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1 result for "Creative Age Films" in Creator.

Found in catalogs (50+)

• Educational Screen 1951,1952,1953 — page 1004

  …The edited film is viewed again and again by the guitarist who improvises a musical setting. When he is satisfied that the improvisations and…

• Educational Screen 1957-1958 — page 1168

  …Apprai.sal The title, Creativity, indicates the thesis of the film which is that t.f imaginative "creativity." In this film, color, art objects…

• Educational Screen 1951,1952,1953 — page 1306

  Cartoonist Don Fenton and scriptwriter Noncy Ross work out ideas for "Children Are Creative." Student photographer Harley Jones and art instructor-director Frank Bach…

• Educational Screen 1951,1952,1953 — page 1305

  …see and see again the film Children Ati Crtative. It is short and to the point, clarifying the fundamental creative philosophy of today's…

• Educational Screen 1957-1958 — page 498

  pwLiNG Pictures Color Films for Studies of Resources, Industries, Con- servotion. Agriculture: "DAMS" "WORKING WATER" "DRILLING FOR OIL" "OUR NATURAL RESOURCES" "OUR PRODUCTIVE LAND…

• Educational Screen 1954,1955,1956 — page 107

  …deal about the imaginative and creative use of audio-visual aids with small chil- dren, say of Primary age. What do you think of…

• Educational Screen 1943 — page 154

  …Religious and Sports Films. Ask for Catalog. BETTER FILMS 742A NEW LOTS AVE.. BROOKLYN. NEW YORK 3 TIMELY ONE-REEL SOUND FILMS "OYSTER FLEET…

• Educational Screen 1934 — page 97

  …Median age of visual department 5yrs, 3. Median percentage of full time allotted to central distributing officer 61% 4. Median number of elerieal assistants…

• Educational Screen 1954,1955,1956 — page 69

  …sculptor's creative strokes in shaping the completed works. Cecil Howard's interest in his era and its people is again reemphasized through a…

• Educational Screen 1926-1927 — page 283

  …the critic adds that very (ccasionally the film version surpasses the (riginal medium of some creative work. Stella Dallas was such but Moby Dick…

• Educational Screen 1957-1958 — page 242

  Creative Teaching Througli tlie Creative Use of Films by Dr. Stanley Applegate Director of the Curriculum Materials Center of the Manhasset (N.Y.) Public…

• Educational Screen 1948-1949 — page 899

  …again. You'll applaud Coronet's creative imagination .and artistic excellence in bringing this long-awaited series to the screen. Let these films be…

• Educational Screen 1951,1952,1953 — page 465

  …An instructor in creative photography highly praised the film for its effective interpretation of Weston's vigorous themes, elemental forms, and the power that…

• Educational Screen 1939 — page 255

  …Regular membership is open to all persons "sub- stantially interested" and "active" in the production of "independent, creative films." Associate membership is open "to…

• Educational Screen 1924-1925 — page 994

  …of industry, con- cerning a product of creative chemistry that was discovered but a few years ago, yet today is an essential material to…

• Educational Screen 1940 — page 338

  …creative activities, which will grow from the children's own interest in the film. Often in the past the purposes of the film and…

• Educational Screen 1946-1947 — page 296

  …We must, therefore, always remember that the creation of a film is not only an artistic or a creative venture, it is also an…

• Educational Screen 1940 — page 30

  …Creative Expression Creative e.xpression in poems, songs, rhythms, and stories. Making a frieze. Making a cylinder of cardboard with a hole in it…

• Educational Screen 1951,1952,1953 — page 1214

  …An unusual series of films, producing emotional involve- ment in the viewer . . . stimulates teacher and pupil to react creatively. An effective, highly recommended, new…

• Educational Screen 1940 — page 161

  …Did they have watches and clocks? Why did they not have more of these ? The film was shown again when the need arose. Only…

• Educational Screen 1934 — page 250

  …MODERN WOODMEN OF AMERICA purchased one two years agro — today have nine complete equipments. The first and only ball bearing pro- jector and sound…

• Educational Screen 1951,1952,1953 — page 275

  …Actual tests show that people of all ages enjoy these films and their wholesome new approach to the child in his own world. 13…

• Educational Screen 1926-1927 — page 208

  …His creative gifts are to benefit the world; no man can live for himself alone. Mr. Crandall has a deep sense of civic pride…

• Educational Screen 1957-1958 — page 980

  …The keynote of Coronet's huge production program is "Creative Quality"— that essential added ingredient of tine filmmaking which combines: the courage to pioneer…

• Educational Screen 1957-1958 — page 1048

  …The keynote of Coronet's huge production program is "Creative Quality" — that ;ssential added ingredient of fine filmmaking which combines: the courage to pioneer…

• Educational Screen 1946-1947 — page 804

  …It was a cooperative and creative experience for us. Its real value is in suggesting that other churches may do likewise. The skills we…

• Educational Screen 1926-1927 — page 220

  …a gripping silhou- ette of Hagen against the dark skies proves his theory strikingly within the film itself. He concludes his article somewhat raggedly…

• Educational Screen 1951,1952,1953 — page 1121

  …An unusual series of films, producing emotional involve- ment in the viewer . . . stimulates teacher and pupil to react creatively. An effective, highly recommended, new…

• Educational Screen 1954,1955,1956 — page 669

  …creative dance teacher with a group of six boys and girls ranging in ages from five to ten years old demon- strates how, within…

• Educational Screen 1954,1955,1956 — page 670

  …Appraisal Not only is this film for teachers of early elementary children and for teachers of creative dance, but also it is a film…

• Educational Screen 1957-1958 — page 893

  …experiments with melted bottle glass." Creative work by students at Immacu- late Heart College, Los Angeles, all ages. For more information circle 133 on…

• Educational Screen 1957-1958 — page 1028

  …In the last half of the film students of all ages are seen making pictures of people. Passe Portout Framing mp INDIANA lOmin sd…

• Educational Screen 1930-1931 — page 275

  November, 1930 271 separately and putting them to- gether in the laboratory on the film to be exhibited. Attention was concentrated on the proposed…

• Educational Screen 1930-1931 — page 412

  …the fundamentals of "creative education". Professor Mearns' exceptional charm of manner and delivery enhanced greatly the effectiveness of the film. Num- erous scenes and…

• Educational Screen 1939 — page 89

  …films which would interpret the achievements and shortcomings of American edu- cation ; for films made by teachers as a wholesome form of creative expression…

• Educational Screen 1936 — page 149

  …Using a short detailed film requiring not more than fifteen minutes. Intercine (7:11-14, Dec, '35) "The Cartoon and the Tradition of Creative…

• Educational Screen 1950 — page 347

  …Speed-i-o-slides Custom-made Slides for Creative Teaching. * Make your own slides. * Use ordinary pencil. * Easy to erase. ¢ For every subject. ¢ Use…

• Educational Screen 1948-1949 — page 764

  …School of Education BETTY STOOPS, Film Librarian. Audio-Visual Center Indiana University, Bloomington Creative Hands Series (International Film Bureau. 6 North Michigan Avenue. Chi…

• Educational Screen 1951,1952,1953 — page 881

  …By raising questions, presenting situations, posing alternative solutions, an educational program can be of great value to teachers as a springboard for creative and…

• Educational Screen 1951,1952,1953 — page 1320

  …that an educational film company representative was on the campus and our audio-visual director twisted his arm until he agreed to see it…

• Educational Screen 1928-1929 — page 358

  …Yet, while benefiting by this experience, the Soviet film producers rely extensively upon the creative participation of the masses. Brilliant examples of this method…

• Educational Screen 1948-1949 — page 961

  …The unimaginative and the less creative, especially in the church, will use the film because it sounds religious. For those who use films, it…

• Educational Screen 1951,1952,1953 — page 1188

  TITLES PROFESSIONAL 16 or 35mm, Silent or with Music MADE Our .35 years of producing top-quali- ty film titles and messages for thea…

• Educational Screen 1948-1949 — page 217

  …Now devoted to the production of entertainment films alone are vast production facilities, superb technical equipment, experience, competent, professional, and often highly talented, creative…

• Educational Screen 1951,1952,1953 — page 837

  …projection Visual Education connes of age with Selectrosiide. Each departnnent head can produce the Icind of training films he knows will do the best…

• Mogulls Bros Educational Film Catalog 1936 — page 122

  EDUCATIONAL FILM CATALOG Daniel Boone 92 Daniel Webster 92 Dan's decision 610 Daughter of the glaciers 917.123 David Livingstone 92 Day at…

• Educational Screen 1957-1958 — page 839

  …close look at the 41 -frame B&W filmstrip. Creative Camping. (From Broadcasting 8: Film Commis- sion, 220 Fifth Ave., N. Y. 1; complete…

• Educational Screen 1957-1958 — page 977

  …Audio -Visual Equipment Comes of Age By MARY CATHERINE WELCH Department of Audio-Visual Instruction, National Education Association WHAT'S the newest in the…

• Educational Screen 1957-1958 — page 867

  …This sensitivity to curricular needs is < haracieristic of a creative worker. (2) A/r Center Relationships. The Building Coordinator works harmoni- ously with the…

• Educational Screen 1930-1931 — page 450

  …The creative urge, the pioneer spirit—call it what you will-^it is there strong. Among the films produced thus far by the depart…