| Two wet bears |
1954 |
/ A Medallion production. |
5 |
16mm |
B&W |
sound |
| Tycoon |
1947 |
129 N Vermont |
130 min |
16mm |
Color |
sound |
| Uberprüfen des MG 34 |
1938 |
. |
90 |
16mm |
B&W |
silent |
| Ubu |
1978 |
produced at Grand Slamm animation ; in association with the Arts Council of Great Britain ; a film by Geoff Dunbar. |
19 |
16mm |
Color |
sound |
| UFOs |
1971 |
by Lillian Schwartz and Ken Knowlton. |
3 |
16mm |
Color |
sound |
| Ukiyo - E Prints |
1969 |
9-13 Ginza 5-Chome Chuo-Ku |
22 |
16mm |
Color |
sound |
| Ulysses |
1967 |
Textur |
132 min |
16mm |
B&W |
sound |
| Umoja |
1970 |
: the tiger and the big wind / produced by Carol Munday Lawrence ; animated by Salvatore Raciti. |
8 |
16mm |
Color |
sound |
| Under Milk Wood |
1973 |
Timon Films Ltd |
90 |
16mm |
Color |
sound |
| Under The Roofs Of Paris |
1930 |
[direction, Rene Clair]. |
96 |
16mm |
B&W |
sound |
| Undercurrents |
1973 |
Phoenix / BFA Films And Video Inc; Robin Lehman. |
12 |
16mm |
Color |
sound |
| Une Histoire D'eau |
1958 |
McGraw-Hill Films |
20 |
16mm |
|
sound |
| Une si jolie petite plage |
1948 |
= Such a lovely beach / a production of Émile Darbon ; a co- production of Darbor Films-C. I. C. C. and Dutch European ; original story, adaptation, and dialogue by Jacques Sigurd ; director, Yves Allegret. |
90 |
16mm |
B&W |
sound |
| Unfinished business. |
1984 |
Handy (Jam) Organization |
220 |
16mm |
Color & B&W |
sound |
| Unit training film #1 |
1980 |
by Scott Ryser |
14 |
16mm |
Color |
sound |
| University of Arkansas |
1955 |
: folklore research / filmed by Information Productions, Inc. ; produced by Irving Gitlin ; written by Stephen Fleischman ; directed by Henwar Rodakiewicz. |
25 |
16mm |
B&W |
sound |
| University of California 101st commencement. June 13, 1964. California Memorial Stadium |
1964 |
University of California production. |
18 |
16mm |
|
silent |
| Unknown Chaplin |
1983 |
The Media Guild |
156 mi |
16mm |
Color & B&W |
sound |
| Unterbrechen und Zerstören von oberirdischen Fernsprech und Telegraphenlinien |
1938 |
. |
23 |
16mm |
B&W |
silent |
| Untitled |
1982 |
E. Gehr |
5 |
16mm |
Color |
silent |
| Up The Sandbox |
1972 |
First Artists Production Company, Ltd. & Barwood Films, Ltd |
88 min |
16mm |
Color |
sound |
| Us |
1972 |
Multi-Focus Inc |
28 |
16mm |
Color |
sound |
| Uzdinske slikarke |
1963 |
Dunav-Film prikazuje ; scenario i režija, Ljubiša Jocić. |
12 |
16mm |
Color |
sound |
| Vamos al cine / |
1965 |
director, Robert Swarthe. |
4 |
16mm |
Color |
sound |
| Van Nuys blvd. |
1979 |
A Marimark Production ; executive producer, Newton P. Jacobs ; produced by Marilyn J. Tenser ; written and directed by William Sachs. |
93 |
16mm |
Color |
sound |
| Variations |
1992 |
[by Nathaniel Dorsky]. |
24 |
16mm |
Color |
silent |
| Varoom |
19-- |
directed by Ernest Callenbach. |
11 |
16mm |
B&W |
sound |
| Vasárnapi szülők |
1980 |
= Sunday daughters / Hungarofilm ; screenplay by István Kardos ; directed by János Rózsa. |
100 |
16mm |
Color & B&W |
sound |
| Vein stripping |
1950 |
film produced by Orbit Films ; directed by Dean K. Crystal, MD and Van Kirk Hillman, MD. |
14 |
16mm |
Color |
sound |
| Vengeance of Kali |
1965 |
Serena Film (Rome), Criterion Film (Paris), Eichberg Film (Munich) ; associate producer, Renato Dandi ; screen-play by Guy Elmes, Leo Benvenuit, Piero De Bernardi ; direction, Mario Camerini. |
127 |
16mm |
Color |
sound |
| Vengeance Of Pancho Villa |
1967 |
Ideal Pictures Inc |
87 |
16mm |
Color |
sound |
| Vengeance of the zombies |
1972 |
Profilmes ; executive producers, Ricardo Muñoz Suay, J. A. Perez-Giner ; story and screenplay, Jacinto Molina ; a film of Leon Klimovsky. |
90 |
16mm |
Color |
sound |
| Verhalten der Truppe im Gaskampf. |
1943 |
Heeresfilmstelle |
62 |
16mm |
B&W |
sound |
| Vermont etude |
1977 |
direction, David Ehrlich. |
3 |
16mm |
Color |
sound |
| Vermont etude, no. 2 |
1977 |
direction, David Ehrlich. |
5 |
16mm |
Color |
sound |
| Verpflegungseinsatz im Osten |
1940s |
die Heeresfilmstelle zeigt ; Wehrkreisfilmstelle II, Stettin. |
20 |
16mm |
B&W |
sound |
| Vertical roll |
1972 |
directed by Joan Jonas. |
21 |
16mm |
B&W |
sound |
| Verwundeten-Fürsorge |
1940s |
Heeresfilmstelle. |
16 |
16mm |
B&W |
sound |
| Very Nice, Very Nice |
1961 |
Arthur Lipsett |
7 |
16mm |
B&W |
sound |
| Vicar of Wakefield |
1917 |
Thanhouser Film Corp. ; scenarist, Emmett Mixx ; director, Ernest Warde. |
30 |
16mm |
B&W |
silent |
| Victorian lady in her boudoir |
|
[director, Esme Collins]. |
2 |
16mm |
B&W |
sound |
| Vida |
1977 |
= Life / written and directed by Claris Barahonz O'Carroll. |
14 |
16mm |
B&W |
sound |
| Vietnam : |
1976 |
an historical document CBS. |
57 |
16mm |
Color |
sound |
| Vietnam Day Berkeley |
1965 |
a Parasite production ; directed by Ernest Callenbach and others. |
41 |
16mm |
B&W |
sound |
| Vinyl |
1965 |
based on the novel A clockwork orange by Anthony Burgess ; filmmaker, Andy Warhol. |
64 |
16mm |
B&W |
sound |
| Viridiana |
1961 |
NATCIN |
90 min. |
16mm |
B&W |
sound |
| Visitation |
1972 |
Joan Marie Wolf |
22 min |
16mm |
B&W |
sound |
| Vivian |
1964 |
[filmmaker, Bruce Conner] |
3 |
16mm |
B&W |
sound |
| Volimo te |
1972 |
Filmske Novosti prikazuju ; Dokumentarni Film ; režija, Boško Mratinković. |
14 |
16mm |
Color |
sound |
| Vorderachse und Lenkung |
1930s |
Hans Ewald- Filmgesellschaft. |
8 |
16mm |
B&W |
silent |