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5 results for "Colour Images" in Creator.

Found in catalogs (23)

• Business Screen 1938 — page 278

  …Recently, it has made a series of Zoo films, original and imaginative, for general release, and simultaneously, a fine group of shorts dealing with…

• Business Screen 1963,1964 — page 464

  FPS know all the answers in Colour or Black and White for 8mm prints from 16mm A & B rolls • All other 8mm release printing…

• Educational Screen 1930-1931 — page 335

  …It is not that the coloured people are finer than the whites . . there are, simply, overtones. Whites are shown grouped in a small cafe…

• Educational Screen 1926-1927 — page 913

  …For him feelings must take the form of colours, and, perhaps, en- tirely engrossed in his art, he had no other feeling left save…

• Educational Screen 1948-1949 — page 951

  …In colour it is pale sandy or yellow, the hair being scanty and allowing the skin to show." 2 j^' an aati xlvarn This…

• Business Screen 1961,1962 — page 1160

  …1940 62 PETER RIGG'S COMMEiNTARY: (CONTINUED FROM THE PRECEDING PAGE 14) Colour Film Services. Brit;iin"s largest 16mni color film laboratory. Tfirough…

• Educational Screen 1930-1931 — page 16

  …One feels constantly, in the pages of this paper, the imaginative lift and the emotional stretch of in- ternational mindedness. "In any case, we…

• Educational Screen 1930-1931 — page 369

  …The first experiments were made with scissor-cut figures (nowadays coloured sil- houettes) and the first fairy-tale film (by Rochus Gliese) consisted of…

• See and Hear 1948 — page 43

  …vivid definition of image — blacic and while or natural color . . rock-steady screening at sound or silent speeds. ^0^ Unsurpassed Fidelity of Sound... glorious…

• Business Screen 1965,1966 — page 1398

  …Imasinative Sponsorship by BP, Esso Credit for imaginative international sponsor- ship is divided between British Petroleum and Esso. B. P. had four films representing…

• Business Screen 1963,1964 — page 1220

  …You'll find H-B's contribution to educational, training, public relations and industrial films an experienced and imaginative approach. HANNA-BARBERA INDUSTRIALS oooooooooooooooooooooooooooooooo…

• Business Screen 1967,1968 — page 705

  …16mm colour processing (ECO & ME) and printing b & w processing, 35 to 16 reduction printing; b & w reversal processing. Optical transfers 35 to 16…

• Business Screen 1963,1964 — page 1218

  …produced for Sud .(Xvia- tion by Objectifs — and La coii- leiir ei la forme (Colour and Shape) a training film for hair- dressers, produced…

• Business Screen 1959,1960 — page 1064

  …Navy personnel. "CHET HUNTLEY REPORTS" To communicate the corporate image of the Harnlschfeger Corporation. "WALT BUILDS A FALLOUT SHELTER" Office of Civil and Defense…

• Business Screen 1953 — page 283

  …0 Bright erect image finder, 6Vi " magnification. • "Follow-focus" without aiiitlant. • No parallo« or other finder problems. • Full frome focusing and viewing. • 3-lens…

• Educational Screen 1939 — page 277

  …Drawings, diagrams, and charts can be prepared in i)encil or coloured inks and the copy can be immediately converted into a lantern slide…

• Business Screen 1961,1962 — page 1238

  …Opticals, aerial image photo- graphy. ANIMATION, INC. 736 North Seward St., HoUvwood 38, Cal. Phone: HO 4-1117 A/C: 213 Year of Incorporation…

• See and Hear, 1949, 1951 — page 374

  …Designed to leave the imagination free to create after stimulating children's interest and suggesting "how to do it." Sculpture in Stone (15 min…

• Educational Screen 1930-1931 — page 305

  …Opposing lines in a painting give it dynamic force, or contrasted colours are responsi- ble for its life. Poetry has many conflicts ; for example…

• See and Hear 1948 — page 718

  …Designed to leave the imagination free lo create after stimulating children's interest and suggesting "how to do it." Sciilpliire in Stone ( 1 1…

• See and Hear, 1949, 1951 — page 30

  …The emphasis is on imagination in design and fine crafts- manship. The film was produced by Indiana University. Collaborator: Karl Martz, instruc- tor in…

• See and Hear 1948 — page 416

  …The emphasis is on imagination in design and fine crafts- manship. The film was produced by Indiana University. Collaborator: Karl Martz, instruc- tor in…

• Business Screen 1969 — page 970

  …Robertson); Seeing Colour (World Wide Pic- tures Ltd. ) . WORLD WIDE TELEVISION FILM SERVICES LTD. 34 Cursitor St. London E.C. 4 Phone: 01-405…