Feature Film Trailers #2

Duration: 2000

Complete Record: 1. The Wild Country. color, 1970. A family western adventure film. A wife is cooking inside a house. Her husband kisses her on the cheek. Their son Virgule talks to them through a partially open door so they turn to listen to him. They walk outside and see a tornado in the distance. The husband and wife talk. All three family members run forward. Virgule opens a nearby barn door. Cut to tornado. Cut to a little boy standing outside with the wind blowing his hair, clothing, and body. He turns around and yells, “run!” As the tornado blows dust, cut to inside of the barn. The door opens and see a horse already inside the barn, blowing dust, a silhouette of an animal run by, and silhouettes of two males by the open door. Cut to Virgule yelling outside. See tree branches falling as Virgule is falling. Cut to the mother holding onto a wooden railing, yelling “Andrew!” (her other son) and covering her mouth with tissue. She gets blown around while holding on. Cut to the father holding on to wooden vehicle and falling to the ground. Cut to the mother who’s calling Andrew. She gets blown to the ground. She grabs hold of a boy but still gets blown to the other side, into an opening. Cut to two males moving among the blowing dust. They hold onto a railing. Then see that they are the father and his two sons (one of the them was blocked). The father carries Andrew as the Virgule and his father move alongside a wooden fence. They walk down a few steps. Cut to no more tornados. See mother, father, and two sons walk outside. They stop and look at their house that’s still standing. The mother says they’re going back to Pennsylvania. See house from another angle and see that some wooden boards are missing while others are sticking out. As the mother walks with her sons back to the house, the father stands still, saying there’s nothing to go back to, but the mother, with the back of her head facing him, says that there is something to go back to. She turns around and discusses with her husband about why they should go back. As she walks back to the house, Virgule tells her he does not want to go back. He doesn’t want to start over. The father tells Virgule that’s enough. The mother goes inside the house. Andrew cries behind his father. Virgule walks away and apologizes to his father. The father walks into the house. Cut to inside the house. The mother is chest down on a bed while her husband comforts her, saying they’re all staying here. She turns around to look at him. He tells her that they will get through this. Screen goes dark. End of commercial (does not show film title). 2. Count Dracula and His Vampire Bride. color, 1973. A horror film. A door opens to the inside of a room. White smoke enters the room. A woman sitting down looks on scared. Count Dracut appears amidst the smoke. Film title appears. Cut to Count Dracut biting the neck of a woman while they’re laying down. Cut to two hand flat above a woman laying down. He moves his hands sideways across the length of her body. Cut to he carries her. Cut to a man with a bandage on his forehead. He appears to stab Dracut in the chest. Cut to feminine fingers moving out of a coffin while two women stand in a distance. The coffin opens. See a skeleton and white smoke. See film title. 3. Buddy Buddy. color, 1981. A comedy film. Victor wipes his mouth with a white cloth. See Victor talk to Trabucco while Trabucco looks at Victor. Trabucco appears to prepare a rifle. Victor (?) is tied up and gagged in a chair. He falls backwards. Cut to men holding guns as if in a standoff. See people. Cut to Victor standing by an open window. He yells then goes down a chute. He falls into a laundry basket and rolls forward. Cut to Victor in a house. He stops by a staircase. Trabucco grabs Victor and runs out the door. See film title and credits. 4. Body Heat. color, 1981. An American neo-noir film. See film title. See Matty slap Ned’s cheek. See film title. See a man throw a chair. See Matty. See Matty and Ned hug and kiss each other by a staircase. See film title. See hands turn a dial for a clock. See a man talk. See a man rip open plastic. See a woman kiss a man. She also kisses his chest. See Peter talk while sitting down. See film title. See William Hurt. See film title and credits. 5. Body Heat. color, 1981. An American neo-noir film. See Matty and Ned talk to each other outside at night. Cut to a woman’s hands caressing the back of a man. See film title. Matty gets out of a car while holding a purse. See William Hurt. See Matty and Ned kissing each other while Matty holds him. See film title. See two hands pointing a gun. See a man driving a car. See a car drive by. See another man talking. See hands turn a dial for a clock. See a man. See Ned appear to hit the man. See Ned drop a box. See an explosion. See film title and credits. 6. Cannery Row. color, 1982. A comedy drama film. See Doc and Suzy drink glasses of wine at a restaurant. See them leaving the restaurant (Bear Flag Restaurant). See a woman walk by. Cut to a woman painting her toe nails by a piano. See another woman talking. See a frog jump. Then see multiple frogs jump. See two men trying to catch the frogs. See a waitress talking to a man. See someone put ice cream into a glass. See liquid being poured into the glass from a bottle. The person puts a cherry on top of the whipped cream that’s in the glass. Doc drinks from the glass. Cut to a man and a woman kiss on a beach. Cut to a woman talking to a person while sitting down. Cut to Doc kissing a woman. The shot gets small. See film title and credits. 7. Death Sport. color, 1978. An action film. In a grand arena, see people riding motorcycles. Cut to a woman who points a flashlight straight ahead. See a man wearing a helmet and a mask disintegrate. See Kaz raise a flashlight of his own to disintegrate a motorcyclist. See an explosion as two people in white run. See a motorcycle on fire and crash. Cut to an explosion. See film title. Kaz talks. See Dabid Carradine’s name, then Claudia Jennings. See camera moving towards fires in a hallway. See Kaz ride a motorcycle between two sides of fire. See film title. Kaz talks. A man fights with Kaz with sticks. See a motorcyclist ride into a tunnel, which then explodes. See film title. See another explosion. 8. Fade to Black. color, 1980. A comedy horror film. See a drawing of a Marilyn Manson look-alike holding a container of popcorn and sipping from a straw while holding a cup with his other hand. The hand holding the popcorn is big and disfigured while the other hand looks human. The camera gets closer to the image. Some popcorn and drink fall out, as if the hands squeezed t hem. Cut to film title and credits. 9. Fade to Black. color, 1980. A comedy horror film. See a man look through a store windown while wearing sunglasses. Cut to the same man sitting next to another man, waving with his gloved right hand. Cut to the same man looking up. See a sign, “Special Midnite Show”. See a man’s right side part of his face. See him hold a paintbrush to his face. He turns around. See that half his face is painted white. He’s put on lipstick and painted above his eyebrows. See a shower curtain move. See a man dressed as Dracula stab someone. See a woman scream. Cut to man holding a paintbrush to his face. See film title and credits. 10. Lion of the Desert. color, 1981. A Libyan historical action film. See a man throw a pink item shaped like a top with two handles. See film title and an explosion in the background. See Anthony Quinn. Three men ride horses. See more men ride horses. See men fall. See men run as another explosion occurs. See Oliver Reed. See four officers. Cut to General Rodolfo Graziani standing indoors. See a sad woman. See a man run with two young children as the wall behind them falls. See See the General standing, looking through binoculars. See men among tanks. See a tank. See small planes flying. See men riding horses. See an explosion and a man fall. See Omar speak. See another man speak. See chaos outside. See an explosion and a car turn over. See film title and credits. 11. Lion of the Desert. color, 1981. A Libyan historical action film. See an explosion at night. See a man talk. See a man fall off his horse into other men. See people run as an explosion occurs See Anthony Quinn. Omar and other men ride horses while other men walk. See Oliver Reed. See four officers stand in the desert. See film title while an explosion occurs in the background. See men riding horses and holding rifles. See another explosion and men running away. See men riding horses while holding rifles. See two small planes fly by. See an explosion while men ride horses. See film title while an explosion occurs in the background. The General looks through binoculars. See a tank. Another man holding binoculars bends his left arm with his hand in a fist. See smoke being fired. See men riding horses while holding guns. See an explosion and a car turn over. See film title and credits. 12. Love at First Bite. color, 1979. A comedy horror film. See a man at the front while boys sit across from him. A coffin is in the middle. See the coffin open. Count Dracula sits up and talksEvery spectator runs away. Dracula turns to speak to the man. Cut to a man (Dracula?) facedown on a woman, who’s holding a pink flower. ut to a man sitting down and talking. Cut to Dracula dancing with a woman on stancing. Dracula talks. See Dracula in the company of a woman at a table. They talk to each other. See a man and a woman dance (see their legs). See film title and credits. 13. Mad Max. color, 1979. An action film. See a man driving a car. See a man wearing sunglasses. See headlights. See an “interceptor” car drive by. See the front of a moving car. See a red button pop up. See something turn. See the odometer move to 50 mil/h. See the road moving. See a car moving behind a motorcycle. See the motorcyclist on one wheel. See a car drive by. See multiple motorcyclists move by. See the front of a car. See motorcyclists ride off a bridge. See film title and credits. 14. Alligator. color, 1980. A horror film. See two people holding flashlights, scanning an area. See walls and water. See an alligator open its mouth. See a boy scream. See an alligator stick its head out of the ground. See film title and credits. 15. Mean DOG Blues. color, 1978. A drama film. See a wide shot of people walking on top of a hill. See a man run. See a sheriff talk. See a vicious DOG on a leash, barking in front of the man, scaring him. Cut to the man fall into a swamp. Cut to two shirtless men sitting indoors, with the older man talking to the younger man. Cut to a man hitting another man in the stomach. Cut to the two shirtless men, with the older one talking. See a man punch another man in the face, knocking him to the ground. Cut to the older man talking to the younger man. Cut to a man running outside. Cut to a sheriff talking. See the younger man running. He looks back. See a vicious DOG jump. See film title. 16. Meatballs. color, 1979. A Canadian comedy film. See a man try to wire an electric circuit. See an explosion of light. See two people carrying a canoe on top of their heads. The canoe hits a ladder, making the person atop of the ladder to hold onto the roof of a house for dear life. Cut to a person who rolls head first into a boat while another person’s steering the boat. Cut to boys at a basketball court. One of the boys hits another boy in the head with a basketball. A coach throws up a basketball. Cut to a young boy who puts something small on the back of a woman wearing a swim suit, bending over. She straightens up, moves around her arms, and jumps into the pool, butt first. Cut to a man stuffing his face. Cut to Tripper grabbing hold of a boy, knocking him with his elbow. See film title as Tripper cheers. 17. Mother’s Day. color, 1980. A horror film. See a house with lights on at night. See an old woman sitting on a couch, with a man and a woman leaning towards her. She smiles as they mover away from her. See the old lady and three other people walk out of the house. A man pins a woman towards the ground, covering her mouth with his left hand and holding a knife to her throat. See another man hold her knife to her. See film title. See a hand grab the left leg of a person. See a person wearing a cloth mask with holes for eyes. See the old lady sitting in a chair outside. See a man go up out of an opening in the roof of a house. See a man take a picture. See a person hold an ax. See a woman gagged with a piece of cloth. See hands hold a knife that goes down. See a woman laying on the ground. Cut to the old lady smiling. See a person wearing a cloth mask with holes for eyes. See film title and credits as two woman walk by trees, a guy in a wolf costume jumps up in the trees, and one of the woman screams. 18. Mother’s Day. color, 1980. A horror film. See a house with lights on at night. See a girl scream. See a man tie up a woman with a blanket. See the man smiling. See a woman gagged with a piece of cloth. See film title. See a person sitting inside a car. See a person hold a sword outside the car’s window. “... we can’t”. See an old lady and three other people walk outside a house. See a man leash onto a woman. See a hand hold an ax. See two hands bring a knife down and go back up. “... we can’t”. See two woman by trees, a guy in a wolf costume jumps up in the trees, and one of the woman screams. Close up shot of the man in mid-jump. See film title and credits. 19. The French Lieutenant’s Woman. color, 1981. A drama film. See a fully clothed woman walk along the bend of a road. She walks toward the edge by the sea. See a close up shot of the side of her face, then she turns around, Meryl Streep. See Jeremy Irons. See the woman’s face on the left hand side of the screen while the film title and credits are to the right. 20. The French Lieutenant’s Woman. color, 1981. A drama film. See a close up shot of the side of her face, then she turns around. See film title. See Sarah / Anna kiss a man (presumed to be Charles Henry Smithson / Mike), with the man laying down (they are by the sea). See them kiss inside a house. Cut to Sarah / Anna talking by a tree. Cut to those two kissing on a bed. Cut to a prim woman sitting on a fancy chair, talking. A woman stands next to her. As the camera moves wider, see Sarah / Anna . Cut to those two lovers kissing on a bed. See them enjoy each other’s company by an open doorway. He appears to try to kiss her. Cut to Meryl Streep and Jeremy Irons. See the woman’s face on the left hand side of the screen while the film title and credits are to the right. 21. The French Lieutenant’s Woman. color, 1981. A drama film. See a fully clothed woman at the edge of a road by the sea. Cut to Sarah / Anna talking to Charles Henry Smithson / Mike outside. Cut to those two lovers making out in a room. See a fully clothed woman at the edge of a road by the sea. Cut to a man talking. See the reflection of Sarah / Anna from a mirror and a burning candle on the side. See a fully clothed woman at the edge of a road by the sea. Cut to Sarah / Anna talking and holding onto Charles Henry Smithson / Mike. He also holds onto her. Cut to Meryl Streep and Jeremy Irons. See the woman’s face on the left hand side of the screen while the film title and credits are to the right. 22. The Muppet Movie. color, 1979. A family comedy film. See women in swim suits run out of a tent. Sweetums comes out. See Kermit, Miss Piggy, a chicken and Fozzy Bear driving the car, sticking his head out of the window. He returns to driving. As the car stops, see a large sign that says, Aunt Amyst with a drawing of her holding pie. Cut to Miss Piggy hugging Kermtit. Cut to a man holding the mouth of Miss Piggy with his left hand while holding the earpiece of a telephone with his right hand. Then he lets Miss Piggy talk, and he puts the earpiece back to where it belongs. Cut to a smiling Kermit, who’s then scared because people are holding rifles at him. Cut to Miss Piggy and Kermit at a dining table at a restaurant, dressed up nicely. Kermit talks. See the insolent waiter talk to Kermit and Miss Piggy with his hands on his hips. Cut to a man who throws Fozzy Bear at the bartender, who falls to the floor with Fozzy on top of him. See a bald man throw something like a boomerang. Cut to Miss Piggy. Cut to a man who gets kicked by Miss Piggy. See two Muppets get blown up. See film title and credits. 23. The Muppet Movie. color, 1979. A family comedy film. See a swamp. See Kermit sing as he plays a banjo. Cut to Kermit with other Muppets, with Kermit talking. Cut to a man who puts down a cigar. See Miss Piggy wearing a crown, talking to Kermit. See Fozzy (?) walk by, wearing sunglasses and talking. See a man want to grab hold of Fozzy and Kermit. See Miss Piggy talk. See Miss Piggy kick a man. She also punches him. See numerous Muppets as the camera moves farther away. See film title and credits. 24. The Muppet Movie. color, 1979. A family comedy film. See between a two booted legs: five men. See the green furry legs walk. See Muppets mingling with each other. See a man with a bow tie take off his sunglasses. Cut to a man behind a bar, scared. He turns to run away. Cut to a ventriloquist with his dummy. Cut to a man who walks outside of a store. Cut to a man who turns on and off the lights. Cut to a man who bends down. Cut to a man wearing a construction hat, smiling. See a man holding a balloon, with a woman across from the balloon. See a man wearing a hat that says, “ice cream.” Cut to a woman at a bar, talking to Kermit. Cut to a white-faced woman standing by a doorway. Cut to a woman who moves her right arm and screams. Cut to the insolent waiter who bows. Cut to a man selling balloons. Cut to a man speaking to Kermit. Cut to a man who puts down a cigar. Cut to a man who’s turned around to talk while sitting at a piano. See numerous Muppets as the camera moves farther away. See film title and credits. 25. Lion of the Desert. color, 1981. A Libyan historical action film. See men holding rifles while riding horses. See an explosion knock over a vehicle. Cut to a room with an atlas on the wall. A man in black with a silver belt is walking on the right side while a man in grey is a few feet left of him. Cut to men holding rifles while riding horses. Cut to men on the ground holding rifles. See a horse carrying a man jump onto the right side of the screen. See a small fire as a horse runs pass the screen. See Anthony Quinn and Oliver Reed. See film title with fire in the background. See a vehicle fall over during an explosion. See a man fall off a horse. See Omar talk to a man. Cut to a small fire from a barrel outside a stone building at night. See a man ride a horse and the barrel explode. Cut to a desert where people are walking and tanks are existence. Cut to a man holding binoculars and bending his left arm with his hand in a fist. Cut to shots fired from a two-wheeled apparatus. Chaos ensues. See an explosion. See men riding horses. See Omar talk. See film title and credits. 26. Mean DOG Blues. color, 1978. A drama film. See a wide shot of people walking on top of a hill. See a man holding a leash to a vicious DOG. Another man is scared as the DOG barks at him. A sheriff holds and caresses the DOG. He talks and also kisses the DOG. Cut to a close up of a man in a suit talking. Cut to a man angrily talking back. Cut to a man wearing a hat talking to another man who’s holding his left arm with his right hand. They are outside. Cut to a vicious DOG barking at a man who’s sitting down. Cut to split screen: on upper left hand corner of the screen, the camera turns around and see the man’s face as the DOG barks at him, also see an older man speaks while a younger man listens on the lower right hand corner of the screen. Cut to the vicious DOG barking on the upper left and a sheriff talks on the lower right. Cut to a man holding a woman inside a house. Cut to the sheriff. Cut to the woman seeming to resist the man. Cut to the sheriff walking towards the couple. He slaps the woman. Cut to a close up of the sheriff talking. Cut to a man running and tripping on a tree branch. He gets up. Cut to four split screens. See the man run in the upper left and lower right corners of the screen. See vicious DOGs running on the lower left and upper right corners of the screen. Cut to two sheriffs running on the lower side of the screen and a man appear to hold a stick on the lower right side of the screen. See the man run on the upper right side of the screen. Cut to the man swimming in a swamp on the upper left side of the screen and a man holding onto an apparatus on the lower right side of the screen. Cut to full screen. See a vicious DOG run. The DOG jumps and film title appears. 27. Deadly Blessing. color, 1981. A horror film. See a woman laying in a bed. See two hands holding the sides of her face. She opens her eyes. See a spider on a web. The woman has her mouth open. She opens her mouth wider. Her eyes open wider in fear. The spider drops down. See the woman in fear. See the spider fall into her mouth. Cut to a woman getting up from a couch. Cut to film title. 28. Cannery Row. color, 1982. A comedy drama film. See the doorway of Bear Flag Restaurant. See Suzy knock on the door. Cut to a woman painting her toe nails by a piano. Cut to a man bending down, pointing a rifle (?). Cut to three men watching another man putt a golf ball. The ball lands in a puddle of water and is covered by a lab of wood. See a woman pitch a ball. See a man bat the ball. See the woman talk. She holds up a mitt. See a leg kick Doc. Suzy kicks him again. Cut to four men up close. Cut to a man in costume punch one of the men, knocking a number of men out an open door. Cut to Doc and Suzy kissing each other and holding each other. Cut to Suzy doing a hand stand and falling backwards to the floor. She kicks him using the same motion. She grabs hold of his arms using the same motion. The screen turns small. See film title and credits. 29. Cannery Row. color, 1982. A comedy drama film. See a sunset / sunrise in town. See film title on a small rectangular can. The film title rolls away as the camera closes up to the inside of the can. See people dressed up rise and celebrate. Cut to a man dance with a woman. Cut to a man in costume punch one of the men, knocking a number of men out an open door. Cut to a man peering through long grass and lights flashing on. See multiple frogs. See two men trying to catch the frogs. Cut to Doc talking. Cut to Suzy talking forcefully. Cut to Suzy falls to the ground. She does a backwards flip and and hits him on the right side. He appears to hold onto the piano stool. Cut to Suzy walking away from Doc and Doc talking and walking after her. Cut to Suzy upside down. She does a forward roll. She screen gets small. See film title and credits. 30. Great White. color, 1980. An Italian horror film. See a man playing a harmonica and playing a guitar at the same time. He also sings. Cut to people on a boat who look and see a man holding onto a sail. Cut to a man shaking hands with another man. Cut to women waving their white hats. Cut to a person walking a surfboard. Cut to a woman enjoying a drink and a boy enjoying popcorn. See a man walk with a yellow towel (?). Cut to a man scuba diving. Cut to a boat moving. Cut to a person falling off his sail boat and into the water. Cut to a man talking through a loudspeaker. Cut to people running out of the water. Cut to legs moving in the water. Cut to a man in the water go head under water. See the bottom of a shark. See the bottom of a wooden plank. See See the plank break apart and someone falling into the water. See the man swim. See the man scream as his head is out of the water. Cut to a man talk to other people. Cut to a flying helicopter. Cut to a shark coming out of the water. Cut to a man in the helicopter screaming. The helicopter goes into the water. Cut to a man aboard a boat, talking. See him attach a weapon to his right leg. Another man looks at him. This other man talks to him. See a woman scream. See a shark come out of the water. See the woman scream. See two men turn around. See the three people on a boat. See the woman fall into the water. Cut to film title and credits with a picture of a shark with its mouth open, holding a rug with a woman laying on it, with her left leg bent up. This picture appears on the left hand side of the screen. 31. Forced Vengeance. color, 1982. An action drama film. See a wide shot of buildings. See Josh Randall jump downwards and kicks a man through an open doorway from what appears to be a closet. Cut to two men fighting with sticks. Cut to Josh fighting with someone by a tree. Cut to Josh kicking someone into a car. Cut to Josh hitting someone in a restaurant (?). Cut to a man wearing a hat kicking someone. Cut to Josh punching someone in the face. Cut to a man kicking someone. Cut to Josh (?) kicking someone in a building. Cut to Josh shooting a gun. Cut to Josh punching someone in the face. Cut to Josh kicking someone in the face. Cut to a silhouette jumping in front of what appears to be a Chinese lit up sign. The screen also shows three more silhouettes on a silhouette of a staircase. Cut to three images of Josh fighting individual men. Cut to the silhouettes in front of the Chinese sign: it appears that one of them is moving his legs by the upper body of another silhouette. Cut to three images of Josh fighting individual men. Cut to what appear to be two silhouettes of men fighting each other. Cut to four images of Josh in fighting mode, with the fourth image of Josh shooting a gun. Cut to a silhouette fall with h is legs apart. Film title appears and moves to a V-shape. Credits appear. 32. Forced Vengeance. color, 1982. An action drama film. See See a man grab hold of another man’s shirt among a lot of people. The second man holds up a pen (?). A third man wearing a hat fights the second man. The second man falls onto a table. See a hand flip open a knife. Cut to a man wearing a hat kick another man. Cut to a woman pointing a gun while another woman looks at her. Josh knocks on door 206. The two women remain in position. See a gunshot hole through the door, knocking off the room number sign. Cut to Josh on a balcony. Cut to a hook attempting to grab Josh’s neck. He grabs hold of the hook with both hands. Cut to a man flipping nunchucks. Cut to Josh standing with two women, shooting a gun. The items on top of the man falls on the man, knocking him down. Cut to a man fighting with Josh, with the man ending up on the ground. Cut to Josh fighting another man inside a house (?). See a man clench his right fist. See Josh tip his hat. Cut to Josh jumping down, becoming a silhouette in front of a Chinese sign. Film title appears. See three other silhouettes as a few credits appear. See the first silhouette and then all four in the background of more credits. 33. Forced Vengeance. color, 1982. An action drama film. See a man in uniform walk down a hallway. Cut to Josh walking through an outdoor market in Hong Kong. Cut to Josh walking off a boat into the arms of a woman. A girl behind him waves. The woman takes off his hat and hisses him. Cut to Josh making love to a woman in bed. Cut to a man shooting at a door. Cut to Josh kicking a man after entering a closet from above. Josh punches the man. Cut to Josh wearing a hat, fighting with a man who has a knife. See a man clinch his right fist. Cut to Josh hitting a man on both sides of his face. making him fall down through a sliding door. Cut to Josh jumping down, becoming a silhouette in front of a Chinese sign. Film title appears. Cut to Josh jumping down, becoming a silhouette in front of a Chinese sign. Film title appears. See three other silhouettes as a few credits appear. See the first silhouette and then all four in the background of more credits. 34. Buddy Buddy. color, 1981. A comedy film. See Victor sitting on a window ledge. Trabucco sticks his head out of a window, looks down, and turns around to see Victor. Cut to Victor talking to Trabucco inside a house (?), with Victor pointing right. Trabucco responds. Victor continues talking. Cut to Trabucco preparing a weapon. Cut to Trabucco covering Victor’s mouth and pulling him towards a doorway. Cut to Trabucco pulling Victor’s tie and talking to him. Cut to Victor running into a room and closing the door. Trabucco breaks the door open and sees Victor climbing up a ladder outside a window. See Trabucco stick his head out the window and having the window’s top fall down, hitting him. Cut to a wet-haired Trabucco getting slapped in the face by Victor. Cut to Victor pointing a rifle at a window with its blinds open, with him looking through a magnifying glass (?). Cut to Victor and Trabucco standing at opposite sides of a car. Victor talks to Trabucco as he opens the door to get something. See film title and credits. 35. The Love Bug. color, 1968. A comedy film. See a car drive down a road between what appear to be warehouses. See Jim Douglas driving the car. See his right foot step on, off, on, off, and on the gas pedal. Cut to Peter Thorndyke yell. See Herbie hit a car and bounce backwards, unharmed. Cut to Peter yelling while standing next to Carole Bennett who closes a car door. Cut to Jim who gets out of Herbie and talks. He walks forward. Jim and Peter talk to each other. Cut to Carole looking on. She walks forward and stands between Jim and Peter. She speaks to Jim. Jim and Peter look at Carole. She continues to talk to Jim. He talks back. Peter responds. Jim talks back. Carole talks to Peter. She also speaks to Jim. Jim lets Carole walk to Herbie. Peter speaks and points towards the direction of the car he and Carole came from. She gets into the driver’s seat and Jim gets into the passenger seat. Cut to Herbie moving along a street. Cut to inside the car: Jim has a conversation with Carole. Cut to Jim gets out of the car and Carole moves to the passenger seat. See a topless vehicle with three front wheels stop next to Herbie. This vehicle has two people in it. Jim walks around Herbie. Cut to inside the vehicle. The man talks. Jim turns around, talks, and gets inside the driver’s seat. See a traffic light turn green. See the vehicle drive away. See Herbie lean back on its two back wheels. See Jim and Carole surprised. See Herbie move forward while white smoke comes out of the back of the car. See Jim steering Herbie. Cut to the couple in the previously mentioned vehicle. Herbie moves past it. See the couple’s hair blowing. See Herbie zooming forward. See the couple move hair from their faces. They look at each other. See Herbie move forward and stop at a red light. See Jim talk. Carole talks back. Jim talks back. See the couple laugh. See the traffic light turn green. Carole opens her door but Herbie’s forward momentum closes the door. Carole talks to Jim. See his feet and his right foot step on a pedal. Cut to Peter standing by a car and in front of his auto showroom. He takes out a small piece of paper (?) from his pocket and looks at it. Cut to Jim steering Herbie. Carole yells at Jim. He talks back. See the steering wheel move. Jim appears to get pushed back against his seat. Cut to Herbie making a turn and stopping in front of a building. A woman walks by, talks, and puts two menus (?) on Herbie’s windshield. She walks away. Cut to Carole talking to Jim. She tries to open the door but it won’t budge. He points at the door and she knocks his hand down. She talks back at him and tries to open the door. The woman comes back and talks. Jim talks to her through his open window. Carole still can’t open the door. The woman talks back. Carole yells for help. Cut to two men, with one sipping a drink from a straw. Carole continues to yell. She also knocks on the window. The two men look at her. The man with the drink talks. The other man nods. As Carole sticks out her head out of the driver’s window, Jim holds her back, talking to her. Cut to the woman holding a tray of drinks and talking to Jim and Carole. Carole talks back. The waitress talks back. The two men look on. One nods his head. Scene goes dark: no film title. 36. Halloween. color, 1978. An independent horror film. See film title on the right of a smiling jack-o-lantern. See a door open. See a person dressed in a white cloth. See a girl laying on her bed, using an instrument to rub her nails smooth. Her eyes open wide. See a hand make a hole through the door. The hand moves around. Cut to Laurie Strode scared and covering her mouth