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41 results for "Artists' Film" in Creator.

Found in catalogs (50+)

• Educational Screen 1923 — page 140

  …Zukor will offer at the conference to those elements contributing most to the motion pic- ture's artistic development during the year. "While the…

• Educational Screen 1922 — page 43

  …But a film like The Journey's End is received in what Forbes Robertson calls "blessed artistic silence." Printed words are only symbols of…

• Educational Screen 1936 — page 290

  …Mass. "We Are All Artists"—Film Review An excellent title for one of the most notable films among the productions of 1936 for the…

• Educational Screen 1950 — page 124

  …the artist next discuss a number of works which are shown, including Dali's “Persistence of Memory,” “The Eternal City,” and a film sequence…

• Educational Screen 1951,1952,1953 — page 537

  …Painter Abraham Walkowitz had himself painted by over one hundred artists. A film showing the approach to reality by various artists might break the…

• Educational Screen 1957-1958 — page 718

  …From a Filmstrip Artist I couldn't agree with you more in what you said about filmstrip art in your department in the November…

• Mogulls Bros Educational Film Catalog 1936 — page 86

  749-778 EDUCATIONAL FILM CATALOG 749 Artistic furniture For cabinet making, see class 684 American wing. 45min 16-si-$90 35-si-nf- $180…

• Educational Screen 1922 — page 42

  …To realize the truth of this assertion one has only to compare the artistic effect of the captionless film The Journey's End with…

• Business Screen 1944,1945,1946 — page 265

  …Convinced that even the ablest vritcrs had nothing to lose through :ollaboration with artists, the rraining Film and Motion Picture Jranch set up a…

• Educational Screen 1924-1925 — page 364

  …Ten Commandments, The — (Famous Players). *Thief of Bagdad, The — Douglas Fairbanks — (United Artists). Worthwhile Films Forever — Elsie Ferguson, "Wallace Reid — ^(Fa- mous Players). The…

• Business Screen 1970 — page 235

  …An equally adept artist and filmmaker. Mil- lie is perhaps the more outspoken, quickly interpreting, explaining or discussing some- thing in great detail, somewhat…

• Educational Screen 1944-45 — page 543

  …masterpiece, artist, and the times that influenced both. A B&H Filmosound can help bridge this gap by presenting art films from Filmosound Library…

• Educational Screen 1928-1929 — page 260

  …I^ondon correspondent—on European film productions. Mr. Blalteston is well linown as a student and critic of artistic pic- ture-production, and we…

• Educational Screen 1954,1955,1956 — page 324

  …artist does, and all artists should, know and un- derstand the subject being painted is implicitly developed. GEOGRAPHY OF YOUR COMMLMTY (Coronet Instructional Films…

• Educational Screen 1948-1949 — page 541

  …Other artists: PADEREWSKI, 60RIN, DILLIN6, VRONSKY-BABIN, MYRA HESS, COOLIDGE QUARTETTE, etc./ SIOFFICAL FILMS I OFFICIAL FILMS, 25 W. 45lh St.. New York 19…

• Educational Screen 1954,1955,1956 — page 816

  Contemporary films DONG KINGMAN Jfanoted at £fli*tM44Aifk 'JUu Ifeaii! "A superb biographical miniature in color on the noted Chinese-American artist." — Howard Thomson…

• Educational Screen 1954,1955,1956 — page 323

  …mm RLBI^STEII (World Artists, Inc., 9608 Heather Road, Beverly Hills, California) 23 minutes, 16mm, sound, black and white, 1952. DESCRIPTION This film presents…

• Educational Screen 1936 — page 176

  …The slide, "The Artist at Work," showed the artist busily picturizing one of the delightful New England inlets. This slide is a typical scene…

• Business Screen 1942,1943 — page 484

  …Back of the film lies the work of numer- ous artists, photographers, writers and technical experts working to- gether as a closely knit team…

• Educational Screen 1951,1952,1953 — page 116

  …This film presents a number of school uses of the felt- board. Beginning in a primary classroom, the film shows a teacher building number…

• Educational Screen 1951,1952,1953 — page 462

  …A remarkable warmth and sincerity pervade this film, which not only documents an artist's career but also por- trays an American woman of…

• Educational Screen 1922 — page 204

  …Warren) (Apr.) To quote from our review for April : "a magnificently Dickenesque film ; in a good *nany years of film study this cast, without…

• Business Screen 1961,1962 — page 861

  …I6mm and 35mm Mitchells; Mole-Richardson lighting; cable, generators, sound, grip and full inventory of every field requirement to meet location filming. ye4 £r…

• Business Screen 1954 — page 658

  …And yet, the best business films are artistically good. They are artistically good, as well as highly effective, when every member of the team…

• Educational Screen 1943 — page 300

  …This cellophane-poster technique was recently employed with considerable artistic success in a film produced at Wesleyan University on the Navy Flight Preparatory School…

• Business Screen 1957 — page 233

  …Louis Art Exhibit Cal Dunn, Chicago film produc- er and past-president of the Artists Guild of Chicago, recently sened as a judge of…

• Business Screen 1956 — page 327

  …Part of the recognition for Dunn's work in- cludes a feature article in the American Artist Magazine. The versatile 16mm film producer is…

• Educational Screen 1924-1925 — page 363

  …If I Were Queen — Ethel Clayton — (Film Book- ing Offices). Iron Trail, The — (United Artists). L.et'.s Go — (Renown Pictures). Old Homestead, The…

• Business Screen 1963,1964 — page 797

  …Bliiik Fury (Warner Bros.); Lund oj the Trembling iiurtb (Warner Bros); Bayou (I'nited Artists): Vorce of the Wind (I'nited Artists); Virihird I…

• Educational Screen 1950 — page 384

  …FINGERPAINTING TECHNIQUES Ruth Summers shows how the average person, without artistic talent, can find artistic expression. This demon- stration will stimulate a genuine in…

• Educational Screen 1924-1925 — page 362

  …Little Lord Fauntleroy — Mary Pickford — (United Artists). JVanook of the North — (Path6). Robin Hood — Douglas Fairbanks — (United Art- ists). Worthwhile Films Bachelor Daddy, The…

• Educational Screen 1951,1952,1953 — page 122

  FULL COLOR FILMSTRIP5 Artists of Many Lands and Many Times The basic thought in this new series of nine FULL COLOR FILMSTRIP is that…

• Business Screen 1959,1960 — page 1312

  …Gordon's problems could be stated like this: ( 1 ) He wanted to introduce a new Seeburg juke-box that fea- tured an "Artist of…

• Educational Screen 1939 — page 279

  …1917, ap- peared with another development, the Barre-Bowers Film Corporation, of Jer- sey City, N. J. One artist who really had not been…

• Educational Screen 1957-1958 — page 551

  …Where are these new and needed filmstrip artists to come from? Many will have to be grown. The great art schools will need to…

• Educational Screen 1926-1927 — page 554

  550 The Theatrical Field Conducted by Marguerite Orndorff Theatrical Film Reviews for November [24] THE BLACK PIRATE (United Artists) Romantic shades of all the…

• Business Screen 1944,1945,1946 — page 245

  …A qualitative analysis of any training film reveals the following ingredients in the order of their application in the training film produc- tion process…

• Educational Screen 1951,1952,1953 — page 254

  FULL COLOR FILMSTRIPS Artists of Many Lands and Many Times The basic thought in this new series of nine FULL COLOR FILMSTRIP is that…

• Mogulls Bros Educational Film Catalog 1936 — page 116

  EDUCATIONAL FILM CATALOG Anaconda sheet copper, Manufacture of 669.3 Analysis of exercises per- formed with a rhythmi- cal swing 613 Anatomy Body framework…

• Educational Screen 1957-1958 — page 550

  …This diversity, and its essential integrity, is not widely appreciated bv many film- strip producers and liwer filmstri|i "artists." This is the tragic…

• Educational Screen 1935 — page 76

  …Can you use this valuable medium properly, effi- ciently, artistically? The CAMERA CRAFT BOOK SERVICE can supply authoritative texts on any photographic subject. The…

• Educational Screen 1954,1955,1956 — page 69

  msSi^aluatioH of new films by L. C. LARSON Director, Audio-Visual Center Indiana University Vilm reviews and evaluations on these pages are based…

• Educational Screen 1957-1958 — page 1027

  …Children in the films interpret their own experiences by using inex- pensive art materials. Titles: Birds and Etching, Insects and Painting, Weeds and Mosaics…

• Educational Screen 1951,1952,1953 — page 536

  …Several museum directors described the efficacy of the art film in teaching museum visitors how to look at pictures. Foremost American artists, art film…

• Educational Screen 1924-1925 — page 600

  …Zukor's disinterested motive in offering this prize; he was actuated solely by a desire to promote the cause of creative artistry and intelligent…

• Educational Screen 1944-45 — page 853

  …Artists and their teachers American and Euro- pean art Eoreign influences in United States Mounting and Handling Slides After the roll of film has…

• Educational Screen 1923 — page 137

  …Film Reviews ROBIN HOOD (United Artists) After watching a few of the scenes in the actual process of being "shot," and moving for a…

• Educational Screen 1922 — page 258

  …come from without the film world." But when all is said, John Barrymor has unmistakable faith in an artistic fu ture for the screen…

• Educational Screen 1926-1927 — page 1015

  …original and artistic "Overture," the main productions are bound to follow. New Educational Productions from UFA The production of six biological films has been…

• Educational Screen 1944-45 — page 758

  …I have been hoping to apply both my pre-war experience and my army training to post- war production of instructional films. Is this…