A/V Geeks 16mm Lunch 1-27-2026

Hi everybody, this is Skip Alzheimer. Welcome to the AV Geeks lunchtime streaming show where sometimes my Elgato webcam just stops working. Very, very frustrating, but there we go. All right. Um, I have a lot of crazy short uh animated films today and then uh some other stuff on the scanner. All right, so here we go. Here's Eco Mega. Echomega. Enjoy. [music] >> [music] [music] [music] >> Hey. [music] [music] >> [music] >> Whoa, that was short. Holy cow. All right. Uh, I've got a film set up on the scanner. We're going to go ahead and run with that. This is called Take a Look at Yourself. I don't know what it's about. This is a premiere. Enjoy. [music] >> [music] >> All you want to do is play with your hands. I've never seen you around here. How do I know where you are? You hardly ever saw me. Now, where are you going? Out. Of course you're going out. I can see that. Take the garbage down, wouldn't you? That's the least you can do. You be careful on that fight now. Between my working and your being out all the time, nothing ever gets done around here. Don't throw anything on the steps like you always do. >> Do you hear me? >> I hear you. >> Now you get home before dark and get something to eat for yourself. There's stuff in the fridge. >> [music] >> Now your dreams [music] are not perfection. When you see more and more and you still feel the imposing weight [music] of rejection. [music] [music] You can start doing that. I don't want any cops around me. >> I'm not a cop, >> boy. He doesn't forget, does he? Nobody's going to tell me what to do. You see this, Mr. Policeman? >> I forget it. How long are you going to stay mad? >> This is what happens to cops and kids who want to be cops. >> Now take off. >> What for? I said so. >> You don't own this park. >> Look, you >> hold it. >> Uh-oh. It's Coach Johnson. >> You'll find the things to clean this up in the boy's roster. >> Yes, sir. >> Any of you guys want to tell me what's going on? >> You know, he always writes on things in his van. >> What is it? This time >> he's mad at me. He says I'm a cop because I reported him when I was a monitor for writing on the wall >> two months ago. >> Somebody ought to have a talk with his father. >> Nobody goes to his house. His mother's always yelling. >> All right, boys. Go along with your game. I'll take care of this. When you're finished, I'll be around the other side of the building. I want to talk to you. >> Yes, sir. You want to see me? >> Yeah. Bill, come over here. >> Everything cleaned up? >> I'm not going to lecture you, Bill. I'd hope we were friends. Are we? I suppose >> if you need help with anything, you know you can count on me, don't you? >> Uh-huh. >> Well, just in case. You know I'm here if you need me. >> Anyway, will you do me a favor? >> What? >> Leave that kid Jeff alone and no more writing on things. Not on sidewalks, buildings, or anything. Promise. Look, are we friends? Bill, take a look at yourself. We discussed this before. I thought maybe you'd change your mind about things. >> Not changing any ideas about cop. >> That ball was a monitor and you were writing on the wall. When he reported you, he was doing the job he was supposed to do. Besides, that was 2 months ago. What would your father say about that? >> My god, no, father. He went off. >> I'm sorry about that, but what if you did have what would he say about you hitting another kid? And what's this big thing you have against policemen? >> Are you kidding? >> No, I'm not kidding. What's with you and policemen? >> They push everybody around. That's what I don't like being pushed. >> Did they ever push you? >> No, I'm not going to. >> Let me ask you something, Bill. What if we didn't have any policemen? Who would protect us from people who broke the law? >> No one ever protected me before, and I don't need anybody. I don't want anyone shoving me around. >> No one's shoving you around. >> That's what you think. Who's shoving you? >> You are. >> How do you figure that? >> Cuz if you were here, I'd really fix that guy. >> Bill, you can't do that. How can I make you understand? If you could do that to him, he could do it to you. Then everybody could do it to everybody else. Then where would we be? Bill, think about it. I don't want to fight with you. I wish you'd forget it. It's so Oh. Oh. No one ever protected me. I don't need anybody. >> What if we didn't have any policemen? Who would protect us from people who break the law? Bill, [music] think about it. [music] >> Now, your dreams are not perfection. When you see more and [singing] more and you still feel the imposing [music] way of rejection Heat. Heat. [music and singing] >> [music] >> Hey, Hey, what happened to you? Where can I find the cop? I don't know. I'll go get Mr. Johnson. I don't get it. What do you want to help me for? What' he ever do for him? And I'm the guy didn't need anybody. What's the matter with me anyhow? Mr. Johnson, can you come with me quick? Hey, I just saw Bill and I think he's really hurt. >> Bill, are you all right? What happened? >> Guys stole my bike. >> What did he look like? >> I don't know. >> His hair. You remember the color of his hair? I don't know. Black, I think. >> How big was he? >> Oh, I'm so high. >> Your bike, was it registered? >> They make you do it at school. It's the law. >> What's the number? >> 76976. >> 769. Come on. >> Where we going? >> I'm trying to get your bike back. >> Well, I'm glad you're not hurt anyway. Wait here. I'll be right out. >> Thanks. >> I wouldn't done it for you. Maybe you would. >> I'm sorry about a lot of things. >> You live far from here? >> About five blocks. >> What's the address? >> 113 Cedar Avenue. It's hard to find. >> I'll find it. Go on home now. I'll try to get your bike back. Mr. Johnson. Thanks. >> Let me walk you home. You don't look too good. >> You don't have to. >> Partway anyway. >> You okay now? >> Yeah, sure. >> I'll see you there. So long. You're a cop? >> Yeah, I'm a cop with the uniform and everything. Underneath the hat, I'm the same guy. You see, I happen to like kids. That's why the playground job. They gave me the night shift on the police force so that I can come out and work with you guys during the day. You know, Bill, maybe someday we won't need a policeman. Maybe if you respect people's property and stop being angry and stop hitting people, you'd start something everybody would be waiting for. Sure, I could have told you I was a cop a long time ago. Would it have made any difference? >> Bill, that's you. >> See you tomorrow, Bill. Now your [music] dreams are not perfection. And you see more and more. [music] And [singing] you still feel the imposing way [music] of rejection. [singing] [music] Oh man. 1970. Yeah. that uh that chorus singing that song. It reaped of late 60s, early 70s. So good. Holy cow. Okay, here's another uh interesting animated short. Um evil. Enjoy. Hello. Hello. Oh my god. That's [applause] [applause] [applause] down. Come on. >> [music] >> That's what I said. Come on. No. No. H ready to go? >> [screaming] [cheering] >> crazy. All All right. Glory. [music] Glory. [singing] >> [music] >> Glory. [music] [music] That was great. Okay. Uh what do we got next? Okay. This is uh I'm sorry, National Film Board of Canada. It's not hockey. So, we're going to take a chance and uh we're going to run it and see what happens. It's called body talking. Enjoy. What are you saying with your arm up in the air? Or when you wave to [music] a friend when she's way [singing] way over there. You haven't made a sound. You haven't said a word. But you [music] still been hurt. That's your body talking. Isn't that shocking? Got your body talking. I said how absurd to not say [music and singing] a word and still be heard. [music] Saying [singing] things you want to say or maybe things you'd like to hide away. That's your [music] body talking. Watch [music] someone else. You'll know when they're sad. You can tell [music] when your friends are really mad. Something in their [music] manner, something in their eyes. Those [music and singing] kind of feelings you can't disguise when your body's talking. >> [music] >> Look at those people waiting for [music] a train. Look again carefully. Not [singing] one is the same. Some are [music] in a hurry. Some are feeling cold, some are [music] feeling quiet. How do you know? Cuz their bodies are talking. You might [music] be lonely, feeling left out. You don't feel brave [singing] enough to shout, "I need a [music] friend. I'm really okay." So you shrug your shoulders [snorts] and you turn away. [singing] That's your body talking. [music] I [music] might [singing] be happy feeling just great. [music] Running down the sidewalk in my bright red [singing] cape. Slipping down [music] the slide without a care. Spinning through the playground [music and singing] with a certain flare. Well, everybody knows I'm as happy as can be. I don't have to tell them they can see my body talking. [music] Isn't that shocking? Got my body talking. I say [music] how absurd to not say a [singing] word. Still be heard. [music] All the time. >> The words [music and singing] are different wherever you go. But the language [singing] of bodies everyone [music] knows. Yell no with a fist. Say yes with a [music] smile. Whisper love with a kiss. That's the style. [music] When your body's talking, saying [singing] things you want to say, or maybe [music] things you'd like to hide away. That's your body talking. [music] [music] saying things you want to say or maybe things you'd like to hide away. That's your body talking. [music] That's your [singing] body talking. Yeah. 1983 that tracks. Um, yeah. What I would call that is required Canadian content. I the couple of times that I've been in Canada listening to the radio and I'm like, "What song is that? I've never heard that song before and it's like, "It's a new song by Rush." And I'm like, "What? It's ever played." And I'm like, "Oh, right." Uh, broadcastes required Canadian content. There's a percentage of their content that has to be um Canadian. All right. Uh, let's see. What do we got? So many things. Um, this is the mark of quality. Enjoy. [music] [music] [music] >> [music] [music] >> Hello. You're wondering what these are? They're all marks of quality. The symbols you see on cuts of meat. Grading symbols of the United States Department of Agriculture. Each one tells you specific things about the meat you buy. Things about its quality such as flavor, juiciness, tenderness. They serve as reliable guideposts to the farmer who must know what quality meats are in biggest demand by the consumer. They are standards for trading throughout the meat industry. and they are a dependable guide to the shopper when she buys. Only meat which has already been inspected for wholesomeness can be graded for quality and much of the meat sold today bears the US Department of Agriculture grade mark. Take that beautiful cut of sirloin. It's the 12 billion pound of federally graded meat for this year alone. 12 billion pounds. That's quite a figure. Whoever's buying this sirloin is a lucky customer. But so is every shopper who buys by grade. Like this young woman. But wait, Mrs. Scott seems to have a problem. >> Let's see. The paper said Chuck is on sale. What does this mean? Choice. This other package weighs the same and it's marked good. And it's 67 cents cheaper. And besides, >> you know, grades really aren't all that complicated. Maybe we can help her. >> What happened? I'm merely trying to buy something special for Sunday dinner. >> But you don't understand your meat grades. >> Apparently not. Why should this piece of chalk be worth 67 cents more than this? To me, they look alike >> because they're two different grades. They may look alike to you, but they're not. >> USDA choice, USDA good. What's the difference? >> Well, the meat from some animals is always more tender, juicier, has more flavor than meat from other animals. It's a fact of life, Mrs. Cut. And your grade mark is the best guide you have to these differences between meats. >> In other words, one grade is better than the other. Well, that's a matter of taste, but the higher the grade, the more you pay for it. Of course, the decision is up to you. >> Well, my family does like to eat well. Which reminds me, I saw a rib roast. >> This one? >> Yes, that's the roast. I mean, it has exactly the same grade as the chuck. >> That's right. Choice. >> But look, it weighs less and it costs more. Quite a bit more. What fact of life is that? >> Well, by the sheer coincidence, Mrs. Scott, we just happen to have the model of our carcass all ready for you. >> Come, I'll show you. >> Now, even within the same animal, no matter what the grade is, some cuts are always more tender than others, like the rib and the loin, these make up just about a quarter of the total cuts from the whole carcass. >> Well, that isn't very much, is it? >> No, it isn't. And as limited as these cuts are in supply, because they're most desirable, they're most in demand. >> That explains the higher price. You're beginning to see the light, Mrs. Scott. And when these cuts are highra, USDA prime and choice, well, you can roast them or you can broil them. The test of the best you can buy and natural for your Sunday dinner. >> That also explains why chuck is cheaper. >> That's right. Chuck, round, and all the less tender cuts like flank, plate, brisket, and foreshank bring a lower price. >> Do they get grades, too? >> Yes, they do. >> I guess I never realized grading could tell me so much, even when I'm not planning a Sunday dinner. But where do grades come from? I mean, who decides what grade should be what? How do I know if >> Hold it, Mr. Scott. Hold it. Let's see if we can answer one question at a time. Now, the story of meat grading starts a long way from the meat counter itself. In fact, we have to go all the way to the range, to the feed lots, the stockyards. You know, they say the Old West is dead, but it still carries on at yards like Sous City where producers and buyers gather to deal in cattle. >> Some nice choice sherling cat. I took >> some of these cow won't make choice. >> Take a little trim off of here. They'll make choice. >> I missed the 500 cal. Not too big of a run. The right kind of cattle. 2% more than less than half. >> 2%. >> 2%. What we want for our kill? >> I like to buy the cattle three and a half, but because of the kind they are, the great they are, I'd be glad to give 375. >> Give me a number. >> Put those cattle down to ask me number one. >> 44 head. >> To close a deal. Today's buyer doesn't have to ride all over a stockyard. >> Smokey, I've got a load of patched away. Can you get them on? He uses today's methods of communication. But at the exchange, the Department of Agriculture News Board remains a favorite meeting place. >> These producers have come to town to sell cattle. >> Here they learned the going prices at all principal centers. >> An estimated 7,500 feeder cattle, 5,500 head of slaughter cattle. The quality of our slaughter steers and heers was largely high good to average choice with just a small showing of standard to average good. rather >> the whole vocabulary is part of a service established and maintained since 1927 by the United States Department of Agriculture. A service which provides one common language of meat quality for everyone in the industry. >> Wherever beef is sold, USDA grading terms are a clear-cut basis for trading. Several modes of high choice including prime 923 93 93 923 93 What do you say? 92 93 923 93 Johnny out 92 93 923 93 94 93 94 93 94 Watch these prime cattle on the present market on prime cattle. They're not worth any more than the good honest choice. So let's watch it. I can ship uh one car of prime, 10 cars of choice, five cars of good. >> Among wholesalers and retailers, prime is prime. Choice is choice. Good is good. The buyer who orders a car load is like the housewife who orders a roast. Because of grading, they both know what they're getting for their money. Let's take a look at a few typical cuts. These ribs of beef for example. >> My they all look wonderful. >> They are. But each is of a different grade. One is prime, one is choice, and one is good grade. Can you tell the difference without looking at the grade markings? >> I wouldn't even try. >> Matter of fact, I wouldn't be so sure myself. You see, once meat has already been fabricated into retail cuts, it's difficult for anyone to judge. That's why the grade stamp is your best, often your only guide. Meat grading points out the basic differences. The rest is up to you. >> But how is meat graded in the first place? Who actually does it? >> Well, there are more than 450 US Department of Agriculture meat graders throughout the country. Let's watch one of them on the job. Call him Joe Harvey. Joe majored in animal husbandry at college and then he worked for a meat packer before joining Uncle Sam, so he's used to these early hours. Right now at 6:00 a.m. Packers pay USDA for the services of Joe Harvey, but their participation in the meat grading program is entirely voluntary. This plant, like hundreds of others, does use the service for one reason, a big one. The grading stamp means nationwide acceptance and salailability. Joe has an exacting task. He must judge each carcass by rigid standards. He quickly notes the degree of meatiness, confirmation, graders call it. His eyes have been trained to sense the quality of the meat in fine detail. He examines cartilage and bone to estimate the maturity of beef. Most important, he looks at texture and color and the degree of marbling in meat. He then weighs these factors to establish the grade. When you're grading 500 beef carcasses a day, you've got to be quick and decisive. Graders like Joe can judge any side of beef within 40 seconds, and the standards he maintains are respected throughout the meat industry. Since 1965, Joe Harvey has had an additional responsibility. Yield grading, it's called. It gives Joe a way to measure the amount of usable meat in a carcass. Now, Joe has already graded this beef for quality. They're both USDA choice, but this one will yield cuts that are meteor, so it rates yield grade number two. This one has more waste fat, so it will only rate yield grade number five. >> Well, what will this do for me? >> To you, Mr. Scott, yield grading will bring meteor cuts with less [snorts] waste. And while you may never see the yield grade stamp on the meat at your store, you benefit from this extra grading precision. You, your retailer, and the whole meat industry >> around,200 lb sold at 2375 to $24 a half. A load of high choice and prime stairs around 1350. >> Trading symbols. The language that binds together so many operations. trading, >> growing livestock, processing, shipping. Words that have helped make Americans among the best fed people on Earth. And when you buy the grade you want, you're actually casting a vote. Yes, millions upon millions of sales express the preferences of each and every shopper. And these votes become economic votes because they in turn affect the decisions of beef growers, buyers, even the cattlemen on the range. They'll try to produce the kind of meat you want, Mrs. Scott. Now, this is prime, your highest grade and the most expensive to produce. Choice grade is next. Choice steaks and roasts are quite tender and juicy and have excellent flavor. Choice is the favorite grade among most choppers. >> I'll have to remember that. >> This is good grade beef. Cuts in this grade won't be quite as juicy or flavorful, but they're relatively tender. Each one of these cuts can offer you very fine eating. >> Well, that depends, of course, on how you cook the meat you buy. >> Exactly the point, Mrs. Scott. Use the US Department of Agriculture grade mark as your guide in cooking and buying meat and you're sure to get the best results. Meat grading mark of quality is a service at your service. >> Boy, this is [music] great. Where did you get this steak? at the market. >> Since when did you become such an expert on steaks? [music] >> Meat grading has a lot to do with it. >> What's that? >> Well, it's quite a story. [music] >> [music] [music] >> Yeah, little [snorts] slow jazz pictures of meat. Um, fascinating film. USDA, they have some uh some winners in there and this one uh definitely niche. Uh, and I've I've had other films that try to talk about the grades, like egg grades. Um, and that still exists. Um, although meat seems to be different than like grade A, grade B, grade C, etc. Uh, all right. So, this film is a little late in the game and some of you might not like it, but see, I want you to see if there is a celebrity in here before he was a celebrity because man, he looks familiar and there's no credits that I see. So, this is Brightest Night part one. Enjoy. [music] >> [music] [music] [bell] [music] >> Here's the last one. Where should we put it? >> Here, let me put it on. >> Mommy, don't forget baby Jesus. >> That's a good boy. Christmas wouldn't be Christmas without Baby Jesus. You want some attention, too, don't you, baby? >> Mommy. >> Yes, dear. Tell us the story of the brightest night. >> Tell the story, Mommy. >> The story about baby Jesus like you do every Christmas. >> All right. You set up the manger and I'll tell the story. [music] Many, many years ago, there lived in the town of Nazareth a kind young lady whose name was Mary. One day while Mary was busy in her home, she suddenly saw a bright light. And in this [music] light there stood an angel who said, "Mary, don't be afraid. I am Gabriel. God sent me to tell you that he has chosen you to be the mother of his son. Call him Jesus, for he will be God's son and the savior of all people. Mary said, "I don't know how all this can be." The angel said, "Mary, God can do everything." Then Mary said, "If this is what God wants, I'll be glad to do his will." The angel of the Lord then went to Joseph who was engaged to Mary. And the angel said, "Joseph, take Mary to be your wife. God wants her to be the mother of baby Jesus, and you shall be his father here on earth and take care of him." And Joseph did as the angel told him. While all of this was happening in Nazareth, Caesar Augustus was king in the big city of Rome, many hundreds of miles away. One day, Caesar Augustus made a law that everybody in his kingdom was to be counted. All of the people had to go back to the place where they had been born. Mary and Joseph heard about this new law. They got ready for the trip to Bethlehem where they both had been born. Mary and Joseph had only a few things to pack since they were poor people. All Joseph had was a little donkey. Joseph walked leading the donkey while Mary rode on the donkey with a small bundle of baggage. Hour after hour, mile after mile, day after day, they walked and walked in the cold wind. Joseph took very good care of Mary. Many times he stopped along the road to rest and to give Mary a drink of fresh water. Finally, late one afternoon, they came to Bethlehem. When they got to the tax office, they had to wait for all the other people who had come ahead of them to be counted. When Mary and Joseph had finally finished, it was getting dark. Both were very tired. So was the little donkey. Joseph now had to look for a place to stay overnight. He first went to the little inn at the hotel in Bethlehem. [music] But the man told him, "You are much too late. I have no room left." He didn't even say, "I'm sorry." So Mary and Joseph went [music] from house to house, but everybody told them, "You're too late. No room. No room. But God had not forgotten them. At the last place, [music] the man saw how tired and worn out Mary was. She could hardly keep her eyes open. This man told Joseph, "I have an old stable where you may stay. I'm sorry, but that's the best I have left. So, Joseph took Mary to the little staple. Here he made a nice bed for Mary with the hay and straw. And after Joseph had fed the little donkey, he also went to bed. In the fields outside Bethlehem that night, there were some lonely shepherds taking care of their sheep. It was quiet and dark and cold. Nothing could be heard but the crackling of the little fire which the shepherds had built to keep them warm. Then all of a sudden a bright light shone down on the shepherds. The shepherds were very much afraid. In this bright light there was an angel who told the shepherds, "Don't be afraid. I have some good news for you. Jesus the Savior is born. You will find him wrapped in swaddling clothes, lying in a manger. And while this angel was still speaking, the blue sky opened up and many, many angels filled the sky. These angels sang the wonderful song, "Glory to God in the highest, [music] and on earth peace, good will toward men." Oh, how happy the shepherds were. How they listened. Never before had they heard or seen anything like this. When their song was ended, the angels went back into heaven and the blue sky closed up and all was quiet and dark and cold as before. The shepherds were all excited about the good news. They said, "Let's go right now to see the baby Jesus." So the shepherds hurried to Bethlehem. In the stable, Mary and Joseph were very happy because that very same night, baby Jesus had been born. She had put baby Jesus in the manger where Joseph had made a soft bed for him with the hay and the straw. When the shepherds came to the stable, they found baby Jesus just as the angel said they would. The shepherds kneel down and prayed to the baby Jesus because he was their savior just as he is our savior. On their way back to their sheep, the shepherds told the people in Bethlehem about the wonderful things that they [music] had seen and heard. And we're like the shepherds, too. We tell others the good news about baby Jesus. >> Did you like the story? >> But that isn't all, Mommy. You didn't tell the story about the wise men. >> Well, how about letting Daddy tell that part? >> Come on, Daddy. >> Well, let's see. After the shepherds had found the baby Jesus, some wise men in a far away land were studying the stars. One night they saw a bright star they had never [music] seen before. This new star was so different from all the other stars. The wise men were certain that it was a sign that Jesus, the King of the Jews, the promised Savior, had been born. As it sparkled in the sky, the new star seemed to say to the wise men, "Come, I will lead you to [music] the baby Jesus." So the wise men got ready for the trip. They packed their clothes and some food. They also took along some very fine presents. After the wise men had given their camels a long drink, they started on their journey. On their way to find baby Jesus, the wise men had [music] to cross small and big rivers. They had to go up and down hills and mountains. They had to cross miles of hot desert. But they kept on going. Finally, months after the first Christmas, the wise men came to the [music] big city of Jerusalem where the king lived. Here they asked the people, "Where is he that is born king of the [music] Jews? We have seen his star in the east and are come to worship him." But no one seemed [music] to know anything about this new king. Finally, a messenger [music] told wicked King Herod about the wise men from the east and about the new king they were trying to find. When he heard this, Herod was afraid. He wanted to be king all by himself. He didn't want anyone else to be king. wicked King Herod now called in the teachers from the temple. They looked into the Bible scrolls and found that many years earlier, one of God's prophets [music] had said that the new king, baby Jesus, was to be born in Bethlehem. When Herod learned this, he called in the wise men and told them to go to Bethlehem and to let him know when they [music] found the baby Jesus. Herod told the wise men [music] that he wanted to worship baby Jesus too, but he was really making plans to kill him. The wise men were soon on their way to Bethlehem. When they got outside the city of Jerusalem, to their great surprise, they saw the same new star they had seen in the east. This new star [music] was showing them the way to Bethlehem. So the wise men followed the star. And when they came to the house over which the star stopped, they got off their camels and knocked on the door. Inside the house, they found Mary, Joseph, [music] and baby Jesus. no longer was a tiny baby. The wise men fell upon their knees and worshiped him. They also gave [music] baby Jesus the wonderful presents they had brought him all the way from the east. They gave him gold, frankincense, and myrr. All very expensive and precious gifts. That night, the wise men stayed in Bethlehem. While they were sleeping, an angel [music] came to them in a dream and told them not to go back and tell the wicked King Herod that they had found the baby Jesus. The angel told them that King Herod was planning to kill the baby Jesus. So the [music] next morning, the wise men got on their camels and took a different road back to their own homes far away in [music] the east. The wise men were like the shepherds. They were happy they had seen and worshiped the baby Jesus. >> And we're happy with them, too, aren't we? Christmas wouldn't be Christmas without the baby Jesus. [music] [music] >> [music] >> Yes, Jerry Mathers. Um, little kid I was looking to see. I guess he shows up. He's on Adventures of Azie and Harriet and Son of Paleface, which is a movie um TV show um around that same time, 52. But um wow. Yeah, that's early early that kid. And I have one that when he's in he's a teenager, too, a religious film. So, it's it's kind of interesting that he kind of kept falling back to those things. Um, thanks for joining us today. It was great to see everybody live. Um, it might be a big fall back for me if I can't put together a show because I'm sick or I'm out of town or whatever to show that crazy ' 50s, 60s,7s advertising because man, [snorts] there was awesome stuff in there [laughter] and to just mix it up as a randomly uh makes it incredibly diverse. So, um, I don't know if you guys liked it. if you did mention in the comments. Uh but thanks everybody for tuning in. Thumbs up, subscribe, donate, watch other films in our collection. Um you can donate via superthanks uh patreon.coms ko-fi.coms. Those are all great ways to support