THE TOWERS

Year Published: 1957

Description:

This Rembrandt Films release from 1957 titled “The Towers” is produced by Antonio M. Vellani and directed and photographed by William Hale. The film tells the story of Simon Rodia and the impressive structure that he built in the Watts enclave adjacent to Los Angeles, known as the "Watts Towers". Sabato ("Simon" or "Sam") Rodia (1879/1980 -- 1965) was born and raised in Serino, Italy where he was exposed to a tradition of the festival season where large Gigli (wooden obelisks sometime measuring 25 meters in height) are carried in a procession. In 1895, aged fifteen, Rodia emigrated to the USA with his brother, and settled in Watts in 1920. Rodia began construction around his home in 1921. This grew into the Watts Towers (or Towers of Simon Rodia), an impressive collection of 17 interconnected sculptural towers, architectural structures, and individual sculptural features and mosaics. Most are constructed from steel rebar and Rodia's own concoction of a type of concrete, wrapped with wire mesh and embedded with pieces of salvaged porcelain, tile, glass and other items. Some parts of the property resemble a church or cathedral, and from at least one vantage point the site resembles a sailing ship. After Rodia's death, the Towers were threatened with destruction but saved after surviving a structural integrity test; the Towers remain open to the public to this day and are a popular tourist attraction.

“The Towers” title banner (00:15). Watts Station built in 1904 in Watts, Los Angeles, California (00:22). Mobile homes (trailer houses) in the Watts neighborhood in Los Angeles (00:39). A group of men gathered on the side of a street (00:51). Train tracks (00:59). A man picks up a piece from a broken cup on the tracks (01:06). The man is walking down the tracks and is revealed to be Sabato ("Simon" or "Sam") Rodia, an Italian immigrant construction worker and tile mason (01:12). He walks off the tracks and strolls through Watts (01:23). He arrives at The Watts Towers (Towers of Simon Rodia), a collection of 17 interconnected sculptural towers, architectural structures, and individual sculptural features and mosaics within the site of the artist's original residential property in Watts (01:42). Views of the Watts Towers (01:44). Footage of Rodia’s house (02:36). Photographs of a young Rodia and artwork hanging on the walls of his house (02:49). Views of Rodia working on wood outside his house (03:19). He sorts through his stock of broken tile and ceramic pieces found by him (03:39). Broken glass bottles (03:48). Rodia climbs up one of the towers carrying a bucket (04:02). View of the towers behind houses on residential streets (04:43). Footage of the neighboring houses to Rodia (05:03). Birds-eye-view into Rodia’s garden where he looks through his collection of glass, tiles, and ceramic pieces (05:19). Rodia is polishing a broken tile mosaic construction (05:50). View of one tower (06:16). Footage of Rodia sitting on the ground working with metal wires (06:32). He sits and looks across the train tracks and his neighborhood (06:58). The Watts Towers (07:04). Close-up of Simon Rodia (07:15). The Watts Towers (07:22). Rodia uses the train tracks to bend metal pieces by hand (07:39). A variety of hammers, other tools, and random finds (07:55). Rodia’s hands showing the result of decades of physical labor (08:09). Close-up footage of the towers’ wired construction and mosaic decorations (08:17). Footage of Rodia working on a mosaic wall (09:57), and working at his work bench while smoking a cigarette (10:21). Views of the high points of the towers against the backdrop of a blue sky (10:35). Close-up footage of the construction and details of the towers (10:48). Footage of the Watts Towers (11:02). Rodia’s signature consisting of an imprint of his tools and his initials (11:24). Simon Rodia (11:32). The imprint of his initials (11:48). Credits (11:57).

Transcription

[Music] [Music] e the little community of Watts clings to the outer edge of the city of Los Angeles a scattered collection of shacks trailers and weather-beaten [Music] Bungalows flat and impoverished it is the last place on Earth to look for the extraordinary or for the shadow of [Music] greatness the people of the town have long wondered about Simon rodilla Simon rodilla tile Setter by trade Italian born American for half a century builder of defiant [Music] Towers [Music] [Applause] [Music] [Applause] I bu the of myself and I got that on my mind I know I want to do something thing I I say I'm going to do something I'm going to do something I'm going to do something for 30 years a man lives alone in a house with a bed a chair a table with the music and The Faded symbols of the time when he was [Applause] [Music] young [Music] [Applause] there was something else in the house a dream of vast [Music] structures for 30 years every day every moment outside his work for a living in the light and in the darkness Simon rodilla labored to express the [Music] dream with sea shells broken bottles Pebbles shattered tiles with the discarded The Unwanted the useless with a debris of a machine ridden civilization he avoided he gave color and texture and vitality to the towers as they arose out of his inner necessity [Music] with steel gers with wire mesh with concrete with a bucket a shovel a hammer a chisel and with his two hands Simon rodilla built inch by inch the huge and complex structures that look down from their heights upon the plane [Music] [Applause] [Music] as the towers became a part of of the landscape the neighbors living under their Shadow were sometimes doubtful sometimes tolerant often bewildered I don't know what it is myself I don't know what it is I've often wondered what it was there's rumors about what this might have been some people thought that during the time of War it might have been a secret radio tower it's just a work of of of art of an individual don't you think the gentleman that made it here I remember about almost 10 years ago he was still working on it so it's a it's a it's a a piece of artistic up here and uh I guess he gather the material here and [Music] there to make a pretty scenery I think so people would come and he could make that place famous around here any well my estimation about it don't many people seem to know anything about it because I live here since 1940 and I didn't know anything about it in two blocks of here I on May Avenue and I didn't even know nothing about it don't p and seen it it was believed that Tokyo Rose was born here and they said well uh she was born in ws and most likely she was born here [Music] Simon rodilla listened patiently to everything that was said then he continued his work unchanged undisturbed some of my people they say what is he doing or some other people that they thinking I was crazy and uh and some people that they say he's going to do something as he was planting his Towers his mind often turned to the Past he had a deep respect for men like Galileo Michelangelo Marco Polo Columbus Martyrs Builders explorers men of stature he hoped that in some way his work was related to their tradition yet he sought nothing for himself he was content to think of Great Men and to build in the direction of the [Music] son he was undistracted by the great devices and disasters of his Era radio television radar Electronics the blinding atom flashed across the modern scene he went on bending steel into geres all that he wanted to do could be done with a simplest of tools and with his [Music] hands it began in the man a stranger in a new country he was untrained unskilled but he had an urgent need for expression the elements worked together driven by a sense of dedication and and slowly the formless became ordered the wire mesh and the concrete welded the separate parts the circles of Steel embraced the supporting gires the scattered objects emerged as [Music] design [Music] yeah I did all by myself I never had a single helper one thing I couldn't hi any helper I don't had no money not a think if I hire a man he don't know what to do a million time I don't know what to do myself I was wake up all night because this was all of my own [Music] idea the tall bell towers of Italy recalled from childhood maybe here and the minettes and all distant places of worship and the Gilded domes dozing in hot jungles and high cold aspiring Gothic Cathedrals and all man slow tormented enduring steps toward some light [Music] undefined the Builder signed his work with the imprint of his tools and with his initials his eyes were now lit with a quiet Pride of the Craftsman I had it in my mind to do something big and I did said Simon [Music] rodilla [Music] nah I


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