Nadia Boulanger : part IV
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In this program Mlle. Boulanger and her guests reminisce about her Wednesday afternoon teas in Paris, the responsibility of the composer, the musician and the listener, musical recordings, whether or not we succeed in translating to the student the value of the present and the past, the creation and responsibility of music itself and the pleasure one can derive from composing music and not necessarily the result of the effort.
Complete catalog record
, In this program Mlle. Boulanger and her guests reminisce about her Wednesday afternoon teas in Paris, the responsibility of the composer, the musician and the listener, musical recordings, whether or not we succeed in translating to the student the value of the present and the past, the creation and responsibility of music itself and the pleasure one can derive from composing music and not necessarily the result of the effort., In this program Mlle. Boulanger and her guests reminisce about her Wednesday afternoon teas in Paris, the responsibility of the composer, the musician and the listener, musical recordings, whether or not we succeed in translating to the student the value of the present and the past, the creation and responsibility of music itself and the pleasure one can derive from composing music and not necessarily the result of the effort., In this program Mlle. Boulanger and her guests reminisce about her Wednesday afternoon teas in Paris, the responsibility of the composer, the musician and the listener, musical recordings, whether or not we succeed in translating to the student the value of the present and the past, the creation and responsibility of music itself and the pleasure one can derive from composing music and not necessarily the result of the effort., In this program Mlle. Boulanger and her guests reminisce about her Wednesday afternoon teas in Paris, the responsibility of the composer, the musician and the listener, musical recordings, whether or not we succeed in translating to the student the value of the present and the past, the creation and responsibility of music itself and the pleasure one can derive from composing music and not necessarily the result of the effort.NOTE: Two (or more) records have been merged together to create this data.
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