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1 result for "J Max Films" in Creator.

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• Educational Screen 1939 — page 365

  …50 35% 33 75 127% Maximum score possible—100 All objective evidence obtained from a comparison of j)ercentage gains in test scores very…

• Educational Screen 1950 — page 4

  Get Jolt olife from your BP. rojection Lamps VIEWLEX “AIRJECTOR™ FOR MAXIMUM PROJECTION LAMP LIFE The “Airjector”, a revolutionary new design in air cooling…

• Educational Screen 1926-1927 — page 671

  …Instead of its being a form of light j individual amusement, it really is an entirely jnew method of communication. I "Our civilization offers…

• Educational Screen 1951,1952,1953 — page 443

  MAXIMUM PICTURE BRILLIANCE REALISTIC SOUND PREVENTS FILM DAMAGE LIBERAL GUARANTEE New developments in optical design give maximum picture brilliance . . . assure a sharp image over…

• Educational Screen 1951,1952,1953 — page 408

  …MAXIMUM PICTURE BRILLIANCE REALISTIC SOUND PREVENTS FILM DAMAGE LIBERAL GUARANTEE New developments in optical design give maximum picture brilliance . . . assure a sharp image over…

• Educational Screen 1941 — page 346

  …And this may turn out to be the case with Max R. Klein, just appointed by the Board of Education as Director of the…

• Educational Screen 1950 — page 352

  …The quiet and powerful, motor-fan model gives utmost protection and safeguards the life of valuable films and slides. ITY 1, N.Y. J…

• Educational Screen 1954,1955,1956 — page 1050

  A new strictly audio department LEND AN EAR MAX U. BILDERSEE, Editor Taping Techniques We keep seeing good school appli- cations and good public…

• Educational Screen 1951,1952,1953 — page 1135

  …The M)und motion picture is doing the same important job ill the Korean conflict, as a medium for training our loices, as a…

• Educational Screen 1950 — page 33

  …These potential contribu The immedi January, 1950 See the EXTRA brilliance! ~~” Get the EXTRA safety! N 300 WATT Triple Purpose 2X2 SLIDE AND FILMSTRIP…

• Educational Screen 1954,1955,1956 — page 1099

  .S*'*" audio department contest on page 239 LEND AN EAR MAX U. BILDERSEE, Editor John Brown's Body C:r)lumbia has protluced an…

• Educational Screen 1950 — page 459

  …maximum efficiency. Finger tip tilt control, instantaneous framing and clear, needle-sharp focusing all combine to make Viewlex top choice for slide or filmstrip…

• Educational Screen 1951,1952,1953 — page 96

  …SINGLE and DOUBLE FRAME STRIP FILM PROJECTOR If $ so easy fo use, fool Designed for extreme simplicity of operation combined with maximum efficiency. Finger…

• Educational Screen 1951,1952,1953 — page 86

  …Company; E.J. McGookin, Revere Camera Company; and O. V. Swisher, RCA Victor Division. Magiscope A new lightweight, inexpensive 35mm filmstrip projector, the Magi…

• Educational Screen 1939 — page 29

  …Da-Lite's advanced process of applying the beads to the fabric results in maxi- mum brilliance without sparking or glare. Avail- able in…

• Educational Screen 1951,1952,1953 — page 97

  …REED— Editor JUNE N. SARK— Associale Editor WILLIAM S. HOCKMAN— Editor for the Church Field L. C. LARSON— Editor for Film Evaluations MAX U…

• Educational Screen 1941 — page 332

  …Therefore, if one is to get the maximum value from the film, he must not only have definite aims and objectives in mind, but…

• Educational Screen 1951,1952,1953 — page 1289

  …line, max. 1500 watts. Portable, compact— weighs 10 lbs.— just plug in. Order yours today— insure good showings always. $59.50 Invaluable as voltage…

• Educational Screen 1948-1949 — page 893

  …LARSON— Editor for Film Evaluations ETTA SCHNEIDER RESS— Editor for Literature MAX U. BILDERSEE— Editor for Recordings PHILIP LEWIS— Editor for Television JOSEPHINE HOFFMAN…

• Educational Screen 1951,1952,1953 — page 265

  …REED— Editor JUNE N. SARK— Associaie Editor WILLIAM S. HOCKM AN— Editor for the Church Field L. C. LARSON — Editor for Film Evaluations MAX…

• Educational Screen 1951,1952,1953 — page 49

  …REED— Editor JUNE N. SARK— Associate Editor WILLIAM S. HOCKMAN— Editor for its Church Field L. C. LARSON — Editor for Film Evaluations MAX U…

• Educational Screen 1951,1952,1953 — page 9

  …REED— Editor JUNE N. SARK— Assoclale Editor WILLIAM S. HOCKMAN— Editor for Iho Church Field L. C. LARSON— Editor for Film Evaluations MAX U…

• Educational Screen 1951,1952,1953 — page 397

  …REED— Editor JUNE N. SARK— Associate Editor WILLIAM S. HOCKMAN— Editor for the Church Field L. C. LARSON — Editor for Film Evaluations MAX U…

• Educational Screen 1951,1952,1953 — page 309

  …REED— Editor JUNE N. SARK— Associate Editor WILLIAM S. HOCKMAN— Editor for the Church Field L. C. LARSON— Editor for Film Evaluations MAX U…

• Educational Screen 1951,1952,1953 — page 521

  …REED— Editor JUNE N. SARK— Managing Editor WILLIAM S. HOCKMAN— Editor for the Church Field L. C. LARSON— Editor for Film Evaluations MAX U…

• Educational Screen 1951,1952,1953 — page 481

  …REED— Editor JUNE N. SARK— Managing Editor WILLIAM S. HOCKMAN— Editor for the Church Held . C. LARSON— Editor for Film Evaluations MAX U. BILDERSEE…

• Educational Screen 1951,1952,1953 — page 659

  …REED— Editor JUNE N. SARK— Managing Editor WILLIAM S. HOCKMAN— Editor for the Church Field L C. LARSON— Editor for Film Evaluations MAX U…

• Educational Screen 1957-1958 — page 800

  …LARSON, CAROLYN GUS5, ond JOHN FRITZ, Editors for Film Evoluotions. MAX U. BILDERSEE, Editor for the Audio Field. PHILIP LEWIS, Technical Editor. ROBERT CHURCH…

• Educational Screen 1942 — page 269

  …Just showing any three or four films on a program will not provide for maximum values. Careful selection should be made of films from…

• Educational Screen 1948-1949 — page 941

  …LARSON— Editor for Film Evaluations ETTA SCHNEIDER RESS— Editor for Literature MAX U. BILDERSEE— Editor for Recordings PHILIP LEWIS— Editor for Television JOSEPHINE HOFFMAN…

• Educational Screen 1951,1952,1953 — page 852

  …REED— Editor JUNE N. SARK— Managing Editor WILLIAM S. HOCKMAN— Editor for the Church Field L. C. LARSON— Editor for Film Evaluations MAX U…

• Educational Screen 1957-1958 — page 853

  …Furthermore, Levolor Audio-Visual Blinds enable the in- Be sure to specify structor to change the room from maximum darkness to a soft diffused…

• Educational Screen 1948-1949 — page 845

  …LARSON— Editor for Film Evaluations EHA SCHNEIDER RESS— Editor for Literature MAX U. BILDERSEE— Editor for Recordings PHILIP LEWIS— Editor for Television EDUCATIONAL JOSEPHINE…

• Educational Screen 1938 — page 161

  May, 19}t Page 165 Get maximum teaching help from your classroom films — keep your library up to date t^K. 5i>, J-vt…

• Educational Screen 1948-1949 — page 745

  …LARSON— Editor for Film Evaluations ETTA SCHNEIDER RESS— Editor for Literature MAX U. BILDERSEE— Editor for Recordings PHILIP LEWIS— Editor for Television JOSEPHINE HOFFMAN…

• Educational Screen 1948-1949 — page 657

  …LARSON— Editor for Film Evaluations ETTA SCHNEIDER RESS— Editor for Literature MAX U. BILDERSEE— Editor for Recordings PHILIP LEWIS— Editor for Television JOSEPHINE HOFFMAN…

• Educational Screen 1951,1952,1953 — page 217

  …REED— Editor JUNE N. SARK— Associale Editor WILLIAM S. HOCKMAN— Editor for the Church Field L. C. LARSON — Editor for Film Evaluations MAX U…

• Educational Screen 1951,1952,1953 — page 172

  …REED— Editor JUNE N. SARK— Associate Editor WILLIAM S. HOCKMAN— Editor for the Church f-ieid L. C. LARSON— Editor for Film Evaluations MAX…

• Educational Screen 1943 — page 237

  September, 1943 Page 233 OWFs 16mm Motion Picture Program July 1942 - June 1943 A report on the activities and accomplishments oi the division the…

• Educational Screen 1936 — page 259

  …table models, tripod models, wall screens and rear projection screens, all w^ith patented features, assuring maximuni convenience of operation. All Da-Lite portable…

• Educational Screen 1948-1949 — page 793

  …LARSON— Editor for Film Evaluations ETTA SCHNEIDER RESS— Editor for Literature MAX U. BILDERSEE— Editor for Recordings PHILIP LEWIS— Editor for Television EDUCATIONAL JOSEPHINE…

• Educational Screen 1937 — page 300

  …THE MANSE LIBRARY ^Vn'c ^"u\"j''i'! o*h\'o WANT TO BUY 1« MM. SILENT OR SOUND-ON-FILM EDUCATIONAL SUBJECTS Will…

• Educational Screen 1926-1927 — page 859

  …Terry Ramsaye (for the industry) in making a delightful film romance from the cold and unappealing facts of commercial film history, interjects some interesting…

• Educational Screen 1954,1955,1956 — page 1027

  …Hockman EVALUATION OF NEW FILMS L, C. Larson, Carolyn Guss, John Fritz LEND AN EAR Max U. Bildersee AUDIO-VISUAL TRADE REVIEW Including Supplement…

• Educational Screen 1934 — page 32

  …portable pro- jectors for comparable results. It combines all of the advantages of the 1 6mm. projector, its economy, light weight, ease of operation…

• Educational Screen 1948-1949 — page 699

  …LARSON— Editor for Film Evaluations ETTA SCHNEIDER RESS— Editor for Uteratijre MAX U. BILDERSEE— Editor for Recordings PHILIP LEWIS— Editor for Television JOSEPHINE HOFFMAN…

• Educational Screen 1957-1958 — page 170

  When Johnny flips the switch VICTOR GUARDOMATIC SAFETY FILM TRIPS go into action With Victor's exclusive Guardomatic Safety Film Trips always on the…

• Educational Screen 1957-1958 — page 326

  …D.'v.SloJ •NO, I When Johnny flips the switch VICTOR GUARDOMATIC SAFETY FILM TRIPS go into action With Victor's exclusive Guardomatic Safety…

• Educational Screen 1957-1958 — page 274

  …Exclusive Guardomatic Safety Film Trips for complete film protection. 2. Hi-Lite optical system for maximum screen brilliance. 3. Sapphire-tipped shuttle for longer…

• Educational Screen 1957-1958 — page 458

  >RDEK Division J25 SJ?Ef«IOi» AV. JtEVELAHUtOHlO HC-9979-12-59 -NO.i When Johnny flips the switch VICTOR GUARDOMATIC SAFETY FILM TRIPS…