsky |
180 min |
16mm |
|
sound |
| 1994 |
Blank check |
Rupert Wainwright |
93 min |
|
Color |
|
| 1993 |
Carlito's way |
Brian De Palma |
144 min |
|
Color |
|
| 1993 |
Much Ado About Nothing |
Kenneth Branagh |
111 min |
|
Color |
|
| 1993 |
Much ado about nothing |
Kenneth Branagh |
111 min |
|
Color |
|
| 1991 |
Black robe |
Bruce Beresford |
100 min |
|
Color |
|
| 1991 |
Nothing But Trouble |
Boston Film Center |
94 min |
16mm |
Color |
sound |
| 1991 |
The Balgonie Birdman ▶ |
Brian Duchscherer |
|
|
|
|
| 1990 |
Arachnophobia |
Frank Marshall |
105 min |
|
Color |
|
| 1989 |
For All Mankind |
Ames Research Center |
80 min |
16mm |
Color |
sound |
| 1987 |
Like Father Like Son |
Rod Daniel |
600 |
|
Color |
|
| 1987 |
The Untouchables |
Brian De Palma |
119 min |
|
Color |
|
| 1986 |
Sky pirates |
Colin Eggleston |
89 min |
|
Color |
|
| 1986 |
The American Way |
Maurice Phillips |
10 min |
16mm |
B&W |
Sound |
| 1984 |
Go for gold |
Stuart F. Fleming |
|
|
|
|
| 1984 |
Splash |
Ron Howard |
12:00 |
|
Color |
|
| 1984 |
Splash |
Ron Howard |
111 min |
|
Color |
|
| 1984 |
Splash |
Ron Howard |
111 min |
|
Color |
|
| 1984 |
The Frog prince |
Brian Gilbert |
90 min |
|
Color |
|
| 1984 |
The Frog prince |
Brian Gilbert |
90 min |
|
Color |
|
| 1984 |
Thursday Afternoon (Vertical Format) |
Brian Eno |
82 |
16mm |
Color |
|
| 1983 |
Never Cry Wolf |
Disney Educational Productions. |
103 min |
16mm |
Color |
sound |
| 1983 |
Scarface |
Caddo Co Inc | Howard Hughes |
93 1:33:00 |
16mm |
B&W |
sound |
| 1982 |
America is waiting |
Bruce Conner. |
3.5 |
16mm |
B&W |
sound |
| 1982 |
First Blood |
Orion Pictures |
93 min |
16mm |
Color |
sound |
| 1982 |
NIGHT SHIFT |
Ron Howard |
103 min |
|
Color |
|
| 1982 |
Splash |
Natl Film Board Of Canada |
111 min |
16mm |
Color |
sound |
| 1981 |
Blow Out |
Brian De Palma |
107 min |
16mm |
Color |
|
| 1981 |
Blow out |
Brian De Palma |
107 min |
|
Color |
|
| 1981 |
Gallipoli |
Peter Weir |
111 min |
|
Color |
|
| 1980 |
Dressed to kill |
Cinema 77 |
1:45:00 |
16mm |
Color |
sound |
| 1980 |
Hopscotch |
Ronald Neame |
106 min |
|
Color |
|
| 1980 |
The First Deadly Sin |
Brian G. Hutton |
105 min |
|
Color |
|
| 1980 |
The Mountain Men |
Richard Lang |
100 min |
|
Color |
|
| 1980 |
The mountain men |
Richard Lang |
100 min |
|
Color |
|