Pat Rocco: A Date with Phyllis (2003)
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Year Published: 2003
Creator: Pat Rocco
Description:
A Date with Phyllis (2003), directed by Pat Rocco
Pat Rocco and his partner are meeting his old friend, actress and comedian Phyllis Diller, at her home in Brentwood, California. Diller gives them a tour of her house, photos and other memorabilia documenting her long career. Filmed on June 24, 2003.
Pioneering activist and filmmaker Pat Rocco produced short-form gay erotica in the 1960s that was widely embraced by the gay community, and received positive reviews from the mainstream press. Rocco's prolific output of erotic films slowed in the early 1970s as market preferences shifted toward hardcore fare In the late 1960s through the 1980s, Rocco shot historically important footage of gay demonstrations, parades, marches, festivals and events, providing some of the only existing moving image documentation of the major beginnings of the gay rights movement in the U.S.
Learn more about the Pat Rocco Collection at UCLA: ucla.in/2Gut670
Complete Record: A Date with Phyllis (2003), directed by Pat Rocco Pat Rocco and his partner are meeting his old friend, actress and comedian Phyllis Diller, at her home in Brentwood, California. Diller gives them a tour of her house, photos and other memorabilia documenting her long career. Filmed on June 24, 2003. Pioneering activist and filmmaker Pat Rocco produced short-form gay erotica in the 1960s that was widely embraced by the gay community, and received positive reviews from the mainstream press. Rocco's prolific output of erotic films slowed in the early 1970s as market preferences shifted toward hardcore fare In the late 1960s through the 1980s, Rocco shot historically important footage of gay demonstrations, parades, marches, festivals and events, providing some of the only existing moving image documentation of the major beginnings of the gay rights movement in the U.S. Learn more about the Pat Rocco Collection at UCLA: ucla.in/2Gut670
Transcription
[Pat Rocco, voice over music and street noise] We're traveling down Sunset Boulevard. [Rocco] Way out of Los Angeles. Actually, we're in a place called West Los Angeles, because we're going to visit, [Rocco] a wonderful old friend. [Rocco] And we'll be there shortly. [Music] [Rocco] We're on another quiet street now. [Rocco] And we're about to make a right turn, [Rocco] onto a very important street to us because this is where our, [Rocco] wonderful person lives. [Rocco] We're at, ah, 163 Burlingame. [Rocco] And this is the house, [Rocco] of my friend, Phyllis Diller. [Music] [Rocco] We're right here, [Diller] Where is he? How are you. [Rocco] Hey, hey. [Kissing sound] [Diller] How are ya! [Rocco] Has it been twenty five years? [Diller] Pardon? No, no, it's been longer than that. [Rocco] Not since we've seen each other. [Diller] I know. But, we go back to, was it '55 or '56? [Rocco] Ah, '56. 1956. [Diller] '56. [Rocco] That's where it all began. [Diller] Oh, my God. [Rocco] My friend, David, who is behind the camera, he offered to, [Diller] He's a cinematographer. [Rocco] He is now. [Laughter] [Diller] Yes, yes. Okay. [Diller] Well. [Rocco] You look absolutely gorgeous. [Diller] Well, so do you. [Rocco] Do you know how gorgeous you look? [Diller] Well, that's what we do, you know. [Rocco] Uh, huh. [Diller] Good looking. [Diller] How long are you and David going to be doing this? [Rocco] As long as you like me too. And then when you say stop, [Diller] Now you understand it, see. [Rocco] Yeah. It's perfect for them. It would be, [Rocco] My big mistake, was thinking that it was, [Diller] That's an illusion. [Rocco] Am I the only one who thought that? [Diller] Yes. [Rocco] Okay. Do you think that. [Diller] Give me a minute. [Rocco] Okay. [Diller laughs] [Diller] Ah, so. [Rocco] This is wonderful. [Diller] Excuse me. This is the Hope salon. [Diller] And, ah, because of the [?] [Diller] Let's see if I can get this, from memory. [Piano music] [Rocco] That was nice. [Laughter] [Diller laughs] [Rocco] Well, that's good, as they say. [Diller] Very nice tune. [Diller, partially unintelligible] call your bluff. [Diller] One of my new best friends is Van Cliburn. [Rocco] Oh, okay. [Diller] Oh God, can he play. [Diller] Does that man play. Oh. [Rocco] Oh, here's one of my favorite pictures of you, right here. [Diller] Well, that's my favorite. [Rocco] Yes. [Diller] You better believe it. Now, this is my, [Diller] my youngest child. [Rocco] Mm, hmm. [Diller] He's now, sixty three. [Rocco] Okay. [Diller] These are his children. [Diller] But they're now of college age. [Rocco] Okay. [Diller] All right. And, of course, here is, [Diller] my guru. [Rocco] Of course. [Diller] Yes. [Rocco] So, we did a, um, we were one of four theaters in the United States to have a Bob Hope retrospective. [Rocco] One of four. [Diller] Aren't you brilliant. [Rocco] Yes. [Diller] This is the gothic alcove. [Rocco] It is gothic. [Diller] Isn't it gothic? [Diller] Oh, my word. [Rocco] These are all things that you, [Diller unintelligible] [Diller] Oh, oh, we [Unintelligible] [Diller] in New York. [Rocco] In New York. [Diller] This is the Coolidge porch. [Rocco unintelligible] [Diller] Come in here, David. [Diller] Because it's all antique wicker. [Diller] The Coolidge porch. Calvin Coolidge. [Diller] Silent Cal. [Rocco] It looks like, um, something that would be in the front of the Coronado Hotel in San Diego. [Diller] Exactly. [Rocco] Right, in the movie, "Some Like It Hot," or something. [Diller] Exactly. Exactly. [Diller] A lot of antiquity here, including me. [Rocco] And you, you spend some time out here. [Diller] Sitting in the sun. [Rocco] Little cool right now. [Diller] Little cool. [Diller] Always on a hot day. [Diller] There are seven fireplaces in the house, Pat. [Rocco] Seven fireplaces. [Dilller] Seven. [Rocco] All right. [Diller] Here's a fun picture. [Diller] Prince Philip, Chevy Chase. [Rocco] Mm, hmm. [Rocco] Can you get in close enough to see them? [David] I'm trying. [Diller] Brooke Shields, me and the girl that's playing gypsy right now. [Rocco] Ah, Bernadette Peters. [Diller] Bernadette Peters. [Rocco] And Prince Philip and, [Diller] Brooke Shields. [Rocco] Okay and, [Diller] Chevy Chase. [Rocco] That is Chevy Chase. [Diller] Yeah. [Rocco] Uh, huh. [Diller] That's [?] and mine. [Rocco] Mm, hmm. [Diller] Mine. [Diller] Everyone, everything that's here is mine, except the Picasso. [Rocco] And you don't have room for all of them because here they are sort of stacked. [Diller] Well, they're, they're, I think, [Rocco] They're waiting for a wall. [Diller] And, here, here, [Rocco] Come on. [Diller] And here in this room are more paintings. [Rocco] You have been busy. [Diller] Sally Kellerman. [Rocco] Oh sure it is. [Diller] Mm, hmm. [Rocco] Of course it is. [Rocco] Yeah. [Diller] Mm, hmm. [Diller] And this is a [?] court yard. Isn't that a darling thing. [Rocco] It is. [Rocco] Totally enclosed. [Diller] Nice for the cats. [Rocco] Mm, hmm. [Diller unintelligible] [Diller] Now this is the wardrobe. [Rocco] Oh, my. [Diller] These used to never be put away and I still haven't got, it's been a year and I still haven't, I still, they're still out there. [Diller] They used to just be permanently packing, unpacking, packing, unpacking, packing, [Rocco] And people ask you, [Rocco] "We are having our bazaar," and we are raising money for something or other. And will you give us a hat or a handbag or a feather or something. I bet that happens a lot. [Diller] About twelve a day. [Rocco] Twelve a day. [Diller] Yeah. [Rocco] And some you say yes and some you say no. [Diller] I used to say yes to all of them. [Rocco] Yes. [Diller] But, it became [?] [Diller] and clothing, which I no longer have. [Diller] I don't have all that many clothes anymore. [Rocco] Okay. [Diller] Come look at the shoe [?]. [Rocco] You have a few. [Rocco] Um. [Diller] This is the Imelda Marcos side, [Rocco] I was gonna say you a few, Imelda, but the, [Diller] Yeah. Look over here. [Rocco] Both sides. [Rocco] Plenty. One for, [Diller] We have a few. [Rocco] One for every occasion. Every dress. [Diller] We have shoes. [Rocco] We have shoes. [Diller] Every color. [Diller] Come with me. [Rocco] Okay. [Diller] Now. Now this room is not done up. [Diller] Ah. And this is my harpsichord. [Rocco] A real harpsichord. [Diller] A real, built just for me. [Harpsichord music] [Rocco humming along] [Diller] Isn't that a, isn't that a sweet sound? [Rocco] That's fine. [Diller] Okay. [Diller] And then this next room, [Diller] is the card room. [Diller] I love to play cards. [Rocco] What, ah, what, cards do you play? [Diller] Diller Gin. [Rocco] Oh, my. [Unintelliglble] [Diller] Diller Gin. [Rocco] I love this, [Rocco] Look at this wall paper. I love this wallpaper. [Diller, talking over, unintelligible] [Rocco] And yeah, that is beautiful. [Diller] [?] flowers on there. [Rocco] Sure. [Diller] around, see that? [Diller] With, [?] [Rocco] [?] [Diller] I did it because, [Diller] I'm in the process of, [Diller] getting some, [?] [Diller] and, and selling on Sothebys. [Diller] That was my symphony outfit. That's gonna be in, [Diller] in, in the Smithsonian. [Rocco] These are all going in? [Rocco] Pretty much? All the selected ones. [Diller] The selected ones. Like this. [Rocco] You get to choose? [Diller] No, no, no. They choose. [Rocco] Really? [Diller] And this. I want you to lift it. [Rocco] Oh, my God. [Rocco] This weighs, [Rocco] twenty five, thirty five pounds. [Diller] That's right. When I was dressed for the symphony, they [?] [Rocco] I hope you've got to sit down sometimes. [Diller] Fifty pounds. [Diller] Isn't that interesting. [Rocco] It weighs a ton. [Diller] Yeah. [Rocco] That's all original beaded work. [Diller] Yes, that's all hand done. [Rocco] That is something else. Whoo. [Diller] Let's put that back in there. [Rocco] Let's put it in the same order. [Rocco laughs] Dare that you touch this. [Diller] I know. And then there is the other part of it. [Rocco] This is the symphony, [Diller] This goes over that. [Rocco] Over that? [Diller] Oh, yes. When I get it on, I actually, [Diller] What do you call it when you, [Rocco] Over dose? [Diller] No, you suffocate. You, ah, [Rocco laughs] Oh, that too. [Diller] You can't breathe. [Diller] You simply can't breathe. [Diller] Uh, there's a word for it. [Diller] Where you just, you know, [unintelligible] [Diller] Ha, ha, ha, ha. [Rocco] Very pretty. [Rocco] Mm. [Rocco] And everywhere I look, there's paintings all over the floor. [Diller] Well, back in the [?], [Rocco] Where is your [?] department at the moment? [Laughs] [Diller] And this room here is my ensem. [Rocco] Why is it called the ensem. [Diller] Because of that long ago [?], [Rocco] Oh, that's right. [Diller] Pretty much that kind of [?] [Rocco] Are you getting ready for Christmas? [Diller] No, it's from last Christmas. [Rocco laughs] [Diller] I'm a little behind with, [Diller] with everything. [Diller] My little kitchen. [Unintelligible] [Diller] This is [?] [Rocco] We're, [?] [Diller] [?] leaving dominoes around. [Rocco] Yes, he did. [Diller] Notice there's no, it's all candle light. [Rocco] Okay, two, four, six, eight, [Dilller] Twelve. [Rocco] ten, twelve. [Rocco] And how often do you get twelve? [Diller] Well, all the time. [Rocco] All the time? [Diller] Oh, God, yeah. All the time. [Rocco] Really. [Diller] Okay. [Diller] This is my office. [Diller] And my other piano. [Diller] This is my favorite piano. [Diller] This one. [Rocco] Really. [Diller] Ah. [Diller] This is the real, [Diller] The only thing I can still play is, [Piano music] [Diller] That's a real piano. [Rocco] I bet you that is not really the only thing you can play. [Diller] No, that's about it. [Rocco] [?] [Diller] Well. [Diller] But, it's not something you, [unintelligible] [Rocco] This is your own private office. [Diller] This is my office. [Rocco] This is a picture, [Rocco] I have not seen, but it looks gorgeous. [Talking over each other, unintelligible] [Diller] It's got a light. [Rocco] Yes, that's a beauty. [Diller] Isn't that nice. [Diller] Absolutely a [?] [Diller] And he did it without [?] [Unintelligible] [Rocco] Come in closer and take a look at this. This is beautiful. [Diller] You wouldn't know it's a painting. [Rocco] Uh, huh. [Rocco] I would have, I would have sworn this is, [Diller] I know. Everybody thinks so. [Rocco] Uh, huh. That is nice. That is beautiful. [Rocco] Obviously you like it or it wouldn't be here. [Diller] No, I'm very fond of it. [Rocco] I don't blame you one bit. [Diller] Very fond of it. [Rocco] Do you want me to turn that off. [Diller] Oh yeah. [Rocco] Where is it? [Diller] Right, whoa, whoa. There it is. [Rocco] Got it. [Diller] Ah. [Rocco] These things all mean something to you. I mean, why would you, [?] [Diller] Hello, Dolly. [Rocco] This is Dolly of course. [Diller] There's Dolly. [Rocco] Hello, Dolly! [Rocco] Ah, and St. James, in New York. [Diller] Uh, huh. [Rocco] Yeah. How long did you play, "Hello, Dolly?" [Diller] Three months. [Rocco] And loved it? [Diller] Adored it. [Diller] This is Charlie Chaplin in Switzerland. [Rocco] Oh. [Diller] Went to a wedding there. One of his daughters got married. [Rocco] All right. [Diller] Johnny Carson when he was a young boy. [Rocco] Ha. [Diller] That's Stephanie, the second to the youngest of the children. [Rocco] I remember Stephanie. [Dilller] This proves that dogs look like their owners. [Rocco] Yes. [Diller cackles] Ha, ha, ha, ha, ha, ha. [Diller] And this is Danny Thomas, [Rocco] Danny Thomas, [Diller] with both of our old noses. [Rocco] Mm, hmm. [Diller] And here's [?] and me with both of our old noses. Jack Benny. [Diller] [?] now. [Diller] This is Richard. I'm very [?]. [Diller] My parents. [Diller] The Smothers Brothers. [Rocco chuckles] [Diller cackles] Ha, ha, ha, ha. [Diller] Barbra Streisand at her first play date. [Rocco] Ah, that picture was recently reproduced in, in some magazine. I just saw it. [Diller] [?] [Rocco] Yeah. [Diller unintelligible] [Diller unintelligible] [Rocco] And that's the Phyllis look that I remember. Because we go back that far. [Rocco] And we have evolved, [Diller] Hairstyles change. [Rocco] we have evolved through the years. [Rocco] All of us. [Laughs] [Diller] Yes, we certainly have. [Rocco] And we're back home. [Diller] Actually. [Diller] Now these are very pretty posters, Pat. [Rocco] Well, they're for a special reason, for a special person. [Diller] It says here, [Laughs] [Rocco] That's true. [Diller] I don't know. I don't know anybody that old. [Rocco] I own a little theater in Hawaii. [Rocco] We're gonna celebrate your birthday this time as it says, [Rocco] and we're gonna have a birthday cake and things like that. [Rocco] For the first time, you're going to have a birthday cake. [Rocco] And, ah, [Rocco] And people are gonna come in. We're gonna show film clips and things that people haven't seen, that I, [Rocco] I've personally collected. [Dilller] There's so much that I don't even know. [Rocco] Well. [Diller] You know, you're a real collector. [Rocco] I'm a real collector. And, but mostly, I'm not a real collector of everything. I'm a real collector of one of my favorite people. [Diller, kiss sound] I don't know about you. [Rocco laughs] So, [Rocco] No, no, this that we're taping now. [Rocco] We'll show it in the theaters. They'll say, 'Look, it's real! This is, this is Phyllis Diller." [Diller] You're gonna have a whole bunch of these? [Rocco] Yeah, and we're gonna have some at the theater. [Diller] All right. There we are. [Rocco] We'll see you there. [Diller] Bye! [Music] [Rocco, over music] And so we leave Phyllis Diller's beautiful home. [Rocco] And we head back to Hawaii. [Music crescendo]
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