WEE GEE’S CAMERA MAGIC

Year Published: 1960

Description: This 1960s instructional film released by Castle Films for the home market, demonstrates various camera tricks performed by “Wee Gee,” or “Weegee,” the pseudonym of Arthur Fellig, a famed photographer and cinematographer who worked in Manhattan and New York City’s Lower East Side. Wee Gee worked as a press photographer, but also experimented with different lenses and camera angles to produce effects that distorted images. The black-and-white film begins by focusing on Wee Gee’s torso (a cigar is visible in the lower corner of his mouth) as he screws a kaleidoscope lens into a 1940s camera on a tripod (0:34). A busy New York City street is shown with people walking. Signs for Coca Cola and the Mayfair Hotel are visible in the background (0:36). The image distorts into a 4-way kaleidoscopic view. A man and woman kiss outside on a bench while Wee Gee takes a photo using a right-angle prism. Then the “compact/stretch” car trick is shown: Wee Gee holds a makeup compact with mirror in front of the camera (1:23). A split screen shows cars driving down the streets of New York (1:33) and then over the George Washington Bridge (1:47). The screen spins and splits into a 4-way distorted kaleidoscopic view, with cars coming from every angle. The “stretch cars” trick is shown: One driver’s car bumps the fender of the other. The male driver of the car that was hit jumps out and gestures to the other female driver, but his car, under Wee Gee’s lens, is squished to become a “compact” car that fits into the parallel parking spot (2:30). The female driver puts her high heel-clad foot on the rear bumper of the car, and then it is “stretched” to become longer than the space (2:47). After that, the “double vision” trick is shown: With Wee Gee’s lens, a woman conversing at a restaurant table appears to have two heads and three legs as the waiter approaches (3:25). The two women from the restaurant look at movie posters outside as the posters are distorted: one, featuring a man named Steve, stretches and shrinks his head (3:58). The women then stand next to a sign for the Great Northern Food Hall and then go into a Larry Matthews Hair Salon (4:06). A cocker spaniel is shown distorted with two heads (4:12). One of the women picks up a Siamese cat, which is then distorted to show the cat with three eyes (4:28). Three women are shown performing calisthenics in a gym while wearing Lycra bodysuits (4:45). One woman’s body is distorted and split in half horizontally as she stands with hands on hips (4:53). Two women in white bath towels stand on a scale before entering a steam bath; their torsos are stretched and then shrunk so that they appear overly wide or tall (5:22). A woman taps ash from a cigarette into an ashtray; the ghostly silhouette of a ballerina rises from the ashes and pirouettes, as the narrator proclaims her “Lady Nicotine” (6:05). Two women climb the stairs to the Metropolitan Museum of Art (6:08) and look at the Mona Lisa; her smile dips and is distorted (6:20). The gates of Fort Totten, U.S. Army Defense Headquarters, are shown next, along with a closeup of a rocket with “U.S. Army” written on it (6:39). The rocket takes off through the sky and is shown heading for the New York skyline. Wee Gee overlays a piece of misshapen plastic glass over the camera lens to create a distorted reflection of the skyline (7:25). Light-up signs for Chevrolet, Canadian Club, and Admiral Television Appliances shine in Times Square at night (7:30); a sign for Pepsi-Cola can be seen (7:31). The camera pans to show lit up signs for Camel cigarettes (“Have a Real Cig” written below), Kleenex tissues, and Trans World Airlines (TWA) (7:57). Suddenly the view distorts into fractured reflections of the Time magazine, Life, Channel 7, and Noblemen 1959 logos (8:02). We encourage viewers to add comments and, especially, to provide additional information about our videos by adding a comment! See something interesting? Tell people what it is and what they can see by writing something for example: "01:00:12:00 -- President Roosevelt is seen meeting with Winston Churchill at the Quebec Conference." This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com Shorts remixing this video Famed cameraman WEEGEE at an exercise class! 4.5K views Famed photographer WEEGEE at work! 3.7K views Famed cameraman WEEGEE at work — ! 2.1K views Transcript Follow along using the transcript. Show transcript PeriscopeFilm 759K subscribers Videos About Support Us on Patreon 14 Historic Films about the U.S. Navy Construction Battalions CBs SEABEES by PeriscopeFilm

Complete Record: This 1960s instructional film released by Castle Films for the home market, demonstrates various camera tricks performed by “Wee Gee,” or “Weegee,” the pseudonym of Arthur Fellig, a famed photographer and cinematographer who worked in Manhattan and New York City’s Lower East Side. Wee Gee worked as a press photographer, but also experimented with different lenses and camera angles to produce effects that distorted images. The black-and-white film begins by focusing on Wee Gee’s torso (a cigar is visible in the lower corner of his mouth) as he screws a kaleidoscope lens into a 1940s camera on a tripod (0:34). A busy New York City street is shown with people walking. Signs for Coca Cola and the Mayfair Hotel are visible in the background (0:36). The image distorts into a 4-way kaleidoscopic view. A man and woman kiss outside on a bench while Wee Gee takes a photo using a right-angle prism. Then the “compact/stretch” car trick is shown: Wee Gee holds a makeup compact with mirror in front of the camera (1:23). A split screen shows cars driving down the streets of New York (1:33) and then over the George Washington Bridge (1:47). The screen spins and splits into a 4-way distorted kaleidoscopic view, with cars coming from every angle. The “stretch cars” trick is shown: One driver’s car bumps the fender of the other. The male driver of the car that was hit jumps out and gestures to the other female driver, but his car, under Wee Gee’s lens, is squished to become a “compact” car that fits into the parallel parking spot (2:30). The female driver puts her high heel-clad foot on the rear bumper of the car, and then it is “stretched” to become longer than the space (2:47). After that, the “double vision” trick is shown: With Wee Gee’s lens, a woman conversing at a restaurant table appears to have two heads and three legs as the waiter approaches (3:25). The two women from the restaurant look at movie posters outside as the posters are distorted: one, featuring a man named Steve, stretches and shrinks his head (3:58). The women then stand next to a sign for the Great Northern Food Hall and then go into a Larry Matthews Hair Salon (4:06). A cocker spaniel is shown distorted with two heads (4:12). One of the women picks up a Siamese cat, which is then distorted to show the cat with three eyes (4:28). Three women are shown performing calisthenics in a gym while wearing Lycra bodysuits (4:45). One woman’s body is distorted and split in half horizontally as she stands with hands on hips (4:53). Two women in white bath towels stand on a scale before entering a steam bath; their torsos are stretched and then shrunk so that they appear overly wide or tall (5:22). A woman taps ash from a cigarette into an ashtray; the ghostly silhouette of a ballerina rises from the ashes and pirouettes, as the narrator proclaims her “Lady Nicotine” (6:05). Two women climb the stairs to the Metropolitan Museum of Art (6:08) and look at the Mona Lisa; her smile dips and is distorted (6:20). The gates of Fort Totten, U.S. Army Defense Headquarters, are shown next, along with a closeup of a rocket with “U.S. Army” written on it (6:39). The rocket takes off through the sky and is shown heading for the New York skyline. Wee Gee overlays a piece of misshapen plastic glass over the camera lens to create a distorted reflection of the skyline (7:25). Light-up signs for Chevrolet, Canadian Club, and Admiral Television Appliances shine in Times Square at night (7:30); a sign for Pepsi-Cola can be seen (7:31). The camera pans to show lit up signs for Camel cigarettes (“Have a Real Cig” written below), Kleenex tissues, and Trans World Airlines (TWA) (7:57). Suddenly the view distorts into fractured reflections of the Time magazine, Life, Channel 7, and Noblemen 1959 logos (8:02). We encourage viewers to add comments and, especially, to provide additional information about our videos by adding a comment! See something interesting? Tell people what it is and what they can see by writing something for example: "01:00:12:00 -- President Roosevelt is seen meeting with Winston Churchill at the Quebec Conference." This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com Shorts remixing this video Famed cameraman WEEGEE at an exercise class! 4.5K views Famed photographer WEEGEE at work! 3.7K views Famed cameraman WEEGEE at work — ! 2.1K views Transcript Follow along using the transcript. Show transcript PeriscopeFilm 759K subscribers Videos About Support Us on Patreon 14 Historic Films about the U.S. Navy Construction Battalions CBs SEABEES by PeriscopeFilm

Transcription

[Music] [Music] they say that the camera never lies but it can stretch the truth in the hands of fame photographer ouija this master takes an ordinary child's kaleidoscope removes the bits of colored glass focuses on a prosaic street scene such as this and comes up with a work of most modern art nobody but a burglar wants to be more alone than a couple in love photographers worse than little brother back of the sofa so ouija puts into action a trick he developed during his 30 years as one of new york's outstanding news photographers using a right angled prison he's the picture of nonchalance as he seems to shoot thin air but focuses on the scene he wants as every man knows every woman has a bag of tricks in her compact so has ouija with a still or movie camera and a compact mirror he comes up with scenes that are enough to give a traffic cop a split personality to give you a better idea of the versatility of ouija's camera let's pick up a pair of visitors to new york from this mob heading for the city over the george washington bridge we'll warn you in advance a wee gi view of the town is something you see in dreams nightmares that is that's what our heroines discover right off that made the girls understandably nervous and it's safer or is it to park for a minute that is quite a bump but do you think it did much damage the other driver seems quite excited what's all a commotion [Music] he wound up in a compact car what's to be done he doesn't seem to go for that short wheelbase well when gals are in a spot they don't know their own strength so with an assist from ouija it's back in shape or some sort of shape you mean you can't figure it out even with a little stretch of the imagination here's ouija's solution to the parking problem better take a little time out girls careful there for lunch and relax a bit ah this is cozy there's nothing crazy and mixed up here just a quiet intimate restaurant where we can forget parking problems what's wrong waiter oh he doesn't know whether to bring two menus or one check what's up now over at the bar well that ouija can sure pull a girl's leg strange things keep happening but thank goodness the streets look normal again have we shaken off our ouija vision here's an idea let's take in a show wonder what's on well he does look sort of familiar now think haven't we seen him before steve allen's not really a square just a camera victim [Music] well girls here's just one thing to do after that hair-raising experience do as any thinking young ladies would do head for the refuge of a beauty parlor and normalcy is that man in here too [Music] anyway here's a nice normal siamese cat with just four paws one tail a nice soft silken coat and just one head everything is as it should shouldn't be a gym suit and a workout that should chase this nightmare there's nothing like exercise to pull frazzled nerves together [Music] yes sir exercise certainly pulls you together except when the camera rips you apart [Music] some gals like a steam bath to get into shape weigh in girls and let's see just what shape you're in uh what your movie manager calls a selected short subject and to go with that there's an extra long feature she's heard a rumor that ouija has gone to accept an award from a society of opticians so she has a chance to rest in peace instead of pieces [Music] uh she's a rest for these tired old eyes too [Music] and out of the ashes of a spent cigarette arises well it must be lady nicotine ouija's camera of course can make anyone perform in circles even the sacred precincts of the art museums aren't safe from his shenanigans [Music] he solved the centuries-old enigma of mona lisa smile our armed forces are on the alert for any contingency but they never counted on an invasion by ouija and friends wonder if the girls are just sightseers or is there mischief afoot the rockets are always ready for firing so you walk softly and proceed with caution just what are these girls up to [Music] hey i said those things are loaded everything's peaceful in the harbor but we know there's trouble on the way don't we a direct hit through camera magic a piece of misshapen plastic glass does the trick with either still or movie cameras and you can get effects like this with the greatest of ease with dusk the bright lights of times square blink their messages to the throngs below a glittering tiara that crowns the broadway scene it's a sight that is so weirdly beautiful that no camera trips could possibly make it a more distracting spectacle [Music] but leave it to you know who what was just a riot of light has turned into a full-scale revolution through ouija's camera magic


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