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4 results for "A First Artists production" in Creator.

Found in catalogs (50+)

• Educational Screen 1936 — page 290

  …Mass. "We Are All Artists"—Film Review An excellent title for one of the most notable films among the productions of 1936 for the…

• Educational Screen 1928-1929 — page 260

  …Blalteston is well linown as a student and critic of artistic pic- ture-production, and we hope to offer our readers more articles from…

• Mogulls Bros Educational Film Catalog 1936 — page 86

  …f-nf-apply Bray 767 "Demonstration of etching, from the sketching of the first 'cartoon' to the 'pull- ing' of the artist's proof…

• Educational Screen 1922 — page 204

  …First National) (Jan.) But for the very isolated error in pro- longing a fight scene Tol'able David repre- sented a maximum in artistic…

• Educational Screen 1954,1955,1956 — page 816

  …Chiuro Obato, dressed in na- tive costume, demonstrates sumi paint- ing, working first in block, and then in color. SrH-Ad. Swiss Peasont Artist…

• Educational Screen 1954,1955,1956 — page 324

  …PRODUCTIONS 414 Mason Street, San Francisco 2 or 1 1 West 42Ed Street, New York 36 three fundamental characteristics which are important to artists…

• Educational Screen 1922 — page 50

  …of an intricate mechanism standing ineluctably between the artist and his artistic production! So far our readers might conclude we did not approve of…

• Business Screen 1957 — page 233

  nniER PRODUCTS THROUGH IMAGINATION Bell & Howell formation and motivational film- maker of the future." Similarly, in showing how an al- ready successful film could…

• Educational Screen 1957-1958 — page 550

  …First as a DCF: then with his publish- ing house: then as an independent filmstri]) |)roducer; then as director of religious filmstrip production for…

• See and Hear 1948 — page 32

  …Simmel-Meservey. • The first color interiors of the Louvre: views of Montmartre artists at work; repre- sentative buildings and architecture such as Sacre Coeur…

• Educational Screen 1926-1927 — page 557

  …J Production Notes for November OHN BARRYMORE'S first starring photo- play for United Artists will be entitled The Vagabond Lover. The story deals…

• Business Screen 1944,1945,1946 — page 245

  …first thing to be determined in the production of a training film. The truth about any subject can be learned only after all the…

• Educational Screen 1939 — page 279

  …Carlson was announced as chief animator for Essaiiay; Carl Francis Lederer became the artist for Lubin ; and so on. The artists generally now really…

• Educational Screen 1923 — page 137

  …Fairbanks and Miss Pickford are turning their attention more and more to production, their intention being to include in the United Artists' Corporation a…

• Business Screen 1970 — page 411

  …highlighted by occasional artistic achievement and depressed by a sometimes uninspired approach to the art of the motion picture. At first, the sponsored film…

• Educational Screen 1943 — page 300

  …Rus- sell Limbach, the artist-in-residence at the University, painted an effective scene with a deep blue sky, and a black silhoutto of…

• Educational Screen 1928-1929 — page 518

  …This is said to be the first time the Czechoslovak Govern- ment is financially interested in film production. In addition, a British company will…

• See and Hear 1948 — page 413

  …Also there is a slow motion sequence of the Scene from "Rikki" (see opposite page) MOTION PICTURES artist puiiitiiig a portrait. Commentary avail- able…

• See and Hear, 1949, 1951 — page 27

  …Also there is a slow motion sequence of the Scene bom "Rikki" (see opposite page) MOTION PICTURES artist painting a portrait. Commentary avail- able…

• Educational Screen 1954,1955,1956 — page 69

  …products of tlicir creative eflorts, and suggests liow these works reflect the distinctive (haracteristics of each artist. Opening scenes showing Cecil How- ard preparing…

• Educational Screen 1944-45 — page 758

  …This collection consists of representative works, from the academic to the abstract, by out'itanding American artists who have painted during the 20th Century…

• Educational Screen 1954,1955,1956 — page 1163

  …Money -back Guarantee Alexander the Greot — A full-color biography of the first man to conquer the civilized world, based on the United Artists…

• Educational Screen 1924-1925 — page 600

  …was actuated solely by a desire to promote the cause of creative artistry and intelligent thought in the production of motion pictures, and to…

• Educational Screen 1922 — page 205

  …a poor production for Charles Ray to present. 7. THE BARNSTORMERS (First National) (Apr.) So utterly bad that a first run theatre in America…

• Educational Screen 1926-1927 — page 712

  …its artistic ambitions burning brightly and shield- ed from the miasmatic vapors of the com- mercial animosities of production forces. The film-art movement…

• See and Hear 1946,1947 — page 417

  …a vivid account of the work of the British Columbia artist, Emily Carr. A theatrical version in 35 mm is also in production of…

• Business Screen 1940 — page 80

  …press and trade previews, first showings to boards of directors, sales conferences, dealers' conventions, style shows and announcements of new products and manufacturing pro…

• Educational Screen 1943 — page 299

  …After a ceremonial dance they prepare their colors and paint the famous deer of Font-de-Gaume. one of man's first artistic compositions…

• Educational Screen 1928-1929 — page 10

  …also the generation of an appreciation of the beautiful and artistic. The ability of the motion picture to influence the child in the first…

• See and Hear 1946,1947 — page 50

  …With the 116 2x2 Kodachromes of the Collection of Contemporary .Ameri- can Painting, is a catalog which gives a picture of each artist, a…

• See and Hear, 1949, 1951 — page 360

  …JUST COMPLETED — an artistic achievement in the realm of color photography — "BRITISH COLUMBIA" Canada's Pacific Gateway PAUL HOEFLER PRODUCTIONS Sales Division 7934 Santa…

• Educational Screen 1954,1955,1956 — page 814

  …Works and methods of sculpture in wood and stone of contemporary ab- stract artist, Barbara Hepworth, are compared and contrasted with their natural and…

• Educational Screen 1934 — page 75

  …Poland, Holland, Switzerland, Hungary, Austria and (. xechoslovakia, and the Committee is in communication with Spain and Argentine. Italy will also he represented, but first…

• Business Screen 1956 — page 662

  …first » ries were U.S.A.. Opportunities Ui limited. Bow Bells, and } our Horn .is 1 oil Like It. I TECHNICAL ANIMATIOh ARTISTS WANTED…

• Educational Screen 1934 — page 14

  …social and ethical aspects of motion pictures than with their value as artistic products. Frequently what one accepts as a technical and artistic triumph…

• Educational Screen 1951,1952,1953 — page 1323

  …Helping in the Care of Younger Children — a teen-ager learns how to care for her younger brother and sister. □ HoFFBERG Productions, 362 W…

• Educational Screen 1939 — page 278

  …artists to develop and perfect the magic of "animation," one of the most useful and po- tent phases of non-theatrical film production. OF…

• Business Screen 1961,1962 — page 1031

  …and Canada, these exceptional films are communicating the sponsor's message (and our production artistry, efficiency, and experience.) JOBSSBOi AT HOME OR ABROAD, FOR…

• Educational Screen 1926-1927 — page 884

  …CORINNE GRIFFITH has joined United Artists, and June Mathis has been signed to prepare her first story, which, it is rumored, will be The…

• See and Hear 1948 — page 86

  …All tiicse points were clearly dem- onstraied by the artist, and the nar- rator was thorough in his \crbal analysis. So we brought all…

• Educational Screen 1924-1925 — page 202

  …excellent fea turcs of the production, from the standpoin of genuine artistry. There are many delicat touches, and no detail seemingly is too insig…

• Educational Screen 1948-1949 — page 620

  …Also, it should be possible to present all types of out- standing current events. I can .see possibilities in pre- senting artists, craftsmen, and…

• Educational Screen 1923 — page 386

  …There is a rather bigger idea behind all this than seems at first evident. I think Mr. Fair- banks is putting into his picture…

• See and Hear 1947,1948 — page 31

  …Starting with a live model, the artist first makes his pre- liminary sketches and gradually com- pletes the figure painting. Mr. Yeh shows other…

• Educational Screen 1937 — page 123

  …The work received immediate acclaim from artists, photographers, and those in- terested in world affairs. Educators saw in it a definite ap- proach to…

• Educational Screen 1924-1925 — page 521

  …upon a truly fine product. Not only should most of the slides used be colored but they should be ex- quisitely colored, artistically composed…

• Business Screen 1959,1960 — page 1199

  …live action motion picture production for the first time. Marc T. Statler. formerly ex- ecutive producer at Elliot. Unger & Elliot, has been appointed vice…

• Educational Screen 1923 — page 188

  …Family.) MARCH Robin Hood (United Artists) — Fine in every sense of the word. (Any use.) The Hottentot (First National) — Good farce. (Community use.) (Family…

• Educational Screen 1926-1927 — page 687

  …Schenck, and incidentally, also her last for First National. Other First National productions in prog- ress include Easy Pickings, for Anna Q. Nils- son…

• Educational Screen 1946-1947 — page 913

  …The coatis, which are Central American relatives of the racoon and are officially named "coatamundi," are first seen as they awaken from a nap…