AV Geeks 16mm Lunch 7-28-2025

Hello everybody. This is Skip Alzheimer. Welcome to the AV Geeks Lunchtime streaming show where we watch old 16 millimeter films. And I was running up against the clock. I was trying to transfer get a film scanned so I could show it, but it just ran too long. So I was like, "Oh crap, I need to put this together." Um, so anyways, yes, we watch old 16 millimeter films and uh, Friday was a special show because we premiered the third film from the uh, Safety Woman Guardiana series and that was glorious. And for those of you who joined us, thank you. And for those of you who didn't see it, um, catch it. It's in our YouTube channel. Uh so today is a mixed bag of stuff. We've been uh scanning things over the weekend. Um basically I have been, as you saw Friday, I've been we've been slowly moving films back in and I've been getting big uh milk crates filled with films and uh sorting them and shelving them. Uh and uh some of them we scan. So, uh, you're going to see some examples of what titles piqu my interest. We're going to start off with this one. It's called Citizen Herald. I think this is a Canadian film. We'll see what happens. It's not hockey, so we might be okay. Um, enjoy. [Music] bowling tournament. >> What's that noise? >> I hear >> Harold, >> a veteran of many. >> I don't hear no noise. >> Harold, go see what that noise is. backs [Applause] and I >> I don't hear no noise. I'm trying to watch my program [Music] >> smithers and >> All right. All right. For Pete's sake, I'll go and see >> Steve. I'm trying to get some rest here and work all day and then I have to listen to all this. [Applause] [Music] [Applause] [Music] [Music] [Music] [Applause] Hey, hey, hold it. Hold it. What are you guys doing here? >> You're in the way, buddy. >> You're destroying our trees. >> It's only my job. You're ruining our landscape. >> It ain't my fault. >> This This is our community. We can't see you coming. We can't I mean, you can't >> Okay, you bastard. I'm going to city hall. I'm going to straighten this thing out. I've had enough of this nonsense. >> Now, look here, miss. I want I want to see somebody. They're cutting down our trees. No warning anything. I want to see somebody right now. I want to see somebody now about this. >> Could you come back Tuesday? H >> Tuesday? [Music] Hey, Harold. >> Hey. >> Oh, hi you fellas. >> Harold, sit down. Have a beer. >> Oh, thanks. >> You don't look so good. What's the matter? >> Oh, jeez. I always have a steady hall. You know, you know, >> you know, they're cutting down all the trees in front of my house. I'm >> really action. [Music] >> You got to get tougher, Harold. You got to put your guys. I'm really going to give it to him. Good old Harold. Good. >> Hey, buddy. >> What? Yeah. What? >> You got a match? >> Uh, a m. No. No. Sorry. I don't. Uh. >> Hey. You sure? See what I got here? See what I got here? >> Hey. Yeah, that's a bomb, isn't it? >> Oh, yeah. Boy, is that a bomb? But uh uh what are you going to do with the bomb? Gee, I mean >> Oh, boom. That's what I'm going to do with it. >> Yeah, but uh uh >> Oh boy, I wish you had a match. >> Well, gee, it's kind of dangerous, isn't it? >> Dangerous now. >> Jeez. I don't know. >> Bombs are fun. >> Gee, I I don't know if I go for that. Well, >> oh boy. I'm going to get them. >> Gee, well, I'll see you. >> That's too bad, buddy. That's too bad. >> Sorry. I got to go. I see you. [Music] >> Gee, I I should have told him. This guy's to right. >> Harold, >> I should have just walked right up there. >> Come on, Harold. >> Look, I I got a lot of things in my mind right now, >> Harold. Come on. >> I I look, forget it. Okay. >> Oh, Harold. >> Maybe the Maybe the guy with the bombs, right? >> Come on, Harold. >> That way I could get some attention. Harold. >> Come on. Harold. Harold. Come on. [Music] No. No. No. No. No. No. You don't have to. You don't have to. Yes, sir. First door on your left. >> Yes. Yes. You have every right as a citizen. All you do is go down the hall and take the second. >> Yes. That's terrible. I'll tell you confidentially the man to handle this. Well, look me. Oh, well, I I I don't know why. Golly, did you have an appointment? Well, uh, look, why don't [Music] uh Well, look, I I hope I've come the right person after all. Now, I've been here all day and and I've been talking to all these people and all these officers, and I've been going from door to door, and and I want I'd like to have some action on this. Now, what what can you do for me? I mean, what are you going to do about it? >> Well, you you'll have to put it on paper uh and have it back to me in in triplicate and uh we'll see what possibly >> triplicates. Triplicates. I want to see the mayor right now. >> Get serious. The mayor doesn't see just anyone. Gee, Wiz. Yeah. Yeah. You got to be tough, you know. Hell, you know, you got to show them you were somebody, you know. See? Yeah. I got to really be tough, you know. Hello. Hello, Pete. Oh, it's Harold. Look, I have this problem. See, here's my plans. >> Oh, yeah. Sure. Sure, Harold. >> Hello. Sure. Glad to help. >> Oh, sure thing. I'll be right down city hall. E. >> Yeah. Yeah, I'm with you, Harold. >> Oh, yeah. Sure. Need >> help? Sure thing. I'll be right. >> Yeah, I'm with you, Harold. >> I'll be right. Glad to help. [Music] >> Oh dear, it's a bomb. A bomb? Oh my Oh dear. Call the police. Um, no. No. Call the army. Uh, there's something on your minds. We here at city hall, we want to help you. Whatever it is, it's on your minds. Anything Anything you want done as your mayor, I mean, I I I'm I'm here to help. >> That's it. I'll I'll just get on the phone and uh >> listen um I need your help, Joe. Um >> Harold, you you got awful nerve bothering people tonight. >> Do you know what time it is? It's 2 a.m. >> I don't think so, Harold. >> I'll see you around. Harold, >> I mean, it's the middle of >> Are you crazy? Do you know what time it is? No. Goodbye. Well, >> you know, you know what you got to do. You got Gina makes me mad this guy. You know, I could have just, you know, >> Harold. >> Harold. Harold was yelled at >> Harold. Should have left her in Saskatchewan. What? >> Harold. >> Wait. >> What is that noise? >> What? Oh, I don't know, Stella. It's It's the world, you know. It's Who cares anyway? I mean, >> well, can't you do something about it? >> Do something about it. I can't do anything about it, you know. What do you want me to do? >> Nothing I can do. I heck with it. Leave me alone, will you? I'm just I just want to watch my program. The hell is a thing out there? [Music] Man, I love that film. It's part of the um a bunch of uh Canadian animation. And I feel like the guy who did the voice also does the voice for another great film that Richard Richard Condi did called uh Getting Started. And it's about a guy who's trying to practice for a piano recital. And it has that same kind of mumbly like I don't know if I can do that. It's it's so great. I love it. Um I'm just gonna have to add that to my list of favorites. Uh, of course, Big Snit being one of them. Um, another Richard Condi, but uh, yeah, that was Canadian and it was paid for probably with uh, can Canadian tax money. So, uh, yeah, they they very much supported their uh, animators and filmmakers. All right. Uh, let's see. What are we going to do next? Oh, yeah. Let's um let's learn about first aid specifically bleeding, poisoning, broken bones, etc. This is a mixed uh compilation of various first aid techniques circa mid50s. Enjoy. [Music] Daddy daddy daddy. bleeding. What would you do? [Music] When a first aer must control bleeding because of a break or leak in the circulatory system, he should know something about how the system functions. The heart is divided into four parts or chambers. The blood enters the upper right chamber from a large vein in the body. From there, it flows to the lower right chamber and is pumped through the lungs where it picks up oxygen and gives off carbon dioxide. From the lungs, the oxygenated blood flows to the upper left chamber, then down to the lower left chamber, where a powerful thrust sends it on its way through the body. Again, there is constant pressure in the arteries which carry blood from the heart. To control bleeding, go directly to the wound and press firmly on it. Direct pressure on the wound will control the bleeding quickly. From the arteries, the blood flow is divided and subdivided right down to minute channels or capillaries. Even rubbing the skin slightly against a rough surface may cause bleeding. Small wounds and cuts may be treated by applying an adhesive compress. This should provide sufficient pressure to stop slight bleeding. A cut artery is dangerous. Quick action must be taken or there will be a great loss of blood. Pressing on the artery as well as on the wound itself will aid in the control of bleeding. This large arm artery is called the brachial artery. To reach it, bring your hand in from behind and apply pressure on the inner side of the arm. At this point, with the other hand, apply a compress over the wound. Continue to pile compresses, one on top of the other, applying pressure all of the while until the bleeding stops. The femoral artery supplies blood to the entire lower extremity. Apply pressure over the pelvic bone for a cut in the thigh. This helps prevent blood from going through the main supply vessel. Again, apply compresses to the wound until the bleeding stops. When arteries are completely severed and severe life-threatening hemorrhage occurs which cannot be controlled by other means, a tourniquet may be necessary. An improvised tourniquet can be made from any piece of sturdy cloth which is 2 in or more in width and long enough to go around the part. If possible, wrap the cloth around the part twice. Then tie a half knot. Place a stout stick over the half knot and complete the knot. Tying the stick in. You must have a strong piece of wood. A pencil or pen will not do. Twist the stick until the bleeding stops and hold it in place either by hand or with another bandage. Get medical aid to stop bleeding. Remember this. Use direct pressure on the wound itself. [Music] We love the crack. Heat. [Music] [Applause] Heat. [Applause] poison. What would you do? [Music] First check the poison container for an antidote. If no instructions are found, generally the first thing to do is to dilute the poison by giving fluids. Use either water or milk. Then induce vomiting. Do not use detergents or soaps. A baking soda solution is nauseating and may be given consistently to induce vomiting. A universal antidote for poisoning can be bought and stored in the house or shop. In the event you do not have a store-bought solution, the following ingredients make a good universal antidote. Two parts burned toast, one part strong tea, one part milk of magnesia. You may have to dilute this mixture with water. When old prescribed medicines have served their purpose, pour them down the sink. Keep them out of the reach of children. One out of three of the under 14year-old accidental deaths is caused by poisoning. [Music] [Applause] [Music] What would you do? [Music] A fracture is a break in the bone. There are two principal kinds, simple and compound. In a simple fracture, a wound extending through the skin is not present. In a compound fracture, however, it is. Keep the broken ends quiet as well as the joint above and below the brake. Any materials may be used to prevent motion. Well-padded rigid materials such as boards, heavy magazines, and so forth. If the fracture is at or near a joint, immobilize the extremity in the position in which it is found. Dislocation is the displacement of a bone end from the joint. The surrounding tissue may suffer some injury. Dislocations are handled like fractures. The part should be kept quiet. Medical attention should be obtained. Do not attempt to reduce dislocation. When one leg is broken, the sound limb may be used as a splint. A blanket or other material should be used for padding between the extremities. It is best not to move an accident victim until his injuries are known. If it is absolutely necessary to move the victim to avoid additional injury, this should be done with care. The pull should be on the long axis of the body. If there is injury to the upper part of the body, pull him by the armpits. If a blanket is available, it can be used in this manner. Finally, if the upper part of the body is inaccessible, merely pull him as shown. This is the first step in getting the victim in position to be moved using three people. This man supports the head and shoulders. The first aiders make sure of their hand positions before they actually lift the patient. The man on the right lifts the chest and part of the lower trunk. The third man lifts the buttocks and the lower extremities. Once the victim is raised to their knees, they interlock their hands at the wrists to provide a firm grip. This method can be used on practically any terrain. Here is the first step in getting a blanket under a victim with the least amount of motion. The folded blanket is placed at the victim's head with three men holding the upper part of the body in place. The other two men grasp the bottom pleat of the blanket and pull it under the victim. The blanket is then rolled tightly against the victim's body. This supplies a good grip or handle for the next move. The bearers merely lean backwards, causing the blanket to become a temporary stretcher. The victim is now raised sufficiently to slide a litter underneath. To help prevent shock, keep the victim warm. Cover him with the blanket. The bearers now change positions prior to lifting the stretcher. The command lift is given and the stretcher raised. The two side bearers take the weight, allowing the endman to turn around and face the same direction as the man ahead. The men at the head and feet support the weight as the two side bearers switch hands. The man at the head starts off with his right foot. the others with their left. It is important to move slowly and carefully. [Music] Fainting, a common emergency. What would you do? Should the victim have already fainted, the first aer should assist in raising the lower part of the body. Every unconscious victim should be checked by a physician. Reassure the victim and keep him comfortable. If a person feels faint and it is not feasible for the person to lie down, get the head lower than the heart. [Music] Epileptic seizures. What would you do? The main duty of the first aider is to protect the epileptic against doing injury to himself. There is a possibility of the victim biting his tongue. Protect him against doing injury to himself, but do not restrain him. [Music] If the emergency is a heart attack, the first aer's prime responsibility is to get medical attention. Phone the ambulance. For those suffering from heart attacks where shortness of breath is a major symptom, raise the head and chest until the victim is comfortable. Some heart cases have to sit upright in order to breathe. Occasionally, the victim will have a history of heart trouble and may be carrying medication. Ask if he is carrying his own medication and help him take it. In other cases, the lying down position is best. If a victim is discovered in an unconscious state and breathing is inadequate or stopped, administer artificial respiration. [Music] So, that voice that sounds like Stuart Finley who uh made a bunch of films for the EPA. He did a film called 5,000 Dumps. He did uh The Green Box. Um and I think uh someone commented on one of the films, not on this this streaming show, but uh said that Stuart Finley was also a DJ in um the DC area. So, There you go. All right. Uh, this one is clipped, but it's still great. This is um defensive driving tech tactics. And what this will maybe tell you is we uh so we got a bunch of films from the uh Texas Archive, the Moving Image, uh, which they got from the Texas Department of Public Safety. And so we were moving some of those films uh last week. And so there's there's going to be things related to um first aid, first responders, uh driving, etc. Enjoy. >> Instead of going to the South Seas, Mac went to the hospital. Accidents can be traced back to the big argument, [Music] ill health, criticism, even a sleepless night or failure to keep the car in safe running condition. Then there are the more immediate causes, inattention, which means thinking about anything except the business of driving. And nowadays, driving is so automatic, it's easy to fall into this bad habit. We're apt to see other things and not what's in the road ahead. [Music] Finally, there's the last link in the fatal chain. Often something simple like failure to stop at a stop sign, violation of right away or running a stale yellow light. However, we've said enough about such offensive drivers. This story is for you. Whether you're a female or a male, you've got to drive with these characters. [Applause] [Music] They're all over the roads driving with you and against you. To survive, you've got to defend yourself and your car against these offenders. You've got to practice defensive driving tactics. What is defensive driving? To drive defensively means two things. First, always make allowances for the erratic offenders, never permitting yourself to be trapped by anything they might do. Second, and this is the part that goes against the grain, give way and live rather than arbitrarily asserting your driving rights at all times. We hate to back down to anybody. But remember, it's not a fair contest. The offensive driver is not calm and alert like you are. Sometimes he's practically driving by instinct. and his instinct is usually to press on at all costs. Defensive driving techniques are basic and simple. The trick is to consciously use such tactics until they become second nature in your everyday driving. Two objects cannot occupy the same space at the same time. So the primary idea is to keep as much clear driving space around you as possible. Be a space driver. As you drive along the street, you must constantly adjust your position with relation to the other cars to maintain this driving space. Your eyes, while they keep checking the foreground, must also keep shifting constantly to assess the driving space situation well ahead. Only by allowing yourself ample protective space and planning every second how to keep it can you properly defend yourself. Every commercial airline pilot flies with a flight plan and an alternate plan just in case. The defensive driver needs such an alternate plan, a continually changing plan. For example, you are in the middle lane of an expressway and want to get off at the next exit. In the right lane and behind you, there's a solid line of cars. Should you take a chance and try to squeeze in? If you can do so smoothly, okay. But not if you must lose your vital space. It would be better to miss your exit and wait for the next rather than throw traffic off and jeopardize your safety and others. So the cardinal rules are first, maintain as much climbing space around you as possible, always checking and planning for space well ahead. Second, relinquish your right of way. Be willing to lose minutes or miles to avoid becoming a part of any dangerous situation. [Music] Time along with space constitutes the essence of defensive driving. You lose a little time and save your life. You may think that the offensive driver gains by pressure driving like this, shooting through every opening. dodging from lane to lane, racing every light. He doesn't. But to find out how much he gains, we conducted a test on the heavily traveled streets of Chicago and adjoining Evston, Illinois. The test was conducted with the cooperation of the Chicago and Evston Police Departments. Representatives of the National Safety Council and the Chicago Citizens Traffic Safety Board supervised the experiment and participated as observers. A route was selected that would offer the maximum amount of medium to heavy surface street traffic. A small portion of expressway and suburban road travel were added to simulate the everyday driving of the motoring populace. Starting point, the Museum of Science and Industry, 25 miles away, Northwestern University's famed traffic institute. Our safe driver in the station wagon was asked to observe all vehicle code laws to at all times drive defensively. The offensive type driver in the sedan was asked to drive as though he were late for an important business appointment and trying to make up that lost time on the road. Both cars pulled away together at 2:43 p.m. An observer rode with each man to keep track of the time and log the violations. [Music] The Chicago police along the route had been alerted to the test so that they wouldn't stop the aggressive driver. The Dan Ryan Expressway quickly brought us into downtown Chicago. Traffic is stop and go through the loop area. The two cars are separated only by seconds. At one point, they're at the same traffic light. So much for Jack Rabbit driving. And then we're on the outer drive and heading north. As was to be expected, the offensive driver first crossed the finish line at Northwestern University. 24.7 mi and 58 minutes. The defensive driver arrived at the traffic institute 5 minutes and 20 seconds later. And now the observer's log. Sure, the offensive driver saved time, but was the 5 minutes and 20 seconds saved worth those 138 violations, including 60 dangerous lane changes, 45 instances of following too closely, 23 stretches in which the speed limits had been exceeded, and 10 other miscellaneous violations, any one of which could have gotten him a traffic citation. or what's worse could have gotten him killed. In the words of Howard Pile, president of the National Safety Council, defensive driving can pay dividends, official road tests like these prove that although jackabbid driving can save a few seconds now and then, defensive driving can save wear and tear on your nerves, your car, and perhaps someday even your life. All in all, the whole story can be reduced to these simple points. The ABCs of defensive driving. A attitude is all important, yours and the other drivers. But the offensive driver's attitude is all wrong. So D back down if necessary. give way even though you have to relinquish your rights for the moment because you must have C space clear driving space ahead as long as you are in motion. The ABCs add up to D. The big D for defensive driving. So yeah, that that felt like that was a Charles Cahill film production, which meant that I didn't see it. Maybe I missed it was because I was eating uh lunch. Uh, I don't know if there was any UCLA uh crash crash test footage because they use that a lot. Uh, it shows up in in lots of films that they made. Um, Seat Belt for Suzie, Red Light Return, Alco Beatat, um, lots and lots of uh, Highball Highway I think is one. Um, they would always sneak that footage in and it's beautiful footage of slow motion footage of cars careening into each other and crashed chest dummies floating around inside the car. Beautiful stuff. Okay, so this is a interesting one. This is made by uh Motorola and Motorola was uh and still is. I mean, they split off uh from the semiconductor company. They split off from the cell phone maker company. Um, but Motorola still does two-way radio um, police stuff, uh, police dispatch stuff, and they had a lot of equipment. So, they created a, uh, wing of their organization that was Motorola training, uh, instruction or Motorola tea programs. Uh, I've seen different things with different films. And so this one is made for people. I believe this is uh people who are police dispatchers or uh emergency dispatchers. It's lifeline dispatcher communications. And so this might be a training film for dispatchers. I haven't seen it. So here we go. Enjoy. [Music] There's no picture. You can't see. Just listen closely and think. You're in the same spot as the police dispatcher. A robbery in progress. you can't see it. A woman who's just been assaulted, you can't reach her. Or officers converging on a sniper attack. They all depend on the dispatcher for help and the dispatcher depends on his ears. The complaint taking dispatching function is the vital communication link between the public and the police, between patrol units, between people who need help and people who will help. the lifeline of every law enforcement department. Each department is unique. The motion picture you are about to see shows one type of operation, not as a textbook ideal, but an example of what is considered to be reality on the lifeline. >> Unit 216. >> Unit 216, go ahead. >> Vehicle stop 15th and Nichollet Orange 72 Gremlin. License K J. John 1769. >> Unit 216 negative on K. King J. John 1769. >> Name check. First name Gregory. Middle initial M. Mary. Last name Cumins. C. Charles. U. Union. M. Mary. M. Mary. I. Ida. N. Nora. S. Sam. White male. >> Date of birth 121847 1814 Kolfax South. >> Stand by. Unit 216. >> City police. Carlson. >> Yeah. I want to report a robbery. I've been robbed. >> What's your location? >> Uh, the wine seller. 4021 Upton. >> When did this take place? >> Hey, will you just kid somebody over here for Christ's sake? >> We'll have someone over there as soon as we can. What is your name, sir? >> The wine seller. Damn it. The wine seller. 4021 Upton. Unit 214, possible robbery just occurred. 4021 Upton. Unit 218, backup at 4021 Upton. Caller was excited, unable to get complete information. >> Unit 214 from 38th in Upton. Unit 218 from 46th in Morgan. >> Both cars at 21101. >> City Police Carlson. >> Please c can you help me, sir? My my son is gone and I can't find him and he can't be away like this. >> Yes, ma'am. How old is your son? >> Well, he uh he'll be 42 in May, but you see, sir, he's not quite right and and he can't take care of himself. I'm afraid something might happen. Can't you find him for me? >> Yes, ma'am. Don't worry, we'll find him. Uh, what is your name and address? >> Mrs. Emma Anderson, and I live at 1648 Kenwood Parkway. >> Can you describe your son, ma'am? >> Johnny. Johnny is he's very tall, about six feet and awful thin. He doesn't eat well. His his hair is brown and curly, but he's getting bald on top. >> Uh-huh. And is he black or white? >> He's white. >> I see. Uh, can you tell me what he was wearing when you last saw him? >> He he had on his his blue shirt and blue corduroy pants this morning and he didn't he didn't take his quarter hat. Ma'am, does do you know of an area where he normally would go or la >> last time he did this, they they found him in a little park down in Franklin by the pond. >> Oh, do you think you can find him? >> Yes, ma'am. I'm sure we can. Uh, don't you worry at all. >> Thank you. >> Okay, goodbye now. >> 221. >> Unit 221. >> Unit 221. Missing person, mentally [ __ ] adult, 41 years. Missing from 1648 Kenwood Parkway. Subject is a white male, 6' tall, thin build, brown curly hair, last seen wearing a blue shirt and blue corduroy trousers. Frequents the park at Franklin and 18th. >> 104 >> 21102. City Police Carlson. >> Say, uh, my car battery is dead and I can't get my car started. Now, they put up these no parking signs all over the street because of the snow plowing today and I'm in it and what am I going to do? >> Well, sir, you'll have to move that car off the street. >> Are you kidding? I can't afford a tow truck. >> I'm sorry, sir. If you don't move it off the street, it'll be tagged. >> Unit 212. >> Unit 212. >> Is Toberman on tonight? >> Unit 212. Negative on Toberman. City Police Carlson. >> Yeah, I live at 4312 Coolage. Somebody parked an old junker in front of my house last night and it's marked no parking because of the snow emergency and the plow went around him and left a big pile of snow right in front of my driveway. >> Is it a neighbor's car? >> No, I don't think so. And it's already been here for 24 hours, so I want that damn thing out of there. >> We'll do what we can, sir. As soon as one's free, we'll send a squad over to check it out for you. >> What about the snow pile in front of my driveway? >> You'll have to call the street department about that, sir. >> Okay. Thanks a lot. >> Unit 219 clear. >> Unit 219, take 4312 Coolage. Homeowner complaint. Check the auto. >> 219 from 36th from Salem >> at 21103. >> City Police Carlson. There's people Please help. >> What is your location? >> It's Moalo. Very bad. >> Where are you? >> I'm Highway 12. >> Highway 12? Where on Highway 12? >> No, sir. I I don't know. Um, Highway 12 telephone, please. >> What can you see? >> Nothing. >> Is there a sign? >> No. >> Can you see a building? Uh, a number. >> It's a railroad and the insurance company. >> Okay. Okay. Okay, I know where you are. Is anyone hurt? Do you need a doctor? >> Oh, see you, doctor. Uh, a doctor. There's too much blood. >> How many How many people are hurt? What number of people? >> Oh, no. Uh, two people. Yes, two people. They're bleeding. >> Okay, one moment. Please stay on the line. Hold on. We need an ambulance on Highway 12 near Glenwood Parkway. Car accident. >> I'll try to get that for you. Unit 214. >> Unit 214, standby. >> Were the cars going toward the city or away from the city? >> No. Uh, we we go to the city. >> I think they're on eastbound side. >> Ambulance on the way. >> Hold on. Just one, please. >> Is this an emergency call? >> Well, no. I guess it is. >> Please. >> Sir, how many people are involved? Are there two cars? Three cars? Now those coaches, those two tango really scares the blow and gasoline. >> Is there gasoline on the roadway? Is there fire? >> No, no fire. There's gasoline. >> Hold on. We have gasoline in the roadway. Highway 12 at Glenwood Parkway eastbound. Ambulance is on the way. >> 104. Fire truck is being dispatched to the scene. Okay, help is on the way. Don't go back to the cars until they get there. >> Okay, gracias. Thank you very much. Who is it? >> We're on the way. This is city police. >> Go ahead. City police. >> We have a twocar personal injury accident on Highway 12 eastbound at Glenwood. Ambulance and fire have been sent. >> Highway 12 east in Glenwood Parkway. We'll send a patrol. at 21106 >> city police. >> Yes, I want to report a burglary. It's right there. >> What's your location? >> 4:30 Oak Grove. There are burglars in the house across the street >> right now. >> Yes, sir. >> How do you know it's a burglary? >> Well, the people haven't been home for over a week, and I saw two young guys climbing through the window. >> What's the address there? >> I don't know. It's a big yellow house. The people just moved in a month ago. >> Okay, hold on. All units, possible burglary in progress. The yellow house across the street from 430 Oak Grove. Two male subjects. Unit 220. >> 220 from 15th in Henipin. 430 Oak Grove is just south of Lauren Park, isn't it? >> Yeah, that's one block off Henipin. >> Can you see a car or a truck? >> Yes. There's a panel truck in the driveway, but it's too dark to see much. >> Okay. We've got a car on the way. Stay inside and keep an eye on that truck in case uh it takes off before we get there. If that happens, call us back right away. >> Yes, sir. Okay, thank you. >> Unit 220, there's a panel truck in the driveway in front. >> 21106. >> Unit 214. >> Unit 214. >> This 4021 Upton is a burglary. No robbery. Happened last night. Cancel backup. >> 104. Unit 214. Unit 218. Cancel. >> Unit 218. 104. >> City Police Carlson. Oh, yeah. Yeah, it's you again. Uh, look, someone someone took my car. It was It was right here in this parking ramp, and now I can't find it anywhere. >> Unit 216. >> Okay, sir. Hold on just a minute. >> Unit 216. >> Anything on that name, check? >> Unit 216, standby. >> City Police, is this an emergency call? >> Uh, hey. Yeah, man. Um, two dudes are holding up the shell station at 29th and Thomas and I mean it's happening right now. >> 29th and Thomas North. >> Yeah, >> hold on. Uh, don't hang up. >> All cars 29th and Thomas North. Robbery in progress. Two male subjects. Stand by for further information. Unit 215 handled. Unit 219 back up. >> Unit 215 from 32nd visit >> at 21108. >> Unit 219, repeat location. Unit 219 is 29th in Thomas at the gas station. >> Unit 219 from Third and Broadway. >> 21108. Okay. Tell me what you saw. >> Oh, wow, man. Well, I just saw these two dudes. >> Are they white? Uh, do they have guns? What do they look like? >> Yeah. Yeah, they're white. Both of them. And um No, I didn't get a good look at the um uh Okay. One has on a green jacket. It's a field jacket. And the one with the gun, I think he had dark hair. Um, the other guy. Oh, Jesus. I can't remember really. >> Unit 218. >> Unit 218. >> We'll back up on that Shell station. Any more on that? >> Attention all units. Description of subjects in the Shell station, 29th in Thomas. Two white males, one dark hair wearing green field jacket. Gun mentioned. Tell me what you saw. >> Yeah. Uh well, I was going to pull in for some gas and I was waiting for the light to change and I saw in the station these two guys um grabbing the guy who works there, right? And uh I saw it through the window. The other guy had some kind of uh blue jacket. Uh I think they were light white letters or stripes or something. I don't know, man. And one of them was waving a gun, so I just kept on going. >> Were they tall or short, wearing glasses? >> I don't know, man. I just got my ass out of there. >> Okay. Where are you calling from? >> Uh I'm right down the street. Hold on just a second. >> Hey, where is this? K2 bar. >> Unit 215. >> Okay, hold on a minute. Unit 215. >> They're still inside. We're in the alley back of the station. Is anyone around front? >> Unit 219 northbound and 29th. >> Okay. What is your name, sir? >> Uh, no. I don't want to get involved, man. >> Unit 220. Unit 220. >> Unit 220. Any backup coming to 430 Old Grove? >> Unit 220. We'll call unit 221 off another call. >> No, we'll handle it ourselves. I'll take the front. >> Okay, I'll swing up and run it back and come up at a guard. Ready? Let's go. >> Sorry to keep you waiting about your car. >> It's all right. You see, I know. I just left that car right here. Right here. And now it's just disappeared. >> What ramp are you in right now? >> Well, >> unit 250, we need assistance. Hold arm. >> Unit 215. Say again. >> The hostage is in. >> They're holding. >> Unit 215. I can't copy. Say again. >> They're holding a hostage in the station. We need some assistance. >> Unit S11. They're holding a hostage. Robbery situation. 29th and Thomas North at the gas station. >> Unit S11 from 23rd Fth Avenue >> at 21109. >> City Police Carlson. >> Yes, sir. Um, I need some information. >> Unit 214. Hold on one moment, please. >> Unit 214. >> Do you need more cover at 29th in Thomas? >> Unit 214, negative. Stay in service. >> Yes, sir. What ramp are you in exactly? >> Uh, go to hell. >> Sorry to keep you waiting. Can I help you? >> I hope so. I lost my new license plates today and um they're supposed to be on. I I just don't know what to do. >> Yeah, you'll have to call motor vehicle registration and ask for new tags. In the meantime, I would suggest you keep the car off the street to prevent it from being towed. >> Oh, thanks a lot. >> Okay, thank you. >> Unit 216. >> Unit 220. >> Unit 216. >> Anything back at on that name check. >> Unit 216, negative. Standby. Unit 220. >> Yeah, you can scratch that burglary. People lost their keys. Unit 220 will be clear. >> Well, that's three this week. City Police Carlson. >> This is Mrs. Bardwell at 2227 Poke Street. Those kids are banging on my garage again. Same as before. And listen, I pay my tax. There's no reason. >> Hold on, please. >> Unit S11. Unit S11. Repeat. >> Unit S11. I can't copy. >> We got him in custody. The station guy's okay, but we wounded one of them. Need an ambulance. >> Unit S11 104. We need an ambulance. 29th and Thomas at the Shell station. Suspect's been wounded. >> 104. >> Unit S11. Ambulance on the way. 2110. City police. >> This is Mrs. Bodwell again. You cut me off. >> Yes, ma'am. We had an emergency here. Um, >> I want something done about those damn kids. If you can't do it, I'll talk to my councilman. >> Ma'am, we'll get a car out as soon as we can. >> Well, I should hope so. Unit 221. >> 221. Go ahead. >> We've located the subject and are taking him back to 1648 Kenwood Parkway. >> Unit 221 104. >> Unit S11. >> Unit S11. >> You can tell the ambulance to slow down. >> Unit S1 104. Did you get that slowdown on the ambulance 29th in Thomas? >> 104. >> Unit 218 clear. Out of service at McDonald's. >> Unit 219 clear. >> Unit 218 OTL at 2111. Unit 219 clear. 2111. >> Unit 216. Anything back yet? >> Unit 216. Stand by. >> Stand by. Unit 216. What does he do with all his time? Unit 219 to the juvenile office. Transport one to the center. Unit 219 from Ardan Grove >> at 2111. What happened? Where Where'd it go? Um, fascinating. And like, uh, a lot of these public safety training films, they it gets salty. It gets uh, and it's it's trying to acclimatize the people working in these fields to what they're going to be dealing with, which is the public that is less than sympathetic. Um, so yeah, fascinating. I'm I'm going to see if I can find other uh Dispatcher films in this collection that I got. Um but uh yeah, interesting stuff. Hey, thanks for joining us today. Uh Gabriel, thanks for uh donating via ko-fi.coms. That's a great way to support us. And that money goes to pay for, I don't know, things like milk crates. I bought a bunch of milk crates uh because they are actually a convenient way to carry a batch of films. Uh we can carry them individually, but your fingers get pinched, you get dirty, if it's rust, if the cans are rusted or dusty. Uh you know, it's just a a it's a compartmentalized way to handle tens of thousands of films. And so that's what we're doing is we're slowly moving the films from storage units back into the renovated film vault. Uh I gave a a quick image of that on Friday. uh periodically I will revisit there and show you kind of the status of what we're doing which is uh you know moving everything back to the archive so that we can easily um get the films scanned uh give access to them etc the stuff that we like because right now it's all over the city of Raleigh and it's frustrating so but thanks for your support uh and thanks for tuning in and for watching. Uh tell your friends. Uh there's a lot of people watching today, which is great, which means there's a lot of new people. And thank you so much. Um everybody have a great rest of your day and uh we will see you tomorrow. Everybody enjoy your Monday. If you're in the North Carolina, well, most of the country, please keep cool and please pace yourself. Um, because it is really hot. So, take care. Love you. Bye.