AV Geeks 16mm Lunch 9-10-2024

e e is for is is wave goodbye goodbye uh that was more of the comden footage uh home movie footage and uh I was trying to on the Fly adjust the the colors and because each scene seemed to be shot with a different film stock uh that had different problems so there was the really red stuff that was I think was outdoor film shot indoors without an appropriate filter uh there might have also been some color there's also outdoor stuff so I it could be that that was ansco Chrome which faded to Red um not kod Chrome K chrome doesn't normally fade that way uh that I've seen but anyways it was like back and forth back and forth back and forth so I apologize for that um so behind me I have a oh I'm skip Alzheimer and we watch old 16mm films and sometimes I talk about them and I talk about the process uh so behind me is a film scanner and it had a severe Stern talking to yesterday so we're going to see if it's going to work again today I have two more uh uh beauty salon films a short one and a longer one uh let's see what's in store let's see what the Fashions were in 1948 enjoy it looks like this is silent this might have been a uh advertisement what e e e all right there you go that was definitely silent there was no visible soundtrack and there was no optic uh mag stripe so it was definitely silent let's see what this next film is for for feathery Edge on the hair and to establish a blend of very short length so the hair will curl and wave properly correct feather edging result in a Halo of curls around the entire hairline the feather edge isn't a hairstyle it is a method of hair shaping indeed there are many varieties of featheredge styles here is the horizontal part tailor made for the tall woman the part is extended across the crown to cut height ends are arranged in curvs that stay in place because the hair is shaped to the proper length here is the double swirl the part is extended and the back hair Blends into a Halo of curls around the hairline this is the v-shaped part this arrangement provid provides an illusion of height for the short woman the hair within the V is combed forward to be dressed in high lines to shape hair to a feather edge length the head is first divided into five main sections One Crown two left side three back four right side five front to separate the crown section A Perfect Halo is made 3 and 1/2 in from the hairline all around the head hair in the crown section will be graduated from 5 and 1/2 to 7 or 8 in because crown hair will be dressed in tailored lines in featheredge styles whenever the hairstyle calls for tailored lines the length should be graduated separating the crown section and pinning the hair out of the way makes it easy to reach the hair at the neckline without interference for the front section separations are made above the middle of each eye where the hairline recedes and they extend 3 and 1/2 in back from the hairline let's see how this separation looks on our model the back separation is born by the separation that has already been made for the crown section left side section extends from front hairline to the point just in back of the ear where the hair begins to grow down on the nape of the neck the section extends from hairline to the point in back where hair begins to grow down on neck be sure the proportions are the same on right and left sides the back section extends 3 and 1/2 in up from the neckline and takes in the area between the two side separations a simple way to reach the hair to shape for an even length is to Begin work on the left side each section is subdivided into layers that are 1 in wide to divide index finger is placed at point of Separation at the base of the layer comb is moved down to meat finger and hair is separated each side is divided into six vertical layers starting at the hairline and extending to the back of the section each layer is about 1 in wide assume the proper standing position with right shoulder lowered this provides an easier method of reaching the hair and it's a natural and practical position to separate index finger is placed at point of Separation then comb is used in a downward movement for division of layers like this hair is spread with a comb for an accurate view of length and condition now hair is held between index and middle fingers away from the head hair will be shortened to an even 5in length on both sides the length is measured with the marked cone for the first layer shaping is done with a 1in stroke now the second layer on the left side is picked up hair is spread with a comb measure and shape using a 4in stroke because the hair is of coarse texture from the second layer on you will work with the average amount of hair because the condition is normal hair is shortened to a 5 in length so ends will not be stubby in the finished hairstyle and now the sixth and last layer on the left side is shaped shaping proceeds to the back section before starting let's point out a common mistake many hairlines are ruined by holding the hair over the neckline like this this blocks the view of the layer and makes it impossible for you to determine the condition of the neckline hair and its length turning for a better view we now show the correct way to hold the hair place index finger at point of Separation move comb down to meet the finger to separate layers easily back is divided into only four vertical layers Each of which is 1 in wide the purpose is to graduate the length from 4 and 1/2 in at the nape of the neck to 5 and 1/2 in at the upper part of the layer to graduate hair is held between index and middle fingers on about a 30° angle shaping begins with a 1-in thinning stroke at nape of neck where hair is fine a controlled 4in stroke is used where growth is normal be sure to spread each layer of hair with the comb to get an accurate view of length and condition before shaping notice that hair is never combed while shaping is being done if you comb layers together as you work you mix up hair which is shortened with that which is not combing only delays the job on the right side shaping begins at the back of the section and continues to the front hairline the reaching is for an even 5 in length watch the action for hold the sixth and last layer forward when you shape until you become familiar with growth textures and condition growth is more sparing in this last layer at the hairline so you will use a short 1in thinning stroke here the front section is shaped next four horizontal layers that are 1 in wide will be made in the top front section place the hair in the palm of the left hand turn left hand and place index finger at point of Separation move comb from the opposite side until it meets index finger the front hair should also be 5 in long because the hairline recedes in front you use a 2-in thinning stroke for the first layer after the first layer use a 4in stroke because the condition of the hair is normal measure each layer to be sure you shorten hair to a 5 in length this is the last layer in the front section because of constant separating and shaping hair slips no matter how experienced the operator is therefore rechecking is an essential step in hair shaping for rechecking of length a 1in stroke is used already you can see the basic outline of the feather edge as far as hair styling is concerned the crown section is most important because the back of the feather edge is its main attraction about 6 or 7 1-in wide layers are made in the crown area depending on the amount of hair the customer has and the size of her head before beginning to shape the crown section extend the natural part up to the crown and further if necessary depending on the amount of hair and type of customer this is the extended part the purpose of this action is to borrow hair from the crown set ction for the sides in this way bulk is distributed more evenly and the Contour of the head is shown to a better Advantage begin shaping from the left side hair in the crown section will be graduated in length from 5 and 1/2 to 7 in index finger is at the base of layer comb moves down to meet index finger and layer is separated with fingers hold hair on a 30° angle to shape watch how easily the comb and scissors are managed when the handling of shaping instruments is mastered the hair shaping job becomes easy notice that the expert does not have to measure length each time now watch the action now the last layer in the crown section is shaped when shaped crown hair should assume a fan effect from ear to ear like this more tapering is necessary at the crown starting from the crown the top layer of hair is parted away tapering is controlled using four strokes on each strand 1 2 3 4 again be sure to hold strands away from the head in tapering and use four thinning Strokes on each strand about four layers of hair are tapered to make the hair conform to the Contour of the head so that the Contour will be shown to Advantage although no styling has been done you already see the beautiful blending of length the feathery ends have a tendency to curl naturally remember that variations in parting adapts the feather edge to different personalities like this one with a horizontal part designed for the tall and slender person in this style you see the double swirl which is favored by the matronly clientele because of its slenderizing lines and flattering effects the v-shaped part is one of the most popular variations it gives an illusion of height which look smart on the average Patron by learning the principles Illustrated in this film and in the accompanying textbook you can be sure of continued success and profits in hair shaping [Music] yes yes I know I I tend to get very Niche sometimes and um sometimes it's not very interesting but you know I I hear you I won't always listen to what you say I will sometimes go deep dive into the tedium but that is not the most tedious film I have I could I could drive you all away with the tedious stuff that I have um all right so let's see um unfortunately yesterday we lost someone uh who was uh very dear to many of us um James Earl Jones passed away 93 93 is not bad um but you know most of us heard his voice as Darth Vader but he did a lot of interesting Voice work he was also in um many many films and he was the voice of CNN for a while so um I looked to see if I had something that he was in and unfortunately most of the stuff that I found was stuff that was uh he narrated because he had that amazing voice um I do have some Roots episodes but I'm not going to show those because I will get um this will come out um but I did find something that I thought was really interesting it's an hour long though and so what I'll do is I'll run the first uh part and then I'll see do you want to continue should I show it again later in the week but this is uh a great documentary called there was always sun shining someplace enjoy here's your starting lineup for the Pittsburgh Crawford leading off at playing center field K Papa Bell at third Bas Judy Johnson playing first B and not center field today Oscar Charleston catching the greatest home run hitter of all time Jos Gibson and pitching the greatest of all pites lero Satchel P so now I remember a story about this this black boy went to into ball Park and he told the white manager said I'd like to trial for your team so the white manager said go away boy I don't have no room for a black boy on my team so the kid came back the next night and asked the manager again he said I told you last night go away I don't have any room for a black boy on this team so he came back the third night and the white man said listen I've had it up to he with you if you come back here tomorrow night I'll have the police throw you in jail so the following night the kid bought a ticket right over this white man's Dugout and he sat there and he bugged his manager and he bugged him and bugged him so finally the manager told his coach hey get that man down here and give him a uniform said I'm going to pick out a spot in this game to embarrass him so he won't ever come back because I know he can play just a lot of miles so he brought him down and put him in the uniform and this particular night they were playing a team that had the ace relief pitcher in the whole league a big giant of a white man that threw BBs so the opposing picture walked the bases full and now the manager said this is where I'll show this black boy up he said hey you you pinch hitting so the kid ran by the bat stand and picked up the first bat he came to and he walked up there post manager summoned this big relief ace pitcher from the bullpen and the first pitch this big white man through this black boy hit it up against the right center field fence and as he was round in second base the white manager jumped up and said look at that Cuban go so you see with one swing of the bat he progressed from a black boy without a job to a Cuban with a job that shows you how thin Prejudice was for over half a century talented black ball players passed their lives in obscurity victims of an Unwritten gentleman's agreement that no black man was allowed in the major leagues the rejected Bowl players formed their own teams and later a black League the best Rose to the top and a few became genuine Heroes they became baseball's original Nomads wandering throughout North and South America in search of a ball game when the national league was founded in in 1876 blacks were playing Major League Baseball by 1887 Moses Fleetwood Walker would become the last black American to play organized ball it was the growing racial hostility following the failure of reconstruction that pushed black Americans out of the game my name is David malas I was called gentleman Dave in baseball I was born in 1894 my mother was born in slavery my father was a great Workman on the big Plantation he was he was the head man on the plantation my mother had 11 children I was the youngest of 11 and at my home at Union Louisiana as a little boy I played on the small boys team and then my older brother played on the big boys team and my oldest brother played on the men's team so you see I played baseball all of my life and when I went to New Orleans to school I played on the city the school team and on the city team the New Orleans Eagles in 1916 uh the Indianapolis ABCs was traveling from Cuba back to Indianapolis for the summer baseball the ABC saw me play at at College you know and they offered me a contract of $50 a month and I thought that was a fortune in 1918 I was drafted for the first world war the 369th Infantry Division in which David malacha served was among the most decorated units in World War I denied a combat role in the American Army the 369th was thrown into battle under the French flag their triumphant return to the United States was highlighted by a glorious parade down Lennox Avenue Harlem never saw such a sight shortly after the war David malacha joined rubbe Fosters Chicago American Giants rubbe Foster was an unlettered genius who won the nickname rub when he defeated the great major leager rub Wardell in a barnstorming game it was Foster who formed the first negro national league in 1920 modeling themselves directly on the big leagues the Negro Leagues capitalized on the inherent drama of pennant races and urban rivalries to win the hearts of black Baseball fans by 1923 there were two negro Leagues with franchises that stretched from Kansas City and Chicago to the Eastern seab board I'm Judy Johnson a Hall of Famer negro Hall of Famer I've had quite a baseball career started back in the 20s and I moved to Philadelphia where I spent most of my time playing professional ball there with a club called hildale we had a very good ball club and was one of the best negro ball clubs in the east at that time and uh we played uh we were the first negro to be in the Negro World Series and I was fortunate enough to be the outstanding hitter of the first two series 23 and 24 St began the first day of May and we would play for four and a half months May June July August and half of September we play sometime play three games most every Sunday double header in the night game and you get back to hotel you was TI as a yard dog but uh next morning we were ready to play again the season ended the 15th of September the regular leag League season and then we would play The Negro World Series against the Negro American League there were two Negro Leagues negro national league and a negro American League and we had six teams in each league and the World Series were play uh was played in different towns we I remember one year we played the first game in Kansas City the second game in Chicago the third game in uh Pittsburgh and the fourth game in Washington DC the fifth game in Philadelphia and the sixth game in New York then also in 1945 I remember we was playing the World Series against the Cleveland book house they were in the Negro American League we played the first game in Cleveland the next game in Pittsburgh the next one in Washington DC and the next one in Philadelphia where it wasn't necessary play anymore because they beat us full straight negro baseball's greatest event was its allstar game called the East West classic played annually in Chicago's kamsky park it attracted the interest of every black fan in the nation this is Negro baseball's showcase and one of black America's most glamorous events for the Bowl play players selection to the classic was often the Pinnacle of a career of toiling on the American back roads David malacha recalls how it all began one particular day we were sitting in the restaurant in Pittsburgh for lunch and the secretary of the Crawford's team was with us at the table he said to me he said you know Dave he said we could found organized a big game like the M like the League allstar game we could call it the East West game about 3 weeks later when we came to Chicago we found that the secretary of the crawfords had gotten together with Gus Greenley who owned the crawfords and with my owner here Mr Cole they had organized East West game they pick the best of the teams players from the East and the best of the players from the West to play the first allstar game East West game at the and they rent it k p the allstar game was played in Chicago Chicago was the mecca for blacks from Tennessee Louisiana Arkansas you know Missouri all all of these people when you say we going to the big city it was Chicago you understand so and they paid it in the summer this is vacation time for a lot of people so they would make it there they would run excursions from Chicago you know they would from Memphis they would have maybe two or three cars on that train going to Chicago to the east west ball game this was it it is one of the biggest Affairs that's ever been held in Chicago in the 1941 game they had to turn away people the papers list the crowd as about 51,000 we were playing our allstar game in Chicago and uh the score was nothing to nothing and we had a man on third base his name was mule subtles and they hit the Fly ball to right field and mule didn't think Crutchfield could throw so he kind of didn't bear down and shoot Crush field threw him out about 10 ft and that's the only chance we had to make a run I think it was the 41 game there was a white kid there from Oregon about 78 years old he said his father had brought him all the way from Maran and he wanted to get and uh wanted all the ball press I to w a ball for him and we did but one thing it was an honor be P be picked to play uh play that you know it was an hon to be picked if he just going to sit on a bench was an but to be picked and was inserted into the starting L that was the gr part of our baseball after the game was oh we get together we around Chicago and part it for a day or two oh oh it was fun I mean that was uh that was the only thing would keep you interested in negro baseball again it was a pleasure you got out of while for many negro Leaguers participation in the east west classic was their highest achievement their most cherished memories were of postseason matchups with their white Major League counterparts we played the Athletic ball Club back in the 20s and they had their team intact we beat him five out of six games the people didn't hadn't seen blacks and Major League Allstar teams mix too much in those days so we always had large shs I think we played 10 games now we knew that we could play baseball with anybody if you've got Satchel on your team you can play a teams that got nine Devils on it uh I remember in Yankee Stadium on a Friday 1946 The Year of the World Series was in Boston and St Louis we played the Yankee Stadium on a Friday night and Sunday afternoon I pitched against achel page and uh we had two great ball games they won one we won one we had over 100,000 people in Yankee Stadium for those two ball games at Major League prices nothing was cheap we went for the regular Major League price we played against uh Dizzy Dean and his brother in Cleveland and they had to sell out crowd and sat to beat dizzy 2-1 in 12 Innings boo new some pitching for the St Louis Browns huh he was the best pitcher in the American League and he's pitching that winter leue and we just every time Bob would pick up that ball we T up so he says I'mma tell you the truth he said I ain't going to go back to the ma until I beat these that's what he said I'm just speaking I just like he spoke so we had a boy on the team on the team named U cool Papa our locker was here together you know cool Papa all us together my locker was here and cool Papa Locker was there so I said cool I says you know what uh buo Newsome sit out there a few minutes ago so he's not going back to the major league until he beat these you know so cool Papa that's re he got that name because he he didn't have nothing to say he just played you know what I mean he wasn't talking if it at all what what you say well he he's soft talking you know I said that's what he said he said well I tell you what we do we just keep out here about two more years I remember we were playing in uh California in the winter league and I was with satch p's all stars and uh we were playing the Major League All Stars they had l no call penis lry Gary pretty Buck new and uh junior Steven I had a lot of major leers and we played three stun Sundays playing only on Sunday in out in Hollywood the first Sunday we played we made $196 each the Second Sunday we made $26 each the next Sunday we played made $215 a piece and then George Landis who was the commissioner at that time sent a telegram out there and told the Major Leaguers not to play us anymore because they had everything to lose and nothing to gain we had everything to gain and nothing to lose although the Negro Leagues patterned themselves after the majors they could not sustain a full 152 game schedule instead they played perhaps 70 League games a year and the rest of the time was spent on the road playing any team white or black which promised a Payday we played all over the East we played all over the West we played all over the South we would go spring training in March we'd go to hot springs and stay there for 10 days and the the 11th uh day we'd move to New Orleans and we'd start playing every day from then all up until we'd play the some of the Big League All Star cars that was an everyday thing and of course riding was kind of rough you get in the bus we had a nice bus but no buses comforable riding every day the life was hard and the bus we were riding in at first had only one door that was a front door someone asked us one they said what would y'all do if to have a fire inside the bus so well we was we get a can open and try to come out of the bus we had a bus driver he he was a marvelous mechanic but he couldn't follow he couldn't stay on the highway 5 minutes we put a lookout man up there with him if the lookout man fell asleep then we were off on the wrong road and we had to travel too many miles as it was without going out of the way used to tell him that uh if you have a r with the bus and and uh some of us get hurt we were going to kill him I would tell him that uh not paying attention to the fellas while they just were having fun but uh sometime he would take it his hard and think the fellas would riding him or something like that but we weren't riding him we were just doing something to kill the time one night at 9:25 we dropped down off a hill in Nashville turned in there a filling station right at the bottom of the hill and we were going to St Louis and at4 after 5 the next morning somebody woke up and said where are we and the other player said Nashville yeah you got to be kidding we were left Nashville last night we played in Chicago one day one Sunday at double header and we we packed the bus before we uh went to the ballpark after the game we had dinner and we rod from Chicago to Philadelphia without stopping or resting and got there and played a double header when we got there on a Tuesday we would get tired in riding we would fuss like a bunch of chickens but when you put the suit on why it was different you just you knew that was your job and you just go to it I always remember and never forget here in the cat skills we went 25 miles and bought a tire the manager who is a very famous ball player he was holding the tire on the runboard now perhaps you wouldn't know what a run board is is because cars today don't have run boards but the cars had a run board on the outside where you could stand up on the outside of the car set the tire on there and when we got back 25 miles was up back to the car that we were going to help the tire was gone and it had he had gone to sleep and the tire disappeared out of his hand out of off the Run board and probably rolled down the mountains who knows where so we had to go back and do the same thing this is one of the amusing parts of our life today it's humorous then it wasn't there was no humor right then and nothing could minimize the hardships of life on the road there might be two sometimes three of us using one bid one double bed because this was as much as they could accommodate and we'd have two ball players staying in one house here we might have a couple sting on another house next door or down the the street all across town for that matter they were scattered all over but they were in private homes in in so many of the cases we stayed in hotels such as they were but right then to me there was nothing wrong with them I know I can think of a town and I won't put the town on the spot I can remember a town where we put up in a rooming house in Arkansas when you turn on the lights you see the bed bug start to go for cover so and many a time that we've put up into homes where or hotels where you have to sleep with the lights on because if you don't uh those little gremlins would come out and you wouldn't get to sleep anyhow one time I remember we someplace in Alabama and we stopped at a cafe there a lady standing right out in front the guy started to get out of the bus she started to shake her head so we said why are you shaking your head we haven't asked you for anything yet she said whatever it is the answer is no I said well can't we buy some water from you she said well there you want to go in the back she said there's a well back there and you can go back and and draw yourself some some water but she wouldn't sell us anything so we about three or four of us went back and um uh you know put the pail down in the in the well and the Dipper was was a gourd it's like a you know something a melon that's put out in the sun and dried this is what we drank out of so we when we finished drinking our water and uh start to get back in the bus we look back and what she was doing she was breaking the the gourd which we were uh drinking out of she was breaking in little pieces they thought that the homestead graay was a white team so they had us booked into a very nice nice hotel C posy was the secretary traveling secretary and he was very what colored people call or negro black whatever fair skin so he went in and he got the rooms and everything so they started to unload the bus and when the players got off they said oh no no you can't stay here this is a white Hotel the average restaurant that we would come across in town it just was not the the it was an unwritten law I guess nothing on the books I suppose but we just don't save you in here they were called they were called everything but they were a good ball team and people came to see him play anyway regardless even if you sat you know had to be separated but it wasn't only in the south in the north too same way they called us names when we played on the field and all that sort of stuff as the fame of the ball players grew their repetitions sometimes overcame segregation itself we were going out to the ballp park riding in in cars and we were speaking beating the cops came up on the motorcycle pulled us aside want to know why in the heck are you guys going we said we're the Birmingham baseball players he said you are he says where is Satchel we said Satchel is just ahead of he said come on right to the ball Point that's how he stood down there in Alabama ultimately the ball players were happy making a living playing the game that they loved and in the black communities of the north they became authentic celebrities the sand lots of Black America were The Proving Grounds for the black leagues there in unsung obscurity talented black ball players enjoyed a first taste of stardom it was from such lowly Beginnings that one of the Negro League's finest teams the Pittsburgh crawfords emerged there was a a a street in Pittsburgh was called Crawford Crawford Avenue and they had a baseball team just a bunch of simar pro boys in the late 20s Gus Greenley became one of Pittsburgh's leading black figures because of his control of the north side's numbers racket supporting baseball was a means of legitimizing the black racketeers stature in their community in the absence of more respectable leaders the numbers men had disproportionate influence so he took over this team as a starter he didn't well Crawford wasn't in enough of a name so he added Pittsburgh crawfords and then began to bring in other baseball players more professional players he was going all out to be recognized the big team around Pittsburgh at that time was the homestead graay and green Lee wanted to have the best team in the area we had quite a strong club with our Outfield we had cool Papa Bell Ted Paige and Jimmy Crutchfield all very good ball players and as you know K Papa was one of the best outfielders that we've ever had in negro baseball very few balls we had would go to the ground between them F fielders we you could count them in a season the ball that fell out between those fellas they were wonderful ball players if the ball was hit in the air and it was two outs the pitchers didn't look back they just walked off the off the mount because they knew the ball was going to be caught the people just took to the team and we had Josh and Satchel Josh was hitting the ball all out of the state of Pennsylvania well s was a fell you you you would very s them lose in big games I remember we were playing the Yankee Stadium one Sunday and I guess we had about 45 or 50,000 people there and they got Satchel in the hole where it was three men on and nobody out so I I was a team captain so asked for the ball and uh the catcher gave me the ball and I walked over the S and I I told him that uh the players and all were hoping that they would get you in a situation like this because you were such a pop off great showman and he said they did I said yeah and I just tossed him the ball he went back and there a pitch and he threw nine balls he struck the side a and then he walked over to their their Dugout and said now go back to Philadelphia and tell that he had a lightning fast ball and it seems that when the ball would get to the plate it would go up just a little just enough for you to miss it I just could pitch and and the master just give me an arm and you just it was it was hard to beat me you you couldn't hardly beat me he had good control he didn't dust off anybody and uh we knew he was was going to throw a fast ball but yet we could not get ready to hit it the Pittsburgh crawfords and Homestead grav inter city rivalry was black base Ball's equivalent to the Yankee Dodger competitions in 19 and uh 34 s page with the p Crawford and he pushed a no hit game against us and struck out 22 that that was on the fourth of July see I could go 17 18 and you ask some of those guys and that they tell you I wouldn't get tired cuz I practice every day I had the suit on every day putting that 365 days out of year I had that baseball suit on Hall of Famer Buck Leonard of the homestead gra was asked which team was more popular the Crawford because they had such a PE they made all the difference we'd be on the field finally somebody would say hey sat just showed up and boy it was just like son coming out from behind CL all right that is W it's so crazy these readers so i' I got a new prescription but it's not going to be here for a while but so I have like you know $2 readers I got from drugstore and make my eyes huge like like an anime character um so anyways that was part one and uh yeah we'll watch part two tomorrow but um it's fascinating it really is um you know it it kind of talks about uh our very unequal past but it talks about perseverance it talks about um people just getting by trying to get by uh so yeah we'll watch part two tomorrow and there's no more Beauty films so you can watch safely tomorrow unless I can find something more tedious to show um hey I'm going to put this out there if you're in the Austin Texas area next weekend like next Friday I'm doing a show I'm showing nightmares of clown uh which I've shown kind of some of on here uh most of it I've shown on here uh but yeah if you're in town I might be able to get a free ticket uh it's at fantastic Fest uh which is a big Festival that is held at the Alamo Draft House there and uh the theme is clowns and carnivals and if you're not don't already have a ticket um I can see I'm not sure if I get any comps but uh Katrina and I will be there uh next Friday so there you go um everybody have a great rest of your day thank you Jeremy and thank you Kevin for donating via the super thanks button that money go will go towards uh storage unit fees or uh I don't know rubber bands I got rubber bands on cores um but yeah join us tomorrow it was great seeing everybody uh if you like what you saw hit the thumbs up subscribe all that stuff and we will uh see you tomorrow as always please rewind and love each other and uh yeah Fair well bye