AV Geeks 16mm Lunch 12 3 2025

Hello everybody. This is Skip Alzheimer. Welcome to the AV Geeks Lunchtime streaming show where we watch old 16 millimeter films and I try to actually show the films at the same time every day. Uh I did not do that on Tuesday and I apologize. Um, I uploaded it and the show and then premiered it and forgot that. I mean, at least it wasn't like set to midnight, I guess. So, sorry about that. Hopefully, this will air when it's supposed to air, which is 1:00 p.m. Eastern Standard Time during lunch. Uh, anyways, I am in Baltimore, Maryland at a film conference, the Association of Moving Image Archavists. And uh so uh there was just a reception that I was at. And so what I hope to do tomorrow um cuz it is Tuesday night uh even though you're watching this on Wednesday. Uh what I hope to do is go and meet some people and show you some people and record people uh for the next show uh that we're doing. Um, but in the meantime, uh, I had dinner with two people from the National Archives and, uh, so these films are from the National Archives. So, what we're going to watch tonight, today, this morning, I don't know what time it is. Uh, the first film is going to be called Transportation USA. The next film is uh, called Collar and it's about a square dance collar. And then finally, Denver Pile talks to us about wild mustangs in in the film Mustang Managing a Misfit. Uh, thanks for watching. If you like what you saw, uh, hit the thumbs up. Uh, we love your comments. I'm I'm happy that people were commenting even though it was an hour early and they were probably mostly saying, "Hey, what's going on? It's an hour early." Um, but I appreciate that and so thank you for your patience with me uh traveling and and doing this show. But uh I hope to see you soon. Everybody uh hit the thumbs up, hit the like button, uh subscribe. Those are great ways to support us. We're almost at 200,000 subscribers. So please, if you haven't subscribed yet, do it now. Make that last big push. I think in the next two days we'll hit 200,000. Uh, also we will be coming up on our 1500th episode. So, we've been doing 1,500 episodes and so that's very exciting and I'm happy I'll be here doing it, but we'll try to do something special. So, anyways, thanks so much for tuning in and uh we will see you soon. Enjoy. Heat. Heat. [Music] Ah, heat. Heat. [Music] Heat. [Music] Heat. Heat. Heat. [Music] [Applause] Heat. [Music] [Applause] Heat. Heat. [Music] [Applause] [Music] Heat. Heat. [Applause] [Music] [Music] Heat. Heat. Heat. Heat. [Music] Heat. Heat. [Music] Hey, [Music] come [Music] on. Come on. [Music] Heat. [Music] Heat. Heat. [Music] Heat. Heat. [Music] [Music] Heat. Heat. [Music] [Applause] [Music] Heat. Heat. Heat. [Music] Heat. Heat. Heat. [Music] Heat. [Music] Heat. Heat [Music] up here. Heat. [Music] Heat. [Music] Heat. Heat. [Music] Heat. [Music] Heat. [Music] Heat. Heat. [Music] Heat. Heat. [Music] Heat. Hey, Heat. [Music] [Music] Heat. Heat. [Music] Heat. [Music] Heat. Heat. [Music] Heat. Heat. [Music] Heat. [Music] Heat. [Music] [Music] Heat. [Music] Heat. Heat. [Music] Heat. Heat. [Applause] [Music] Heat. Heat. [Music] Down. [Music] [Applause] [Music] Heat. [Music] Heat. Heat. [Music] [Applause] [Music] [Applause] [Music] [Applause] [Music] Heat. Heat. [Applause] [Music] Heat. [Music] [Applause] [Music] Heat. [Music] Heat. Heat. [Music] Heat. [Music] Heat. [Music] Heat. [Music] Heat. [Music] Heat. Heat. [Music] Heat. [Music] Heat. [Music] Heat. Heat. [Music] Heat. Heat. [Music] [Music] Heat. Heat. [Music] Heat. Heat. [Applause] [Music] [Applause] [Music] Heat. Heat. [Music] Come on. [Music] Heat. [Music] Heat. Heat. [Music] Heat. [Music] Heat. Heat. [Music] Heat [Music] up [Music] here. Bounty partners body corners will aler and you walk right by your own right hand turn your right hand lady and left hand turn your partner little lady's right hand star three quarters round the land alan left your corner here we go with a right and left grand The smoke on the water on the land and the sea. Well, a right hand turn. You parked around and then you go back three hits a left and a right and a left hand turn once and a half around. Now boxing with your own girl and then we'll settle down. Will the two head couples forward up to the middle and back right out? You pass through and separate. Go around the outside roundabout. [Music] water. You walk by your own don't touch right hand turn your right hand lady left hand turn your partner men right hand star three quarters round the land al left your corner last time right and left grand smoke on the water on the land and see hold right turn your partner around and then you go back three it's a jaw turn once and a half around now box with your own girl settle down Tomorrow night is a 7:30 to 10:30 if I recall, brother. Is it? I don't know. Ask Russ and Ellen. They know better than I do. >> You got a summer schedule? >> Uh, not yet. Should have it. Uh, let's see. Should have it two weeks soon. >> Everybody back home to plays. Here's a tune. I think it came from Ireland originally, but it dates way back to the days of the American Revolution. Old old famous fiddle tune called Soldiers Joy. Will you bow to your partners? Then you bow to your corners. All join hands in a great big ring. In a circle to the left and circle to the left. Go around the hall halfway around and you done gone wrong. Circle to the right. Go the other way along. Circle to the right till you get back home. Everybody swing your own. Swing with your partner. Swing right around. Now turn to the corner. Alam man left to the corner girl. Right hand your partner. Grand left. Go walking down the line. You take yours and I'll take mine. Prominade your partner two by two and prominade back home with you. Now couple one. Bow to your partner. Give her a swing. Swing her around her. One separate. Go around the lady. Go right and the gent go left and pass the partner by. But they keep on walking around to go past her again when you get home and by your corner stand. Two lines of three. Six to the middle in the back. You march up. Now six to the middle and you build an arch in the middle of the floor and the lonesome couple tunnel through. Down the middle and you swing her right around. Swing that lady and you don't fall down. Come on back as you done before. Back around the center once more. Six back out again. Go forward six to a dose in the middle of the hall. Go back to back up. Everybody swing with your partners. All swing your girl up. Now turn to the corner lady alamand left with a corner. Right hand to your partner. Left to the next one. Grand driving left. Hand over hand. Go around the set. Meet your lady and meet your dead and prominade. Prominade. Now couple too bow to your partner. Give her a swing. Round and round is a pal thing until you separate. Go around lady go ride the check. Go around and you pass your partner when you meet. Keep on walking on a oneway street. Pass her again and by your corner stand up. Two lines of three. Six to the middle. In the back you'll march. Now six to the middle then you build an arch in the middle of the hall in the lonesome pair. Tunnel that through right across the square. Swing the lady when you get there. Now tunnel back. Go down the middle as you've done before. Six. Back up once more. Go forward. Six. And doy do in the middle. Go back to back up. Everybody swing your partner when you're through. Swing right around is what you do. Turn to the corner. Alamand left with the corners on up. Right hand to your partner. Grand right and left. Go a walking and you don't be slow. Prominate when you meet your own and prominade your partner home. Then it's couple number four. Bow take your partner. Swing a little more. Swing her right around. And when you're through, separate around the outside too. Lady go right and the gentle left and you pass your partner right on by. Now pass her once again and by your corner stand up. Two lines of three. Six to the middle. In the back you will march. Six to the middle and build an arch in the middle of the hall. The lonesome couple tunnel through down the middle and swing right around. Now tunnel back. Go down the middle as you did before. up and six back up once more. Go forward. Six again. Do a sing in the middle of the floor. Go back to back up. Everybody swing your partners all up. Now turn to the corner. Alamand left right hand your partner. Charge grand. Right and left. Go round up. When you meet your own prominade your partner home prominade them two by two right on home with you. Now turn to the corner alamand left with the corners all up and bow to your partners all bow to the corners all up. There's bread and cheese up on the shelf. If you want any more, go call it yourself. Thank you. Thank you very much. Thanks very much. Take a rest. And we have three folk dances or pseudo folk dancers or whatever you want to call them. The first is the Mexican folk dance Laraspa known as >> When I got out of high school, I started doing work for Texas Jim Robertson, country singer with the RCA label in those days. One night when Jim wasn't working, and hence neither was I, we went out to a square dance. As it happened, the leader of the band that night had a fight with his caller for being drunk on the job. That meant absolutely soust because in rural areas, they didn't figure you could call until you're half loaded. So they came over to me and knowing I did a little entertainment said, "Could you call a square dance?" I said, 'I think so. And I did. Nobody threw anything. That was it. That was the beginning of my calling career. I was born in Newberg, New York, but I spent many of my early years up in the Aderandac Mountains of New York State. We came down here to Westchester while I was still in grade school and went through my high school years, specifically in Newell. the background as far as my knowledge of square dancing goes. I grew up with it. I don't remember learning to square dance per se. It just was the thing we did on a Saturday night. One of the interesting things about square dancing today, people of all walks of life get together and there's almost a tacid understanding that they're there for the common goal of enjoying themselves. They don't dig into each other's backgrounds or what do you do or what kind of a job do you have. I think maybe this is sort of an outgrowth of the rein interest in square dancing which is pretty traceable to the World War II years when the service club directors and the social club directors of the army bases instituted square dancing. Everybody was out of uniform for the square dance. There'd be majors and colonels dancing with privates. And for that couple of hours of the square dance, rank was thrown away completely. Remember what I said about taking good firm strides. Never mind going along like this. Okay. >> All right. Let's do it again. Starting with the second half of the dance. Number one, they're motivated to come square dancing for the same reason some people are motivated to go bowling or take up ceramics or it's a form of leisure time activity. >> Hopefully uh they're interested in American history and after all square dancing is one of the purely American uh folk pastimes. >> On his right on the outside. >> On his right on the outside. No, >> that's also the hardest part if that is any consolation to you. >> Four slides to the man's left. On the third one, he'll twirl his lady with his left hand. Ready? At one and two, twirl and four. And then do it the other way. Go slide. Swirl it with your right hand, man. Three and four. Good. Let's do that part again. >> Swing your partner's all. Don't you fuss. Don't you holler. Never trust that square downer. Now turn to the corner alam. Left to the corner on the old left hand. A partner right. It's a right on left grand. Grand left. Go down the track. When you meet your own, do a right hand. Turn around. Go the other way back. A grand left and right. Said the little red rooster of the little red hen. Let's turn right around and try it again. Grand left. Go the right way around. Hand over hand and you don't fall down. Ace of diamonds, Jack of Spades. And you meet your own. [Music] The type of square dancing done today is an outgrowth of the traditional patterns. It's become much more complicated, much more challenging. Whereas it is nowhere's near as energetic as it used to be in the old world dances. >> All right, let's try it. >> Bow to your corners. All join hands in a ring and circle to the left. Go around the ring. Going to circle to the left. Go around. Now drop your hands. Go the other way back and single file. Girls, keep walking on the inside track. Men, step out. Go the other way back and pass your partner once. When you meet her again, do a dosey do. And then you swing your partner swinging. Whirling [Music] >> everybody. Alaman left with your corner. >> I have a rough idea in the back of my mind. Not so much how far they're going to progress, but I do have a plan as to the relationship of the figures that I teach. There are certain combinations of figures that lead logically from one to another. >> Right hand to left hand stop. >> I don't aim to bring them to a given state of capability by the end of that period of time. for your own partner. >> They have no goal other than to just let them dance and have fun. >> Pull them in. Go forward. Pass through. Separate. Go around behind one lady and you crouch right in. Forward eight and back again. Right lady high the left lady under. Cross the girls. All four men to the middle. Then you come on back. Men go forward. Pass through. Separate. Go around behind. One lady in the crowd in. Come forward. Aid and back. Right lady high. The left lady under. Cross the girls. One more time. Turn her under. Go. Turn up >> and ladies walk forward. This is the Alamand Dar star. All right, stop. >> When we say a square dance today, people are going to go out to a square dance. They may be exposed to dances other than square dancing, including dances done in lines like the Virginia reel. Dances done in a big circle like the southern running sets. Even some folk dances where a gentleman would have two girls for a partner or a lady would have two men for a partner. >> On this call, shoot the star. Turn this lady by the left. Go around her. Here comes your own. Commonade back home to place. Heat. Heat. [Music] [Laughter] [Music] Heat. Heat. Here we go. [Music] That was the ball of yarn. Hope you enjoyed yourselves. Hope we didn't lose anybody out there. Good night everybody. See you again. I'm going to go Heat. Heat. [Music] Heat. Heat. [Music] Heat. Heat. [Music] I believe that the government sponsoring this wild horse stunt, the adoption program, is kind of ridiculous. >> Wild horses need to be free and that's why people respond to them because we all need to be free. >> I feel it would be most unwise for the government to spend money on wild horses. >> If people don't take care of wild horses, they're just going to eat themselves out of house and home. It seems to me that with all the hungry people we have in the world these days, that would be much more prudent to be spending that money on taking care of feeding them than it is to send it to spend it on taking care of wild horses. >> It would really be neat to have a wild horse for a friend. >> Well, hello. I'm Denver Pile. [Applause] You know, when I was a little boy growing up on the high plains of eastern Colorado, I walked in back of many of these horses just like old Sierra here to a plow riding a hor. And I'm sure that if we looked way down deep inside of old Sierra here, we might find a drop, two drops or if he's lucky, many drops of that noble, courageous blood of the must. You know, since Western man touched the shores of America, that noble animal, the horse, has been his constant companion and servant. The first horses known to Western man were the tough mounts of the Spanish Contistadoris. And for that reason, they've been considered interlopers, aliens from the foreign soil. But those who condemn the horse for his alien status are unaware that it was North America that actually gave this amazing creature to the world before its brief disappearance from the continent. Following his reestablishment, descendants of the horse were joined by other bloodlines. These prized animals were sold, traded, and stolen. But the horse was a an independent species, often inclined to run away from his keepers. And in so doing, he confiscated small bands of mares and herdered them to his wilderness hideway. Because of this, he is frequently referred to as a outlaw or a misfit. And those that escaped or were turned loose for economic reasons were soon to be called mustangs, which is a derivation of the Spanish word must meaning wild. By the turn of the 20th century, the American mustang numbered about 2 million in 10 western states. The next 70 years saw wild horses decline to about well 19,000 animals. Hundreds of thousands of mustangs were captured to serve as mounts in the war and in World War I. And then more hundreds of thousands were captured for chicken feed, dog food, hides, fertilizer, even table food for the international market. But Americans were soon to raise a cry of protest. The beauty of the wild and free roaming mustangs had captured the hearts and the imagination of a nation. A nation demanding restoration of this tonic of the wilderness. [Music] In 1971, the Wild Free Roaming Horse and Burrow Act was passed to preserve the American Mustang and the Wild Burrow in their roles as living symbols of our historic and pioneer western spirit. No longer could the wild mustang be harassed, captured, or destroyed for commercial purposes or for any other purpose as far as that goes. The act directed the Bureau of Land Management and the Forest Service to control the mustang population in order to maintain an ecological balance among horses, wildlife, cattle, and habitat. To maintain an equitable balance, the law permitted the humane disposition of excess animals, providing no commercial use is made of the carcasses. The act also provided for the private care of horses and burls by interested persons. This alternative is considered the most humane by both agencies. But the law fell short of providing efficient means to accomplish its objectives and preservation of the horse allowed an unforeseeable problem to tower on the horizon. overpopulation. Today, the population of the American Mustang has gone from maybe 19,000 animals to about 80,000 animals in the 10 western states. Combined with protection, his growth has escalated for several reasons. a high reproduction rate, the fact that they have few natural predators, and an upward adjustment in population numbers due to more frequent and accurate inventories by the protection agencies. Since 1976, overpopulation has led to serious deterioration of our western range and competition among several species has raised its ugly head. Unchecked, the horse population's overconumed forage, damaged wildlife habitat, and accelerated erosion. The horse threatened the economic stability of many western communities dependent on livestock grazing. If left unattended, the horse would outlive all species. And while grizzly scenes like these might seem a blessing in disguise to some people, many more people are repulsed by such large die-offs. To many, epidemic death by starvation due to heavy snows and extended drought are both inhumane and unnatural. Over the past few years, amendments to the Wild Horse and Burrow Act have given both agencies tools with which to help resolve the problem of overpopulation. In California and elsewhere, both agencies are using the helicopter to round up excess animals. The helicopter has replaced the man on horseback method of capture used in the past, and it's giving the land managers the edge over problems on the Modoc National Forest. [Music] This is a Devil's Garden Plateau. It's a continuous high desert table land in northeastern California on the Modoc National Forest. Here, too, the horse was winning the race for survival. But what did he win? While his numbers slowly replaced those of other large animals, his success could be his own undoing. for he is literally eating himself out of house and home. Bill Britain is the forest range management officer. His concern for the horse and the deteriorating condition of the range has led the Modoc National Forest into a cooperative capture and adoption program with the professional horse management specialists of the BLM from nearby Susanville. We've got a problem of on the Modok where our horse herd has gone from about 300 head in 1971 to about a,000 head in 1978. The herd is are increasing approximately 20% a year. We've been using men on horsebacks and running the horses in the permanent traps, but we didn't we weren't even keeping up with the annual colt increase. We've got some studies that pretty well indicate that there's quite a competition between the horses and the ponghorn analopee up on the garden. Two of the sub herds are producing 50 kids a year and the one that runs on the garden is producing six kids per 100 doese's per year. The horses do compete for forage and and just living space with other other animals. Pong horns are a big concern and there may be a competition with the deer. There's quite a few ranches in the local area that are dependent on the national forest for a portion of their seasonlong grazing operation. We have a system of permits that allows ranchers to graze on the national forest for certain fee. As far as they're concerned, the horses are in direct competition with their ability to make a livelihood. and they can see uh if the horse numbers get too great that they're going to be moved off of the range. If we would allow the horse numbers to continue to expand, uh we'd be making a real impact on local economy by removing cattle from the national forest lands nationally. Now, there's a lot of support to perpetuate wild horse herds on federal lands to the exclusion of all other uses. Uh part of our job is to come up with a mix where you've got some horses and some cows. Some people have suggested that we go out and do things like shoot all the studs or round up a bunch of horses and put them in a pin and shoot them or put them in a trench and shoot them. Yeah, if you interpret the letter of the law, we do have the authority to do that. But killing horses is not positive management. It's a last resort. It's also a waste. Would be like cutting down trees and leaving them to rot. That's why we choose other alternatives that the law allows us to, such as the horse adoption program. Horse herds have to be managed. If they're not, their populations continue to expand to the detriment of other resource values who we're trying to protect. >> And now I'd like to have you meet Jean Nun. He's the uh wild horse specialist for the Bureau of Land Management. The helicopter has turned out to be the greatest tool that we've in gathering horses. We haven't found that it's had any adverse effect on horses. They respect it, but they aren't deathly afraid of it, but even even with a helicopter, if the horses don't want to go somewhere, uh you aren't going to put them there. We try to have enough trails at our trap so that we can keep all the bunches separate that we gather in a in a day. We try not to have to mix any because then that causes stud fights and whatnot at the trap and all they're going to do is themselves or knock the fence down or something. So, we try to keep them all separate. [Music] Hey, [Music] [Music] In 1976, the Bureau of Land Management came up with the Adopt a Horse program as an alternative to having those excess mustangs destroyed. Since the program began, over 14,000 animals have been taken off the western ranges. More than 12,000 have been adopted by qualifying foster parents who through cooperative agreements with the bureau promised humane care for their animals. After a year of custody and proof of good care, the adoptee can have title to the animal. From this center near Susanville, over 1,400 horses have been placed in the private care of American families from California to Florida. It serves as a holding facility and distribution center. Here, the animals chosen for adoption are processed. Vital data and distinctive markings are recorded. Blood tests for infectious anemia are taken from the horses adopted to other states. Anybody that has ever wanted a horse has got an opportunity to do so here and I wish they'd really take advantage of it because there's good horses to be had and we'd sure like to get them to them. And processing the wild horse for adoption is a real life drama, a reenactment of our romantic past. [Music] Heat. Heat. [Music] Heat. Heat. [Music] Heat [Applause] [Music] [Applause] [Music] [Applause] [Music] up here. The horses are branded with a freeze mark that changes the pigmentation of the hair rather than leaving a scar on the hide. Each animal is handled quickly. The process is painless and professional, but the adopt a horse program is not without some concern. Gene Nun is well aware of the problems. >> We aren't known widely enough to get the animals out to people that uh we require in our reduction program. We just it's slow. It's starting to bog down to a certain amount because uh people naturally want young animals. The older stallions are the big problem. older mayors, a lot of people will take them for breeding purposes and whatnot to raise colts or this type of thing. But the older stallions, they just nobody wants them. Until recently, the future of the unadoptable animal was bleak. But here on the Kerry Ranch in Alurus, California, many unadoptable horses find their home on the range. Over 150 wild horses roam the 10,000 acre Kerry Ranch sanctuary. They are the old, the injured, those that nobody wanted. The ranch was the first sanctuary of its kind in the country. It offers resource managers a tool to help speed up the adoption program. Peter Carrey has had an affection for the mustang since childhood. When I was uh eight or 10 years old, we had uh two or three wild horses that were brought out of Arizona that rode out with some cattle we bought that were captured back there in the late 30s. And uh we brought those horses to California and uh broke those horses and uh we used those horses on our cattle ranch for oh 10 12 years until they got uh too old to uh u ride and then we just put them out to pasture and got younger horses. And so I've always had an affection for the wild horses and uh we uh just had a good feeling towards having those wild horses on the ranch. I got involved in the wild horse uh program um with Jim Clap neighbor down the road. So Jim and I had thought up the idea of a sponsorship program that some of these older horses that the BLM and the Forest Service couldn't adopt out uh rather than seeing them destroyed trying to give a home to those animals. It makes me feel good to go out and look at these animals every day. Jim Clap is a director of the International Society for the Protection of Mustangs and burrows. >> We started this sanctuary and uh hopes that there was enough concerned people in the country to uh maybe had the means but didn't have the facilities to uh to care for a wild horse. And that's kind of what this thing is all about. People throughout the United States sponsor the horse or the burl. We charge a $38 fee per month per animal. the cattle are put out on uh on aotments and they're controlled and and the the all the wildlife out there are controlled to one extent or another. They're all managed and so at present time the only animal out there that's not managed as a wild horse. Majority of the horses that we have are old or crippled horses and that seems to be what people really want. If there isn't a place for these unadoptable horses to go, they're going to be shot. [Music] While the Wild Horse and Burrow Act provide for the humane disposal of those excess mustangs, Both the BLM and the Forest Service prefer the adoption alternative, but adoption, well, that takes people to make it work. Adopting a wild mustang carries a recognition of the responsibility and the cost to the potential adoptee. Adoptive parents must have the room and facilities to provide good care for their horses. There are transportation costs governed by the distance one must travel. There are veterary fees and feeding costs. Breaking a mustang to ride is another point the foster parent needs to consider. And then there are the follow-up inspections made by the agencies to ensure that the animals are not abused. An inspection is a big job for Gene Nun and his staff. We do follow up on all of the horses adopted in our district twice a year. We go around check on the horses, see that they're being cared for, see if their facilities are in good condition. We try here in Susanfield to match horses with the people when they come to uh pick them up. Horses are like people. Every one of them have a different personality. We've got one family out here not very far out of Susanville that took a two-year-old stud and in 3 days why all three of their kids was riding him at one time. So you could you don't do that with every horse, but there are horses you can't do that with. It depends on the individual. The Blevins family met all requirements for adopting the horse they named Deputy. And it wasn't long after that deputy showed signs that he could trust these strange creatures that walked upright. Doc Blevens will never forget those first impressions. When we got to the corral, it was quite a thrill for us to see the young stallions. Of course, it's a lot different than a domestic horse. the idea of accepting part of the the West as he used to be. We were really very excited about this this bag of horse flesh that had bones sticking out and possibly making him into a a little butter ball that we could really call our own. When we talked to our friends about adopting a wild horse, they were a lot of skeptics. We were somewhat skeptic also until we actually saw some of the BLM cowboys using the wild horses uh in their work, their everyday work. I had visions of this this wild horse running off with my 11-year-old son uh down the road and uh never seeing either one of them again. But the horse uh didn't seem to mind that at all. And if you had to put it all in one statement, it would have to be something like having a piece of the Old West in your backyard. Critics of the Mustang management program are concerned about its cost to the public. They range from moderate to high depending on the luck of the roundup and the ease of adoption. We may have to bite the bullet, so to speak, and accept these short-term costs to provide long range environmental benefit. And we might remind ourselves that it's an investment returned to the American people. For each of us with a desire and inclination, there is the opportunity to share a unique adventure in resource management. Through our participation and support of wild horse management, the American Mustang will continue to exist in the stable and diverse balance that constitutes a healthy environment. Most of us will never get to see a wild horse galloping across the landscape or have the thrill of seeing an arrogant but noble mustang stallion standing on the horizon. But through our belief in conservation, we can be assured of the continuation of the survival of these these outlaws. Probably one of the most beautiful, graceful animals to ever set foot on the American grasslands. [Music] See you in the high lonely. [Music] Heat. Heat. [Music] Heat. Heat. [Music]