AMERICANS AT WORK — TELEVISION WORKERS

Year Published: 1959

Description:

One of a series of films that showed "Americans at Work", this episode highlights television industry workers. The film describes the various roles and processes involved in producing a TV show. It highlights the contributions of performers, technicians, artists, and union members who work behind the scenes to bring entertainment and information into people's homes. It explains how scripts are created, sets are built, lighting and sound are managed, etc.

"Americans at Work" dates to 1959-1960. In 1958, AFL-CIO Secretary-Treasurer, William F. Schnitzler, announced the production of 52 films to run weekly for one year. The popularity of the series persuaded the AFL-CIO to extend the project by an additional 52 films. The AFL-CIO Public Relations Department, led by director Albert J. Zack and assistant director Robert J. Wentworth, primarily coordinated the production and distribution of the series. Production was contracted to Norwood Studios, Inc. of Washington, DC, which was founded and managed by Phillip M. Martin.

• 0:20-0:22: Introduction to Americans working in entertainment and information.

• 0:22-0:27: Mention of performers, technicians, artists, and union members enhancing leisure time.

• 0:27-0:36: Television as a new industry symbolized on millions of rooftops.

• 0:42-0:46: Television changing American life, allowing people to witness historical events or relax with various shows.

• 1:02-1:11: TV shows start with a script, which provides form and continuity.

• 1:11-1:25: Breakdown of jobs required for production, including set building.

• 1:27-1:47: Set builders stretch canvas over frames to create sets that add dimension to the screen.

• 2:05-2:10: Scenic artists create the illusion of distance and depth on flat canvases.

• 2:11-2:29: Sets are made in color to make actors feel comfortable, even if the broadcast is in black and white.

• 2:43-2:56: Lightweight plastic bricks are used to create walls and arches.

• 2:59-3:13: Interiors are created with stencils and paint, requiring expert touch.

• 3:15-3:28: The pace of modern television is swift, with specialists speeding up processes.

• 3:38-3:55: Time is crucial in TV production, measured in precise minutes and seconds.

• 4:02-4:15: Lighting is essential for clear pictures and special effects, requiring careful placement.

• 4:17-4:30: Lighting directors prevent unwanted shadows from actors and props.

• 4:33-4:48: Property departments furnish sets to make them look natural.

• 5:04-5:23: Directors ensure furniture placement does not block camera views.

• 5:25-5:32: Doors on sets must not shake walls when slammed.

• 5:44-5:58: Set builders sometimes use live greens for outdoor settings.

• 6:03-6:22: Cameramen check and maintain cameras, ensuring they are in good working condition.

• 6:30-6:46: Engineers perform preventive maintenance on equipment.

• 7:19-7:36: Actors rehearse lines while the director and technical crew set up for on-camera rehearsal.

• 7:38-8:00: Lighting is controlled from a dimmer board by a trained electrician.

• 8:03-8:25: Directors work with actors to ensure proper placement for camera shots.

• 8:28-8:49: Directors in the control room select camera shots for the broadcast.

• 8:52-9:02: Sound is managed by boom operators and audio engineers.

• 9:05-9:27: Sound effects are created by a sound effects man with various gadgets.

• 9:53-10:08: Performers and cameramen perfect details up to airtime.

• 10:11-10:23: Teleprompters are used as a safety valve for memory lapses.

• 10:27-10:50: Coordination of efforts is crucial in the control room.

• 11:05-11:22: Wardrobe department makes last-minute adjustments to costumes.

• 11:34-11:48: Makeup is applied to ensure performers look appropriate on camera.

• 12:03-12:17: Final preparations are made before going on air.

• 12:27-13:06: Television is described as an electronic marvel, with many people working behind the scenes.

• 13:14-13:33: The program is presented as a public service by the AFL-CIO, highlighting the efforts of American workers.

If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below.

Transcription

[Music] Americans at work bringing entertainment and information into your home performers technicians artists Union men and women who make your leisure time a little lighter and a little brighter together they have added a new dimension to our time its symbol stands today on millions of housetops the symbol of a new industry television a new Force changing the pattern of American Life in his easy chair at home a man May witness events of historical importance as they happen or he may relax after A Hard Day's Work to Comedy drama suspense music and news what's the starting point a TV show begins with a script designed by a writer to give the show form and continuity the script does far more than simply give the actors their lines once it is written and used as a guide a breakdown can be made of all the jobs that must be performed by each unit of the production Department skilled set builder stretch canvas over wooden frames and Tack it down securely the trick is to give the canvas just the right degree of totness without swallowing any TXS though they are called flats these units become the basic set and actually add Dimension to the picture on your screen [Applause] to bring an illusion of distance and depth to Flat canvas is the job of the scenic artist this is the purpose of all the items that go to make up a set to create the illusion of reality and not just for the viewers actors themselves feel more comfortable in surroundings that seem to be real so sets are made in color even though the T cast may be in black and white cobblestones nothing of the kind they couldn't bear the weight of a human foot without breaking they have another purpose properly painted and positioned these sheets of lightweight plastic bricks will become a wall with arches another instance of the skill of the set builder Interiors are needed too stencil paint and a brush big enough to whitewash a fence no room here for a Tom Sawyer pushing his job off on a substitute this calls for an expert's touch the result wallpaper the pace of modern television is Swift there just isn't time to let wood age naturally these Specialists speed up the process mindful always of their Master time to TV people time is everything to them minutes are not close enough they measure in terms of 14 minutes and 30 seconds 29 minutes and 30 seconds 59 minutes and 30 seconds the minutes and seconds control their lives yet these union members take little notice of the hours on the clock or the days on the calendar why because news has no definite hours world events take no holidays combinations of light and Shadow produce the picture on your television screen thus lighting of a set is of Paramount importance calling for careful placement of lights above and on both sides the lighting director has two important jobs first to bring you a clear picture then to help create the special effects the show may need one of his biggest problems is prevention of unwanted Shadows from actors props or from production equipment a little more the other way yeah that's fine that's fine now the next out of a property department store room stocked with everything from a Greek statue to a wooden Indian prop men move in furnishings and the empty set comes to life you like the pictures in your home straight don't you so the set becomes more and more like a room in your home not everything is just right there is still many props to be placed and there is rearranging to be done the room must have a natural look Furniture should not block the camera's view of the performers the director is not completely satisfied with the wall beside the door doors on sets are critical they must not shake the walls when they're [Music] slammed time now for another job to start many jobs must move ahead at the same time for an outdoor setting the set builder sometimes works with live greens freshly cut for the show the time has come for cameramen to start checking out the single most important piece of equipment in television the camera it has four lenses mounted on a turret in front of the picture tube the picture tube in a TV Camera called an image orthicon changes the scene in front of it into tiny dots sent out over the air as electronic impulses at 186,000 m a second this is the magic of television what you see on your screen is the true image of events as they happen with a studio test pattern the cameraman can line up his camera check out his equipment to make sure focus is sharp and the camera Parts in good working condition good maintenance is essential where equipment is complex and sensitive as a TV camera is concerned Engineers use the latest techniques of electronic testing many of the men work at the factories where the equipment was designed and built an important part of their work is preventive maintenance the periodic check of equipment to locate possible trouble before it actually develops better to find it here than to have you find it on your TV [Music] screen 3 hours to go as actors run through their lines the director checks with the technical crew they work together to establish all positions angles and movement getting set up for the First on camera rehearsal during the show the lights will be controlled from a dimmer board this is a job that calls for a specially trained electrician a man thoroughly versed in the ways of Television he receives his cues by intercom from the lighting director who's in the control room the director must work too with the actors on their interpretation of lines he must make sure that in their movements they are properly placed for the cameras to get the pictures needed most TV shows use three cameras mounted on dollies moving with the action this Mobility heightens the dramatic flow of the action through a variety of camera angles the heart of the operation the control room from here the director working closely with his technical director sees each camera's picture and picks the one he wants you to see stand by on one one take one by this time out on the set the actors are rehearsing before live cameras now another essential element comes into play sound the boom man must keep the microphone in position to pick up every line that is spoken working with him from the control room is the audio engineer he is responsible for the quality and volume of the sound sometimes a sound effect is simulated sometimes it's the real thing sometimes it's better for the noise of a door slamming simply to slam a door the sound effects man must possess unlimited Ingenuity he must have many tricks up his sleeve from an assortment of gadgets and instruments he must coax The Sounds needed a sound that has become typical of our age is the ring of a telephone whatever is needed the sound effects man has it or he can reproduce it but performers and cameramen Perfect Details polishing the show continues right up to airtime the teleprompter Rolls by a standard safety valve if memory lags either in rehearsal or on the air coordination of effort this is the big job down the home stretch inside the control room each action in the studio is followed closely intently keyed up for the show they make their decisions quickly more instructions go out from the director to this complex of skilled television people all elements must be coordinated into a fast-paced entertaining program and there isn't much time left [Music] an hour to go it's time now for the Wardrobe Department to make last minute adjustments on the costumes the performers will wear when they become the people you will see on your TV screen for of all the people who make the show Possible only the actors will reach you unseen are many other people who make the show possible important to is makeup a highly specialized art under the hot glare of the lights a face may go too pale without proper makeup a performer may look too young or too old to the camera preparation is complete only a matter of seconds Now find the studio please on the air in 30 seconds 20 seconds to Air Time Quiet please 10 seconds to air 5 4 3 2 1 on the air television a soaring Advance an electronic Marvel and back of it are the men and women who turn these technological advances into the picture on the TV screen through their efforts your set can transform your home into theater music hall or classroom whatever you wish to make it you have seen only a few of the people it takes to produce one kind of TV program more than eight people behind the scenes for every one person who appears on camera performers Tech technicians artists all members of the radio and television unions of the AFL CIO Americans at work for you Americans at work presented as a public service by the AFL CIO next week another interesting story of Americans at work Americans who skill and effort help keep our country great and strong


1 user has this film:
Periscope Film


No related films.